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- The Theater(劇場 Gekijō) is an area of the movie theater on Sheena Island.
- Enyoy this movies if you can,.... Or watch it on Youtube, you can comment there, if you like the movie click "Like" if you don't like the movie also click "Like".
- This map also has various location where you can camp, rush and tank. This map was highly used for nade killing because the map is small, so it's easy to get a grenade kill. In this map, all the boxes are non-penetrable, meaning that you can't shoot through a box, even with 100% wall bang guns. This map however has a very clever camp spot in the middle of it. You will probably need 2 people to get upon the tollbooth. It's a good camping spot, but it's hard to evade from the enemy. In other way, the "outside" of the building, that is, the long way through both Global Risk and Black List sides, it's a perfect place to snipe, and even to single shoot with powerful weapons like M14EBR or even AK or M4A1.
- Das Theater gibt es schon lange. Denkt man zum Beispiel an Shakespeare. Oder an die Antike in der auch schon die Römer zur Unterhaltung schon Theater spielten.
- Theater is where you can watch all the video's of you that hidden Jackal recorded behind your TV screen, that means it masturbated to the times you t-bagged other players.
- Players can 'pay to play' Theater from level 75 onward, where they can choose to pay with crystals (which will need to be bought with real money) to unlock the Picture early, rather than waiting until they reach level 77 and unlock it for free, through normal game play. Theater was introduced during the Halloween2014 update. From the Diary: Theater is one of the 15 pictures in the game that does not reward any combining elements, but does reward collection items that require a large number of combining elements to combine.
- The theater is the place where a Sim buys shows for your group that provide a positive moodlet, get a job in the Music career, attend Bass, Drum, Guitar, or Piano classes, hold autograph sessions or tour the theater. Sims can spend leisure time attending a movie or concert here, which will ultimately boost Fun. Sims can WooHoo here although they might get caught by the security and be asked to leave. This is one of the properties that a Sim can partner with and own in The Sims 3. Theaters generate the following red map tag in-game:
- Theaters are entertainment buildings in Tropico 4: Modern Times that take the place of Cabarets. They expand the functions of a cabaret; though they're still able to show cabaret-style shows, theaters can also be used to put on non-erotic plays. Tourists of all types, except for child tourists, enjoy attending theaters, including slob and eco tourists who don't attend cabarets.
- |-|Worker Training Buildings = |-|Hero Training Buildings = |} File:Summary Theater.png File:Building Theater.png
- 2007-2008 Theatre Back to AcademicJobSearch NO WORD FROM YET: Acadia University (Theatre Studies, in Dept of English) Brown University Cornell College Indiana University, SE University of Iowa (Scenic Design) Kutztown (Acting/Directing) La Verne, University of Mass, Boston Metro State, Denver (Generalist) Middlebury College (Acting) Missouri State Southern University (Acting/Directing) Northeastern University Oberlin (Visiting) University of Montana (Acting/Directing) University of Nebraska, Lincoln (Performance Non-t-t) University of North Carolina, Charlotte (Acting) SUNY Fredonia Tennessee, University of IWU
- Theater is a feature available for use in Halo 3, Halo 3: ODST, Halo: Reach, Halo 4, Halo: The Master Chief Collection, and Halo 5: Guardians. Every time a player plays a game of Campaign or Multiplayer, the game will automatically be saved into a list of up to twenty-five recent films, which players can watch at their leisure. Players can save up to one-hundred saved films in Halo 3. Now, in Halo: Reach a player can save thousands of items, one thousand of each file type, including clips, films, maps, and gametypes, and not have to delete things. Players have a number of abilities while in-film; play, pause, fast-forward, take screenshot, rewind and record film clip, however only the later two are only available in Multiplayer clips in Halo 3 and Halo 3: ODST, due to loading issues in Cam
- See also:
* Theatrical Productions Subgenres:
* Absurdism
* Ballet
* Burlesque
* Commedia Dell'Arte
* Dinner Theatre
* Farce
* Minstrel Shows
* Mummers
* The Musical
* Jukebox Musical
* Rock Opera
* Vampire Musicals
* Opera
* Restoration Comedy
* Satyr Play
* Theatresports
* Vaudeville Creators: Creators of operas and musical theatre: Specialty companies:
* Blue Man Group
* Cirque Du Soleil Tropes: Indices:
* Classic Theatre
* Nineteenth Century Theatre Useful Notes:
* Actors Equity
* Equity
- Theater was Germany's entry in the Eurovision Song Contest 1980 in The Hague, performed by Katja Ebstein. This was Ebstein's third Eurovision entry; she had represented her homeland in 1970 and 1971, both times finishing in third position. The song was performed twelfth on the night, following Norway and preceding the United Kingdom. At the close of voting, it had received 128 points, placing second.
