| abstract | - In a notable deviation from the series, the film finds time to begin with a detailed peek at the Earth as it was before and during the fabled nuclear devastation. Starting with a calm, surreal look at various points of Mother Nature, a brief on-screen message then informs the audience of the imminent calamity, followed by unsettling Barefoot Gen-esque scenes of human life consumed in flame. The film follows the storyline of the manga from Kenshiro's defeat at the hands of Shin to the first battle with Raoh, although certain liberties were taken to tell the story in a condensed form. For example, Toki, the second of the four Hokuto Brothers, is never seen nor mentioned, while Shin and Rei are the only Nanto Seiken masters to appear in the film. Although Yuria's Nanto heritage is mentioned through out the movie in the Japanese version, her role as the Last Nanto General is downplayed. Her fate has also been altered from the original story, wherein this time she is kidnapped by Raoh instead of jumping off Shin's palace to resurface later as the Last Nanto General. She disappears during the final battle and her survival remains ambiguous at the conclusion of the film. Mamiya, Rei's love interest, is never seen, partly because Yuria is the heroine in her place. Raoh serves as the main antagonist, with Jagi and Shin as the other two major villains. Many other villains from the manga and anime, such as the Colonel and Jackal, only make cameo appearances as minor henchmen with some of the notable fight scenes involving Zeed, Heart, the Kiba Daiō and Uighur. Altogether the order and occurrences of the original story were almost completely rewritten.
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