PropertyValue
rdf:type
rdfs:label
  • The Five Doctors (TV story)
rdfs:comment
  • The story featured an unprecedented four incarnations of the Doctor on-screen at once. Incumbent Peter Davison of course appeared as the Fifth Doctor, with Patrick Troughton and Jon Pertwee returning as the Second and Third Doctors, respectively. The role of the First Doctor, however, was given to Richard Hurndall, a look-alike actor and spiritual successor for the late William Hartnell.
dcterms:subject
Epcount
  • 1
story number
  • 129
broadcast date
  • 1983-11-23
dbkwik:tardis/property/wikiPageUsesTemplate
Doctor
  • Fifth Doctor
Enemy
Series
Producer
Name
  • The Five Doctors
Clip
  • Seeking Immortality - The Five Doctors - BBC
  • Kidnapping the Doctors - The Five Doctors - BBC
  • The Doctors Reunite - The Five Doctors - BBC
Production code
  • 6.0
Format
  • 1
Companions
Setting
PREV
  • The King's Demons
NEXT
  • Warriors of the Deep
Writer
Director
Network
novelisation
  • The Five Doctors
abstract
  • The story featured an unprecedented four incarnations of the Doctor on-screen at once. Incumbent Peter Davison of course appeared as the Fifth Doctor, with Patrick Troughton and Jon Pertwee returning as the Second and Third Doctors, respectively. The role of the First Doctor, however, was given to Richard Hurndall, a look-alike actor and spiritual successor for the late William Hartnell. Although the title billed five Doctors, Tom Baker declined to return as the Fourth Doctor. His Doctor's part in the special would be downplayed from a personal appearance to a limited role using previously-filmed, but never broadcast, footage from the story Shada, which had itself never been completed. The Five Doctors also featured a record number of returning actors who had played companions to the Doctor over the years, although a few of the actors only appeared as illusions of these companions. Notable was Carole Ann Ford's return as a much older Susan Foreman, the first time she would play her character in an adult portrayal until her career in Big Finish Productions. Other appearances included Frazer Hines and Wendy Padbury as Jamie McCrimmon and Zoe Heriot, Caroline John and Richard Franklin as Liz Shaw and Mike Yates, and Nicholas Courtney as Brigadier Lethbridge-Stewart. Finally, the story saw the return of Elizabeth Sladen as Sarah Jane Smith, along with K9 Mark III, a character introduced in the K9 and Company pilot A Girl's Best Friend. Though he originated from a show which was never picked up for a full season, he was ported over to Doctor Who as the newest iteration of K9. It was also the first story co-produced with overseas broadcasters. Though such arrangements have been commonplace since the 1996 telemovie, John Nathan-Turner's (JNT)'s procurement of money from the Australian Broadcasting Corporation was a financial innovation. Even more impressively, the Australians paid AUD 60,000 towards the production while agreeing to forgo onscreen credit. It was similarly unique in that it was broadcast to American audiences on the actual anniversary date of the series, 23 November — two days before being aired to British audiences. (REF: The Fifth Doctor Handbook) Its location work was completed in North Wales, with the Ffestiniog area doubling for Gallifrey. Though Wales inevitably provides the backdrops for most BBC Wales Doctor Who location work, it was at the time an unusual choice for the Doctor Who production team based in London. It was one of the first Doctor Who serials to make extensive use of matte paintings. With the new Quantel Paintbox — whose use in Doctor Who had only hesitantly begun in season 18 — designer Malcolm Thornton replaced several model shots and glass shots with matte paintings via Paintbox. This became especially important, given the less-than-optimal weather in windy Wales. (REF: The Fifth Doctor Handbook) This story premiered the new Mike Kelt-designed TARDIS console, which would be used through the rest of the 1980s. It further introduced a re-design of the entire console room, which would become the final control room design to be used during the run of the classic series. Thornton argued that, since a new console had been ordered by JNT, the entire set should be regularised. He made each facet of the console correspond to a particular wall of the set and each TARDIS wall more angular. This made the set assemble in only one way, reducing assembly time. Designers from Barry Newbery forward had long complained that the TARDIS set was overly complicated and needlessly hard to assemble. Finally, this story set into motion a long-delayed plot thread through the Third Doctor's acquisition of the Seal of the High Council from the Master. At the time of the seal's first appearance, it served a minor purpose, until it resurfaced much later in 2013 during The Time of the Doctor. The seal remained in the Doctor's possession all the way to the end of his original regenerative cycle, and was narratively used to begin the Siege of Trenzalore, the (temporary) return of the Time Lords as a presence in the story, and ultimately the continuation of the Doctor's life - and, indeed, the series - as they granted him a new cycle of regenerations.
is Appearances of