- A structure perfect for gatherings and performances, the theater has a stage and seating area. The static theater is one of the largest structures in the game and can seat dozens of players. Its stage is huge, and it also includes a spatious green room and back stage area. The player city theaters vary from planet to planet, but offer a smaller version of the static theaters. Most guilds and cities prefer the guild hall or cantina for meeting and gathering, however, so the theater is usually not a sought-after structure.
- Im Jahr 2003 wurde im Stadtteil Brühl das neue Gebäude des Erfurter Theaters eröffnet. Das Theater bietet Platz für 800 Zuschauer und führt jährlich circa 250 Veranstaltungen durch. Hauptsächlich werden Musiktheaterstücke gespielt. Tanztheater und Schauspiel runden das Angebot ab. Ein Ziel des Theaters unter der Leitung von Generalintendant Guy Montavon ist es, einmal pro Spielzeit eine Uraufführung zu präsentieren.
- Du öffnest die Augen. Du bist in einem dunklen Raum. Du sitzt auf einem unbequemen, engen Sessel. Als du dir die Augen reiben willst, merkst du, dass du gefesselt bist. An den Armlehnen befinden sich rostige Metallringe, die an deiner Haut scheuern. Du versuchst, den Kopf zur Seite zur drehen, um dich umzuschauen. Sofort bohren sich Metallstäbe in deine Schläfen. Du kannst nichts anderes tun, als nach vorne zu sehen. Plötzlich gehen die Lichter an. "Meine Damen und Herren, wir freuen uns, sie heute Abend zu unserer Vorstellung begrüßen zu dürfen." "Shh, shh, es dauert nicht mehr lange." ...
- The Theater is a menu feature appearing in many games in the Kirby series. It sometimes needs to be unlocked by fulfilling certain requirements, such as through completing a game's story mode. The Theater allows the player to watch story clips and cutscenes from the game anytime he or she wishes to. Most cutscenes in the Theater need to be unlocked through viewing them while playing the game, while others are unlocked through completing the game 100%. While Kirby's Dream Collection: Special Edition does not have a Theater option, it does contain a feature called Kirby's History; this feature allows players to watch short clips from every previous Kirby game (excluding Kirby's Toy Box), three full-length Kirby: Right Back at Ya! episodes, and a orchestral video called "Gourmet Race to Green
- In 1986, the Cetacean Institute had its own theater, which the museum dubbed the "marine theater". The documentary "The Wonderful World of Whales" was shown to audiences in this theater. (Star Trek IV: The Voyage Home) Another theater was located in a building on Planet Q. There, in 2266, the Karidian Company of Players staged an Arcturian version of Macbeth. (TOS: "The Conscience of the King" ) A century later, the USS Enterprise-D had a theater. In 2367, Doctor Beverly Crusher staged her version of the play Cyrano de Bergerac with Reginald Barclay in the leading role. (TNG: "The Nth Degree" )
- [[Datei:Anton Karidian Hamlet.jpg|thumb|Eine Hamlet-Vorführung]] Das Theater ist eine Kunstform, bei der Schauspieler bestimmte, von Autoren zu diesem Zweck geschriebene Stücke auf einer Bühne, die durch einen Vorhang vom Zuschauerraum abgegrenzt ist, vorführen. Der Regisseur übernimmt die Inszenierung des Stückes und setzt es konkret um. Die Schauspielergruppe um Anton Karidian führt 2266 Hamlet auf der USS Enterprise auf. Karidian selbst spielt den Geist von Hamlets Vater (TOS: ).
