PropertyValue
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  • Feed The Kitty
  • Feed the Kitty
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  • Feed the Kitty is a Merrie Melodies cartoon directed by Chuck Jones and written by Michael Maltese, in which Bulldog Marc Anthony adopts small cat Pussyfoot and tries to hide it from his owner. It was released theatrically on February 2, 1952. In 1994 it was voted #36 of the 50 Greatest Cartoons of all time by members of the animation field.
  • This cartoon is the first of a short series directed by Jones and using the characters of Marc Anthony and Pussyfoot. Marc Anthony tries to scare off a cute little kitten and stares at the camera confused wondering why Pussyfoot didn't run, Pussyfoot, only to realize the cat is not scared of him, instead using him as a bed and resting on his back. The dog falls for her and decides to adopt it and to bring it home.
  • This cartoon is the first of a short series directed by Jones and using the characters of Marc Anthony and Pussyfoot (both voiced by an uncredited Mel Blanc). Marc Anthony, a massive-chested bulldog, tries to intimidate a cute little stray kitten with his ferocious barking and grimacing. Not only is the kitten not frightened, it climbs right up on the dog's back and prepares to nestle itself in his fur. Despite wincing at its kneading, Marc instantly falls for the sleeping kitten and decides to adopt it, bringing it home with him.
  • Feed The Kitty is a 1952 Merrie Melodies short, No. 36 on The 50 Greatest Cartoons list and one of Chuck Jones' most beloved shorts. "Feed the Kitty" centers on the bulldog Marc Anthony as he encounters a cute little kitten (officially named "Pussyfoot") who is unfazed by Marc's attempts to scare her, and in fact takes a liking to Marc as she naps on the dog's back. Marc Anthony takes the kitten home with him, but also tries to hide Pussyfoot from his owner, who is fed up with him bringing junk home. Naturally, it has earned a spot on The 100 Greatest Looney Tunes list.
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Previous
Voice
Starring
Sound effects
color process
  • Technicolor
Series
Runtime
  • 420.0
Producer
Release Date
  • 1952-02-02
Name
  • Feed the Kitty
Airdate
  • 1952-02-02
Caption
  • Title card of Feed the Kitty.
Animators
movie language
  • English
Voice Actor
Title
  • Feed the Kitty
background artist
  • Philip DeGuard
layout artist
Musician
story artist
animator
Distributor
  • Warner Bros. Pictures
ID
  • 44609
NEXT
Writer
Director
Layout-artist
Background-artist
abstract
  • This cartoon is the first of a short series directed by Jones and using the characters of Marc Anthony and Pussyfoot (both voiced by an uncredited Mel Blanc). Marc Anthony, a massive-chested bulldog, tries to intimidate a cute little stray kitten with his ferocious barking and grimacing. Not only is the kitten not frightened, it climbs right up on the dog's back and prepares to nestle itself in his fur. Despite wincing at its kneading, Marc instantly falls for the sleeping kitten and decides to adopt it, bringing it home with him. Upon his arrival, his human owner (voiced by Bea Benaderet), tired of picking up his things, orders him not to bring one more thing inside the house. Much of the cartoon centers on the kitten continually getting into things around the house and coming very close to alerting Marc Anthony's owner of its presence, with the bulldog employing numerous tactics to hide or disguise it as common household items. As the woman becomes increasingly confused by her dog's suddenly odd behavior, the kitten continues to play. After a while, Marc Anthony takes the kitten into the kitchen and attempts to scold it, but when he hears his owner walking toward the kitchen, he hastily hides the kitten in a flour canister and tries to look innocent. Growing tired of his antics, his owner evicts him from the kitchen and tells him to stay out while she bakes cookies. Marc Anthony watches as his owner scoops out a cup of flour, and is horrified to see that the kitten is in the measuring cup. The lady pours the flour, along with the kitten, into a mixing bowl and prepares to use an electric mixer. The bulldog tries several times to thwart her, finally spraying his face with whipped cream to make himself appear rabid, resulting in his disbelieving and exasperated owner throwing him out of the house. Meanwhile, the kitten climbs out of the bowl and hides behind a box of soap flakes to clean itself up. Marc Anthony, unaware that the kitten has escaped, can only watch as his owner mixes the cookie batter, rolls out the dough, cuts it into shapes and places