No More Color was the third well-received album from Coroner, which had quite a few characteristics. First, it was well-produced, as Coroner’s debut had a bit of a thin sound (i. e. the high-pitched tom-toms in particular on Markus Edelmann’s drums), and their second album of Punishment For Decadence had a thicker sound all around, but it still wasn’t clear. By this album though, there was a razor-sharp guitar sound and pretty much the only thing lacking was Roland Broder’s bass not being heard as much as on their previous two releases.