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| abstract | - 2007-2008 Theatre Back to AcademicJobSearch NO WORD FROM YET: Acadia University (Theatre Studies, in Dept of English) Brown University Cornell College Indiana University, SE University of Iowa (Scenic Design) Kutztown (Acting/Directing) La Verne, University of Mass, Boston Metro State, Denver (Generalist) Middlebury College (Acting) Minnesota has anyone received confirmation from U Minnesota? I've received nothing as of Jan 3 No, nothing here. Word is they dropped the search this time because they didn't feel they had an "appropriate" candidate. They intend to repost with a new description for a 2 year visiting. Missouri State Southern University (Acting/Directing) Northeastern University Oberlin (Visiting) University of Montana (Acting/Directing) University of Nebraska, Lincoln (Performance Non-t-t) University of North Carolina, Charlotte (Acting) SUNY Fredonia Tennessee, University of University of Wisconsin, Eau Claire (Acting/Directing) Walla Walla Community College (Theatre Instructor) Wayne State University (Scenic Design) NOTIFICATION RECEIVED: (please note dates and what kind of notification) -- once further contact occurs, these dates have been shifted to the appropriate category below (to decrease the clutter). American University: letter/materials received (11/01) Colorado, Boulder (Non-Western): letter/materials received (12/3) Concordia, Morehead, MN (5/12) U of Connecticut (2/12) Denison (Acting/Directing): letter/materials received (11/10) Elizabethtown College (design): email/materials received (09/13) Franklin and Marshall College: letter/materials received (09/26) University of Georgia: letter/materials received (1/24) Massachusetts Institute of Technology (Design) (3/08 Email) Maryland Baltimore County, University of: email/materials received (10/10) Missouri State University: letter/materials received (9/29) Montevallo, University of: letter/materials received (10/12) Old Dominion: letter/materials received (10/13) U of Pittsburgh, Theatre/Performance Studies. (5/14) Reed College: letter/materials received (12/2) Rider: Short list is made and they should be calling to schedule interviews in late Feb/Early March (1/31) Stanford: email/materials received (11/15) Trinity University: letter/materials received (10/13) University of No. Carolina Chapel Hill: have been moved forward to second round of consideration (1/7/08) Vassar College: letter/materials received (12/2) Washington U (11/7) Wisconsin-Milwaukee, University of: email/materials received (11/07) ADDITIONAL MATERIALS REQUESTED: (please note dates and what materials) Amherst (Visiting): Writing Sample (Feb) Baylor: Statement of faith (11/26) Colorado, Boulder (Acting) (1/18) video of creative work, statement of teaching philosophy Davidson College 11/20 confidential rec letters Eastern Mennonitie (2/10) Personal statement of faith, response to questions regarding EMU mission statement, etc. U of Georgia: writing sample [published article] (2/8)--- has anyone heard anything since this intial material request (they told me they were still in process but wanted to know if I minded if my application be considered for a post-doc there as well --haven't heard since then). * me too, seems strange to ask us to be included in their candidate pool and then never follow up. Anyone heard anything yet? Knox: Info on directing, a statement of how I saw my role at Knox, updated letter of rec. letter/materials received (09/27) Montana, University of (history position): request for permission to contact references (3/17) Heard from referees that they had just been phoned (4/2) Notre Dame, University of: letter/materials received (11/16) (as per English Lit drama page) Reed College: statement on ability/approach to teaching playwriting (2/5) Reed College: statement of teaching theater history, pre-20th