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  • Character (arts)
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  • A fictional character is any person, persona, identity, or entity which originates in a fictional work or performance. Some fictional characters are based on fact or non-fiction.
  • A character is the representation of a person in a narrative work of art (such as a game, novel, play, or film). Derived from the ancient Greek word kharaktêr, it dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating , as practised by actors or writers, has been called character
  • A character is the representation of a person in a narrative or dramatic work of art (such as a novel, play, or film). Derived from the ancient Greek word kharaktêr (χαρακτήρ), the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practised by actors or writers, has been called characterisation.
  • This page give you the opportunity to redirect to the original article that is on Wikipedia or stay on the Harvey Comics Database. Clicking on the link on this page will redirect to Wikipedia's Character (arts) article. Take me to the Character (arts) article on Wikipedia. Click here to return to the Harvey Comics Database main page or just hit your browsers back button to return to your previous page. These Redirect pages should be eliminated in either of two ways. Things to think about:
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  • This page give you the opportunity to redirect to the original article that is on Wikipedia or stay on the Harvey Comics Database. Clicking on the link on this page will redirect to Wikipedia's Character (arts) article. Take me to the Character (arts) article on Wikipedia. Click here to return to the Harvey Comics Database main page or just hit your browsers back button to return to your previous page. These Redirect pages should be eliminated in either of two ways. * #1 Create a article of our own for this page. * #2 On every page a Character (arts) link exists make a direct link to the original Wikipedia article. Things to think about: * #1 Creating our own page for this article may add a superfluous amount of pages. * #2 Some of these article links may be on hundreds of pages that would need direct links.
  • A character is the representation of a person in a narrative or dramatic work of art (such as a novel, play, or film). Derived from the ancient Greek word kharaktêr (χαρακτήρ), the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practised by actors or writers, has been called characterisation. A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualised. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts. The study of a character requires an analysis of its relations with all of the other characters in the work. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic, linguistic, proxemic ) that it forms with the other characters. The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination, and the social order.
  • A character is the representation of a person in a narrative work of art (such as a game, novel, play, or film). Derived from the ancient Greek word kharaktêr, it dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person." In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating , as practised by actors or writers, has been called characterisation. A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualised. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts. The study of a character requires an analysis of its relations with all of the other characters in the work. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic, linguistic, proxemic) that it forms with the other characters. The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination, and the social order.
  • A fictional character is any person, persona, identity, or entity which originates in a fictional work or performance. Some fictional characters are based on fact or non-fiction.