| rdfs:comment | - This Occupation has been listed in two different Departments on IMDb. Since there are hundreds of Occupations that are listed in one or more Departments, the editors of this Wikia have not gotten around them all. You can help by finding out what Departments already link to this Occupations and putting them here. There's already a form you can fill out when you edit this page. Thank you.
- The incidental music, or background music, for the show was written and performed by Sam Phillips. In addition to numerous other musical cues used throughout the show's seven seasons, a few have been presented on "Our Little Corner of the World: Music from the Gilmore Girls]]". Prototypical cues are guitar strums with simple "la la la" vocals,
- Incidental music, which has been used in Emmerdale since 1997, is a piece of music played over a scene. In this case, it is mostly used to play over scenes of different characters in all their predicaments. There have been 41 known uses of incidental music in Emmerdale.
- Incidental music is defined as music within a film, television programme or other media that both complements and adds to the drama being played out, enhancing its atmosphere or sign-posting to a viewer how they should be emotionally reacting to what they are watching or listening. Even when the "talkies" began in the late 1920s, film makers realised the extra effect that music could bring to their productions and the same was true of television when it began in the 1930s.
- Doctor Who's relationship with incidental music was spotty during the 1960s. Many stories did not in fact have incidental music, so much as a composition of various special sounds. It was really only with the rise of Barry Letts as producer that serials began to consistently have genuine, composed incidental music scores. Modern Doctor Who has also occasionally obtained the rights to use pre-existing popular music as part of the score. Songs like "Englishman in New York", "Sunshine", and "Chances" have been used as scene-setters.
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| abstract | - This Occupation has been listed in two different Departments on IMDb. Since there are hundreds of Occupations that are listed in one or more Departments, the editors of this Wikia have not gotten around them all. You can help by finding out what Departments already link to this Occupations and putting them here. There's already a form you can fill out when you edit this page. Thank you.
- The incidental music, or background music, for the show was written and performed by Sam Phillips. In addition to numerous other musical cues used throughout the show's seven seasons, a few have been presented on "Our Little Corner of the World: Music from the Gilmore Girls]]". Prototypical cues are guitar strums with simple "la la la" vocals,
- Incidental music, which has been used in Emmerdale since 1997, is a piece of music played over a scene. In this case, it is mostly used to play over scenes of different characters in all their predicaments. There have been 41 known uses of incidental music in Emmerdale.
- Doctor Who's relationship with incidental music was spotty during the 1960s. Many stories did not in fact have incidental music, so much as a composition of various special sounds. It was really only with the rise of Barry Letts as producer that serials began to consistently have genuine, composed incidental music scores. During the 1970s, incidental music was — with a few important exceptions — typically composed by Dudley Simpson, and performed with traditional instruments with the occasional addition of a synthesiser. Though the budget did not run to full orchestras, Simpson was typically able to at least have a few live instrumentalists, so that the major sections of the orchestra were represented. Producer John Nathan-Turner, however, politely fired Dudley Simpson. From The Leisure Hive to Survival the incidental music was mainly played on synthesisers, with a few exceptions allowing for additional instruments such as electric guitar (Paddy Kingsland's work and Survival) or a harmonica (The Happiness Patrol). The first fully orchestral incidental music in the history of the franchise was found in John Debney's score for the 1996 tele-movie. When Doctor Who returned in 2005, Murray Gold wanted to continue in Debney's tradition. Initially, however, he was only able to get an orchestral session for the Doctor Who theme. True orchestral soundtracks didn't happen until the budget was increased following the success of Series 1. From The Christmas Invasion forward, Doctor Who has enjoyed genuine orchestral incidental music, to the extent that the show's orchestrator, Ben Foster, became almost as well known as composer Murray Gold. Modern Doctor Who has also occasionally obtained the rights to use pre-existing popular music as part of the score. Songs like "Englishman in New York", "Sunshine", and "Chances" have been used as scene-setters. Sometimes, rough prints of Doctor Who episodes have featured unofficial music tracks in the interim before being replaced with new orchestrated soundtracks, such as when these unfinished cuts of episodes are privately screened. In the final version of an episode, the style or mood of the music used in a scene may be changed from that of the rough print, or music may be removed from a scene entirely. fr:Musique de fond
- Incidental music is defined as music within a film, television programme or other media that both complements and adds to the drama being played out, enhancing its atmosphere or sign-posting to a viewer how they should be emotionally reacting to what they are watching or listening. Such music goes back to the earliest days of Greek drama and has been used for centuries, even in the plays of Shakespeare. In the earliest days of cinema, the lack of sound on film meant that for the first couple of decades of the medium, music, and particularly piano music, was used in the picture houses alongside the hand-cranked films that audiences were watching. One of Violet Carson's first professional jobs was providing such music using her piano skills. Even when the "talkies" began in the late 1920s, film makers realised the extra effect that music could bring to their productions and the same was true of television when it began in the 1930s. In the genre of serials and soap operas, the UK is unusual in that music is rarely used as part of the programme, the major exception being the Channel Four "teen-soap" Hollyoaks. In other countries music features to a large extent, especially in bridging between two scenes. For many decades in the United States of America, organ music was played throughout episodes of the daytime soaps, only being phased out in the 1970s. The Australian soaps use a large library of stock soundtracks to this day. Coronation Street has only used incidental music on a small number of occasions, so much so that most viewers would make the claim that it has never been used and the rare incidents when it is heard provoke surprise. The table below summarises the known uses in the programme's history.
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