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| rdfs:comment | - Yasujirō Ozu(小津 安二郎Ozu Yasujirō, 12 December 1903 – 12 December 1963) was a Japanese film director and script writer. He began his career during the era of silent films. Ozu made fifty-three films: twenty-six in his first five years as a director, and all but three for the Shochiku studio. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. Marriage and family, especially the relationships between the generations, are among the themes in his work. His outstanding works include Late Spring (1949), Early Summer (1951), Tokyo Story (1953), and Floating Weeds (1959).
- Yasujirō Ozu (小津安二郎 Ozu Yasujirō, Tokyo, December 12, 1903 - December 12, 1963) was a Japanese director and screenwriter.
- Yasujirō Ozu, 小津 安二郎, Ozu Yasujirō, December 12, 1903 – December 12, 1963 was an influential Japanese film director. Although marriage and family were among the most persistent themes in his body of work, Ozu ironically remained single and childless all of his life.
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| Name | - Yasujirō Ozu
- Ozu Yasujiro
- Yasujiro Ozu
- 小津安二郎
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| ID | - 177490
- 654868
- directors/03/ozu
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| abstract | - Yasujirō Ozu(小津 安二郎Ozu Yasujirō, 12 December 1903 – 12 December 1963) was a Japanese film director and script writer. He began his career during the era of silent films. Ozu made fifty-three films: twenty-six in his first five years as a director, and all but three for the Shochiku studio. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. Marriage and family, especially the relationships between the generations, are among the themes in his work. His outstanding works include Late Spring (1949), Early Summer (1951), Tokyo Story (1953), and Floating Weeds (1959).
- Yasujirō Ozu (小津安二郎 Ozu Yasujirō, Tokyo, December 12, 1903 - December 12, 1963) was a Japanese director and screenwriter.
- Yasujirō Ozu, 小津 安二郎, Ozu Yasujirō, December 12, 1903 – December 12, 1963 was an influential Japanese film director. Although marriage and family were among the most persistent themes in his body of work, Ozu ironically remained single and childless all of his life.
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