the cookies in the oven. At each phase of the process, the poor bulldog becomes increasingly distressed until he finally collapses in tears, literally crying a puddle in the back yard. His mistress comes out a short time later and, thinking he is crying over being disciplined, lets him back inside and tells him he has been punished enough. She attempts to console him by giving him a cookie in the shape of a cat. Stunned, Marc Anthony takes the cookie and places it on his back where the kitten had slept earlier, eventually breaking down in tears once again. The kitten then walks up and meows at him. Marc Anthony is immediately overjoyed to see his friend safe and sound, picks the kitten up and kisses it, then suddenly realizes that his owner is watching. He vainly tries to disguise the kitten like he did earlier, but she simply stands in front of him tapping her foot, with her hands on her hips. He finally begs at his mistress's feet, and to his surprise, she allows him to keep the kitten, sternly telling him that the kitten is completely his responsibility. The dog, in turn, glares sternly at the kitten in the manner of a disciplinarian, but it simply purrs at him and climbs onto his back once again. As it kneads his fur and curls up to sleep, he smiles contentedly and tucks it in.
  • Feed the Kitty is a Merrie Melodies cartoon directed by Chuck Jones and written by Michael Maltese, in which Bulldog Marc Anthony adopts small cat Pussyfoot and tries to hide it from his owner. It was released theatrically on February 2, 1952. In 1994 it was voted #36 of the 50 Greatest Cartoons of all time by members of the animation field.
  • Feed The Kitty is a 1952 Merrie Melodies short, No. 36 on The 50 Greatest Cartoons list and one of Chuck Jones' most beloved shorts. "Feed the Kitty" centers on the bulldog Marc Anthony as he encounters a cute little kitten (officially named "Pussyfoot") who is unfazed by Marc's attempts to scare her, and in fact takes a liking to Marc as she naps on the dog's back. Marc Anthony takes the kitten home with him, but also tries to hide Pussyfoot from his owner, who is fed up with him bringing junk home. Naturally, it has earned a spot on The 100 Greatest Looney Tunes list. Not to be confused with Pet the Dog. * Angry Guard Dog: Marc Anthony tries to represent this in their first meeting. It fails miserably. * Badly-Battered Babysitter: Poor Marc Anthony. * Big Friendly Dog: It's no good denying it, Marc Anthony. * Bully Bulldog: Marc Anthony turns out to be a subversion. * By the Lights of Their Eyes: The first thing we see is Pussyfoot's eyes inside a can. * Cats Are Mean: Averted. Pussyfoot does get Marc Anthony in trouble but s/he doesn't seem to do it on purpose. * Cuteness Proximity: Marc Anthony positively melts when Pussyfoot acts cute. * Cute Kitten * Fake Rabies: Marc Anthony pretends to be rabid to scare off his owner in order to save Pussyfoot, but she just scolds him for wasting her whipped cream. * Gentle Giant: Marc Anthony. * Kick the Dog: Unintentionally done by Marc Anthony's owner when she hands him a cat-shaped cookie. * Licked By The Cat * Little Guy, Big Buddy: the trope even used to be named "Marc Anthony And Pussyfoot". * Papa Wolf: Marc Anthony's role to Pussyfoot, played up in "Feline Frame-Up" and "Cat Feud." In both cartoons, Claude Cat is the antagonist: In "Feline Frame-Up," he plays the role of jealous house cat who schemes to get rid of Marc Anthony so he can easily do away with Pussyfoot. "Cat Feud" saw a scraggly looking "Claude" harass Pussyfoot (who in this cartoon has been thrown in a sack and left for dead at a construction site), and Marc Anthony stop the bully cat at every turn. * Ridiculously Cute Critter: Pussyfoot. * Especially when we see his/her face in a measuring eye. * Shout-Out: Monsters, Inc.. made one to the scene mentioned below. * Another was done in South Park in the Coon 2 trilogy when Cartman befriends Cthulu, particularly Cartman scratching its back like Pussyfoot did. * Sweet Dreams Fuel: This cartoon will ensure many sweet dreams. * What Measure Is a Non-Cute?: Odd because Marc Anthony is a dog making these distinctions, but when the mouse kisses him it provokes a very different reaction than when Pussyfoot licks him earlier. * Wind Up Key: Marc Anthony takes a key off of a toy car and pretends to wind up Pussyfoot with it to fool his owner that the cat is a toy. He succeeds, and Pussyfoot then gets himself into the before-mentioned toy car, minus key. Marc Anthony finds it cute, until Pussyfoot manages to get the toy car working and starts driving erratically, possibly because of the before-mentioned removal of the key.
