| abstract | - Wedgewood
- In 1765, Wedgwood created a new earthenware form which impressed the then British Queen consort Charlotte of Mecklenburg-Strelitz who gave permission to call it "Queen's Ware"; this new form sold extremely well across Europe. The following year Wedgwood bought Etruria, a large Staffordshire estate, as both home and factory site. Wedgwood developed a number of further industrial innovations for his company, notably a way of measuring kiln temperatures accurately and new ware types Black Basalt and Jasper Ware. Wedgwood's most famous ware is jasperware. It was created to look like ancient cameo glass. It was inspired by the Portland Vase, a Roman vessel which is now a museum piece.. (The first jasperware colour was Portland Blue, an innovation that required experiments with more than 3,000 samples). In recognition of the importance of his pyrometer, Josiah Wedgwood was elected a member of the Royal Society in 1783. Today, the Wedgwood Prestige collection sells replicas of some of the original designs as well as modern neo-classical style jasperware. The main Wedgwood motifs in jasperware, as well as in other wares like basaltware, queensware, caneware, etc., were decorative designs that were highly influenced by the ancient cultures being studied and rediscovered at that time, especially as Great Britain was expanding her Empire. Many motifs were taken from ancient mythologies: Roman, Greek or Egyptian. Meanwhile, archeological fever caught the imagination of many artists. Nothing could have been more suitable to satisfy this huge business demand than to produce replicas of ancient artefacts.[citation needed] Many representations of royalty, nobles and statesmen in silhouette were created, as well as political symbols. These were often set in jewelry, as well as in architectural features like fireplace mantels, mouldings and furniture. Wedgwood has honored several American individuals and corporations as well, both historically and recently. In 1774 he employed the then 19 year old John Flaxman as an artist, who would work for the next 12 years mostly for Wedgwood. The "Dancing Hours" may be his most well known design. Other artists known to have worked for Wedgwood include among others Lady Elizabeth Templetown, George Stubbs, Emma Crewe and Lady Diana Beauclerk. Wedgwood had increasing success with hard paste porcelain which attempted to imitate the whiteness of tea-ware imported from China, an extremely popular product amongst high society. High transportation costs and the demanding journey from the Far East meant that the supply of chinaware could not keep up with increasingly high demand. Towards the end of the eighteenth century other Staffordshire manufacturers introduced bone china as an alternative to translucent and delicate Chinese porcelain. In 1812 Wedgwood produced their own bone china which, though not a commercial success at first eventually became an important part of an extremely profitable business. Josiah Wedgwood was also a patriarch of the Darwin–Wedgwood family. Many of his descendants were closely involved in the management of the company down to the time of the merger with the Waterford Company:
* John Wedgwood (1766–1844), eldest son of Josiah I, partner in the firm from 1790 to 1793 and again from 1800 to 1812.
* Josiah Wedgwood II (1769–1843), second son of Josiah I, succeeded his father as proprietor in 1795 and introduced the production by the Wedgwood company of bone china. In 1815, during Josiah II's time as proprietor, the great English Romantic poet William Blake (1757–1827) spent some time engraving for Wedgwood's china catalogues.
* Josiah Wedgwood III (1795–1880), son of Josiah II, he was a partner in the firm from 1825 until he retired in 1842.
* Francis Wedgwood (1800–1880), son of Josiah II, he was a partner in the firm from 1827 and sole proprietor following his father's death until joined by his own sons. Financial difficulties caused him to offer for sale soon after taking over the firm's factory at Etruria and the family home Etruria Hall, but in the event and fortunately for the company only the hall was sold. He continued as senior partner until his retirement to Barlaston Hall in 1876.
* Godfrey Wedgwood (1833–1905), son of Francis Wedgwood, partner in the firm from 1859 to 1891. He and his brothers were responsible for the reintroduction of bone china c.1876 and the employment of the artists Thomas Allen and Emile Lessore.
* Clement Wedgwood (1840–1889), son of Francis Wedgwood, partner.
* Laurence Wedgwood (1844–1913), son of Francis Wedgwood, partner.
* Major Cecil Wedgwood DSO (1863–1916), son of Godfrey Wedgwood, partner from 1884, first Mayor of the federated County Borough of Stoke-on-Trent (1910–1911). He was chairman and managing director of Wedgwood until his death in battle in 1916.
* Kennard Laurence Wedgwood (1873–1949), son of Laurence Wedgwood, partner. In 1906 he went to the United States and set up the firm's New York office, which became Josiah Wedgwood and Sons USA, an incorporated subsidiary, in 1919.
* Francis Hamilton Wedgwood (1867–1930), eldest son of Clement Wedgwood, chairman and managing director from 1916 until his sudden death in 1930.
* Josiah Wedgwood V (1899–1968) grandson of Clement Wedgwood and son of Josiah Wedgwood, 1st Baron Wedgwood, the Managing Director of the firm from 1930 until 1968 and credited with turning the company's fortunes around. He was responsible for the enlightened decision to move production to a modern purpose built factory in a rural setting at Barlaston. It was designed by Keith Murray in 1936 and built between 1938 and 1940. He was succeeded as managing director by Arthur Bryan (later Sir Arthur) who was the first non-member of the Wedgwood family to run the firm. Enoch Wedgwood (1813–1879), a distant cousin of the first Josiah, was also a potter and founded his own firm, Wedgwood & Co, in 1860. It was taken over by Josiah Wedgwood & Sons in 1980.
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