PropertyValue
rdf:type
rdfs:label
  • René Echevarria
  • René Echevarria
  • René Echevarria
  • René Echevarria
  • René Echevarria
rdfs:comment
  • René Echevarria es un escritor, productor y editor Cubano-Americano de muchos capítulos de Star Trek: The Next Generation yStar Trek: Deep Space Nine.
  • René Echevarria is a Cuban-American screenwriter and film producer, and a writer for Castle. He began his career as an amateur screenwriter submitting unsolicited scripts to the producers of Star Trek: The Next Generation. After using a few of his stories, they hired him as a writer. He then became a regular contributor to Star Trek: Deep Space Nine. Echevarria has written for the TV series Now and Again, Dark Angel and Medium, and was co-creator and writer of The 4400. He was a contributing writer to the science fiction series Terra Nova. He is currently an executive producer on Teen Wolf.
  • Er entwickelte für zahlreiche Episoden von [[]] und [[]] die Story und schrieb auch sehr viele Drehbücher.
  • Dopo la laurea in storia conseguita presso la Duke University, Rene si trasferì a New York per intraprendere la carriera teatrale. Nel 1989, mentre lavorava come cameriere a New York, scrisse il suo primo copione per Star Trek: The Next Generation, "La figlia di Data". Diventò così un autore regolare per la serie, e in seguito scrisse anche per Star Trek: Deep Space Nine. I suoi trenta e più episodi di Star Trek, gli hanno fatto guadagnare candidature per i premi "Humanitas", "Peabody", due premi "Hugo", e un premio NASA Vision per la miglior rappresentazione del futuro dell'umanità nello spazio. Nel 1994, ha ricevuto uno speciale riconoscimento dall'organizzazione Latino Media HAMAS. Nel 1998, sviluppò lo scenario per Star Trek: The Experience. Dopo Star Trek René ha supervisionato la pro
  • Echevarria preferred writing dialogue for the Star Trek: Deep Space Nine characters over the Star Trek: The Next Generation characters. Echevarria commented: "In a lot of ways, I find it much easier and much more enjoyable to write for ST:DS9. I think the characters feel more real to me and more vivid. I remember sitting down to write a scene between Geordi and Beverly and not knowing what these people have to say to each other. After seven years, we really don't know that much about them. ST:TNG was pitched at a sort of heroic level – like a fable. In the end, these characters were all wonderful, nice people who got along with each other. On ST:DS9, I think the characters are much more real people who have back stories and problems and ways of looking at the world. The problem of writing
owl:sameAs
dcterms:subject
Acteur
  • René Echevarria
dbkwik:castle/property/wikiPageUsesTemplate
dbkwik:de.memory-alpha/property/wikiPageUsesTemplate
dbkwik:es.startrek/property/wikiPageUsesTemplate
dbkwik:it.memory-alpha/property/wikiPageUsesTemplate
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IMDB
  • nm0248404
Role
  • Writer
Name
  • René Echevarria
Afbeelding
  • Rene Echevarria.jpg
ID
  • nm0248404
abstract
  • René Echevarria es un escritor, productor y editor Cubano-Americano de muchos capítulos de Star Trek: The Next Generation yStar Trek: Deep Space Nine.
  • Echevarria preferred writing dialogue for the Star Trek: Deep Space Nine characters over the Star Trek: The Next Generation characters. Echevarria commented: "In a lot of ways, I find it much easier and much more enjoyable to write for ST:DS9. I think the characters feel more real to me and more vivid. I remember sitting down to write a scene between Geordi and Beverly and not knowing what these people have to say to each other. After seven years, we really don't know that much about them. ST:TNG was pitched at a sort of heroic level – like a fable. In the end, these characters were all wonderful, nice people who got along with each other. On ST:DS9, I think the characters are much more real people who have back stories and problems and ways of looking at the world. The problem of writing a scene between Riker and Geordi was that you just didn't know what they would say, and you couldn't keep going. On ST:DS9, when you sit down to write a scene between Bashir and O'Brien, they talk to you as you write them. Their voices are so clear. You find yourself thinking, 'Oh no, what have I done? I've written a nine-page scene. It should only be two! As a writer I find that more satisfying". ("The Pen is Mightier Than the Sword", Star Trek Monthly, issue 29)
  • René Echevarria is a Cuban-American screenwriter and film producer, and a writer for Castle. He began his career as an amateur screenwriter submitting unsolicited scripts to the producers of Star Trek: The Next Generation. After using a few of his stories, they hired him as a writer. He then became a regular contributor to Star Trek: Deep Space Nine. Echevarria has written for the TV series Now and Again, Dark Angel and Medium, and was co-creator and writer of The 4400. He was a contributing writer to the science fiction series Terra Nova. He is currently an executive producer on Teen Wolf.
  • Er entwickelte für zahlreiche Episoden von [[]] und [[]] die Story und schrieb auch sehr viele Drehbücher.
  • Dopo la laurea in storia conseguita presso la Duke University, Rene si trasferì a New York per intraprendere la carriera teatrale. Nel 1989, mentre lavorava come cameriere a New York, scrisse il suo primo copione per Star Trek: The Next Generation, "La figlia di Data". Diventò così un autore regolare per la serie, e in seguito scrisse anche per Star Trek: Deep Space Nine. I suoi trenta e più episodi di Star Trek, gli hanno fatto guadagnare candidature per i premi "Humanitas", "Peabody", due premi "Hugo", e un premio NASA Vision per la miglior rappresentazione del futuro dell'umanità nello spazio. Nel 1994, ha ricevuto uno speciale riconoscimento dall'organizzazione Latino Media HAMAS. Nel 1998, sviluppò lo scenario per Star Trek: The Experience. Dopo Star Trek René ha supervisionato la produzione della serie CBS controversa e acclamata, sebbene di breve durata, L'incredibile Michael (titolo originale "Now and Again"), distribuito dalla Paramount Pictures. Nel 2000, firma come co-produttore esecutivo per la serie di James Cameron distribuita da FOX, Dark Angel come parte di un contratto complessivo pluriennale con la 20th Century FOX Television per sviluppare nuovi progetti da produrre. Ha inoltre partecipato alla stesura di episodi delle serie televisive 4400, Medium e Castle - Detective tra le righe.
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