PropertyValue
rdf:type
rdfs:label
  • Helix (comics)
rdfs:comment
  • Despite the involvement of successful science fiction/fantasy novelists Michael Moorcock, Lucius Shepard and Christopher Hinz, and established comics creators Howard Chaykin, Elaine Lee, Matt Howarth, Warren Ellis, Walt Simonson, and Garth Ennis, sales of the comic books were low, and most of the ongoing titles were cancelled after 12 or fewer issues. Ellis' Transmetropolitan was switched to the Vertigo imprint, where it continued for several more years before reaching its planned conclusion. Ennis' Bloody Mary mini-series and Michael Moorcock's Multiverse were later collected in Vertigo-label paperbacks and Moeller's Sheva's War was released as a graphic novel paperback by Dark Horse.
owl:sameAs
dcterms:subject
dbkwik:crossgen-comics-database/property/wikiPageUsesTemplate
dbkwik:heykidscomics/property/wikiPageUsesTemplate
Status
  • defunct, 1998
Country
Genre
Company Name
  • Helix
Headquarters
keypeople
Parent
publications
Founded
  • 1996
abstract
  • Despite the involvement of successful science fiction/fantasy novelists Michael Moorcock, Lucius Shepard and Christopher Hinz, and established comics creators Howard Chaykin, Elaine Lee, Matt Howarth, Warren Ellis, Walt Simonson, and Garth Ennis, sales of the comic books were low, and most of the ongoing titles were cancelled after 12 or fewer issues. Ellis' Transmetropolitan was switched to the Vertigo imprint, where it continued for several more years before reaching its planned conclusion. Ennis' Bloody Mary mini-series and Michael Moorcock's Multiverse were later collected in Vertigo-label paperbacks and Moeller's Sheva's War was released as a graphic novel paperback by Dark Horse. Limited availability of the books in bookstores that already sold science fiction, resistance among science-fiction readers to serialized monthly publication, the lower visibility of the line's deliberately muted cover color palette, and the lack of interest in genre SF among regular patrons of comic-book stores, were all cited by industry observers as factors in the imprint's demise.
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