  • This cartoon is the first of a short series directed by Jones and using the characters of Marc Anthony and Pussyfoot. Marc Anthony tries to scare off a cute little kitten and stares at the camera confused wondering why Pussyfoot didn't run, Pussyfoot, only to realize the cat is not scared of him, instead using him as a bed and resting on his back. The dog falls for her and decides to adopt it and to bring it home. Upon his arrival, his human owner (voiced by Bea Benaderet), tired of picking up his things, warns him not to bring one more thing inside the house. He hides Pussyfoot under a bowl and it walks away scaring the women as she thought it was a mouse. Marc Anthony finds the bowl leaning against a mouse hole in the wall and reaches in to retrieve the kitten, not realizing it's a mouse until he notices her eating out of his dish. He gives the mouse a nasty look and throws it back into its hole. He follows the kitten into another room where it starts playing with a ball, but then stumbles and bumps the woman's foot. Marc Anthony grabs a key from a wind up car and pretends the kitten is a wind up toy. His owner, thinking it is a toy tells him to keep it out of her way. He kisses her foot and zips out of the room. He then notices the kitten sitting in the wind up car, which starts to zip back and forth. The car goes under the carpet and he attempts to retrieve it before it bumps into the women only to accidentally grab her shin, which makes her scream. He then sees the kitten climb up the dresser. He zips over and pretends the kitten is a powder puff by patting his face with it and doing a dance when the mistress demands to know what it is. He takes the kitten into the kitchen and disciplines it. He hears the woman coming and barely has time to hide it in a flour bin and tries to look innocent before she enters the kitchen. His mistress asks what he is up to and that he looks very guilty. She pushes him into his basket with a broom and tells him to stay there, as she doesn't want any foolishness while she's baking cookies. Terrified, he looks on as she takes some flour out of the bin to bake the cookies, with the kitten inside the measuring cup as well. The cat is poured into the mixing bowl without the lady realizing it. Marc Anthony tries to remove the kitten while the lady is getting milk from the refrigerator and she hits him with a spoon, thinking he's trying to steal batter. Marc Anthony unplugs the mixer before she can pulverize the poor kitten. As the lady is about to turn on the mixer, Marc Anthony grabs a can of whipped cream from the refrigerator, to spray on his face and pretend to be a mad dog. Tired of the dog's antics, his owner throws him out of the house while, unseen, the cat extracts herself from the bowl, hides behind a box of soap flakes and licks the batter off. In the backyard, the bulldog watches through a window as what he thinks is his kitten is mixed, rolled and cut before being put in the oven (unaware that the kitten is perfectly safe and out of harm's way elsewhere) and cries a pond. The lady tells him he's been punished enough and lets him back in. Sobbing and heartbroken, he barely finds the strength to take the cat-shaped cookie his owner gives to him and place it lovingly on his back where his kitten used to rest. (Pete Docter and his Pixar team created a similar scene in the movie Monsters, Inc.) Only then does he hear the little meow of Pussyfoot right in front of him. He kisses the cat as his owner realizes he has a pet. He tries the tricks he used to pretend it was something else earlier, but she's gotten wise to this. He begs her to let him keep Pussyfoot because he loves her so much. To the dog's surprise, she allows him to keep the cat as long as he takes care of her. Once again, Pussyfoot goes to sleep on Marc Anthony's back as the content dog smiles.
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