Aaron Douglas plays a prison guard in "Second Chances".
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- Aaron Douglas
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| - Aaron Douglas plays a prison guard in "Second Chances".
- Aaron Douglas is a Canadian actor. He is best known for his role as Galen Tyrol on the Sci Fi Channel's television program Battlestar Galactica and Playing Deputy Steve from Final Destination 2 He headlined on the CTV drama The Bridge, which was also picked up by CBS for broadcast in the United States. Douglas played Frank Leo, a charismatic police union leader who is simultaneously battling criminals on the street while facing down corruption within the ranks of his own department. CBS ordered thirteen episodes, which began production in May 2009 but was dropped after showing just three episodes.
- Aaron Douglas är en Kanadensisk skådespelare.
- Aaron Douglas is an actor who portrayed Lindquist in The X-Files television series.
- Aaron Douglas played a demon who delivers Sam his contract in "What About Blob?". His other television credits include Bionic Woman, Battlestar Galactica, The Dead Zone, The L Word, and the films I, Robot and X-Men 2.
- Aaron Douglas is a voice actor who voiced Jordi Chin in Watch Dogs.
- Aaron Douglas is a Canadian actor who plays Ray Darlton on Eureka.
- Aaron Douglas (born August 23, 1971) is a Canadian actor. He portrayed Russell Glosson/The Turtle in the second season The Flash episode, "Potential Energy".
- Aaron Douglas (b. August 23, 1971) portrays The Turtle in The Flash along with Pierce and Deputy Michael Vertigo in Smallville.
- Aaron Douglas is an episodic actor on Once Upon a Time, portraying the role of Fendrake in "Devil's Due".
- Aaron Douglas was born in Topeka, Kansas, to Aaron and Elizabeth Douglas. He developed an interest in art during his childhood and was encouraged in his pursuits by his mother. Douglas graduated from Topeka High School in 1917. He received his B.A. degree from the University of Nebraska-Lincoln in 1922. In 1925, Douglas moved to New York City, settling in Harlem. Just a few months after his arrival he began to produce illustrations for both The Crisis and Opportunity, the two most important magazines associated with the Harlem Renaissance. He also began studying with Winold Reiss, a German artist who had been hired by Alain Locke to illustrate The New Negro. Reiss's teaching helped Douglas develop the modernist style he would employ for the next decade. Douglas’s engagement with African an
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