C. (2/4) Any idea what their time line is? (I am moving to this site from the other--will post more here) Yale (Theatre Studies): dissertation requested (11/26) (letter/materials received (11/6) PHONE INTERVIEWS: American, Jan. 2008 University of Arizona (Dramaturgy), 12/10 Bellarmine, Jan. 2008 U of Central Florida TYA/OST Some interviews last week.WHAT WEEK WAS THAT? NO DATE ON THIS POST. PLEASE DATE POSTS OR DATES OF INTERVIEWS. College of Santa Fe (Acting) mid-Feb. 2008 Colorado, Boulder (Acting), Jan. 2008 Colorado, Boulder (Non-Western), Jan 2008 (said there were 6 candidates left at that stage and would narrow for campus visits soon) Cornish College for the Arts, 6/6/08 Daemen contacted but no follow-up Hartwick College (02/01) Indiana University Bloomington(Theatre History): sent email requesting phone conversation 1/28 (letter/materials received (12/13)) Knox College, contact on 11-09 Lake Erie College (letter/ materials received (10/25)) LSU Head of Acting early April Moravian College, January Penn State Schuylkill 3/31 Reed College 2/22 DID REED SCHEDULE YESTERDAY OR DO THE INTERVIEW YESTERDAY? Interviewed on 2/22. They said they would be phone interviewing others next week. University of Louisville (3/25) Wayne State (January) MLA INTERVIEWS: Hunter College (12/17 as per English / drama page) CAMPUS INTERVIEWS: (please note dates) American University - in the next month Amherst (Visiting) - scheduled as of 3/10 Arizona (Theatre Studies) February, 2008 Baylor, January Bellarmine University, Feb. 2008 Central Washington University (Design): 4/08 Colorado-Boulder non-western - Campus interviews March and April (HAS ANYONE HEARD YET???) College of the Canyons, CA (March 2008, but I had already accepted a job) U of California Davis, late Feb, early March U of California, Santa Barbara (all three positions) beg. Jan 29 Illinois Wesleyan University Feb. 2008 Indiana (Theatre History), mid-February [3] Knox College, January 2008 Loyola University (Scenic/Lighting Design) March 2008 University of Montana (Theatre History) April 2008 University of New Mexico (Scenic Design) 3/08 Notre Dame, January 2008 Penn State Behrend/Erie 2/21 Penn State Berks (April 2008) Reed College, March 2008 St. Lawrence, March 2008 South Carolina, University of (Dramaturgy), March 2008 SUNY Buffalo February 2008 SUNY Fredonia, February 2008 Trinity 12/1 Wayne State, February Wisconsin-Milwaukee, University of (History/Lit/Crit): late January Yale (scheduled by phone, 12/7) ACCEPTANCES: Alberta Baylor University Elizabethtown College (design) 2/29/08 Trinity--candidate was a former Trinity student UNC Greensboro (When exactly did campus interviews for this position take place???) Arizona (unconfirmed) Oberlin IWU Indiana Wayne State University / Hilberry Repertory Theatre (3/08) U Wisconsin-Milwaukee St. Lawrence Notre Dame (unconfirmed) Reed College: I don't know who got it but I do know they made a one-year visiting appointment and will redo the TT search next year. REJECTIONS: (please note dates and what form the rejection takes) Brown acting 3 yr. visiting 4/13/08 College of the Canyons Acting, etc. 3-17-08 Concordia College (Moorhead, MN) (5-25). Very short search. Seems likely there was an inside candidate. U of Connecticut (5/12) Davidson College: Acting 1/28/08 Dennison: acting, etc. 4/8/08 Drew University Acting 2/4/08 Eastern Mennonite (6/2/08) Letter indicates an internal hire was made. Florida State Theatre History 4/28 FSU sent a postcard with a check mark next to a box that said the position was filled. That tells me all I want to know about that department...Good luck to whoever goes there. I felt it was extremely rude, unprofessional, and has lowered my opinion of that institution. Fordham University: rejection letter received (10/30) and was dated the same day my materials arrived in the theatre department. disrespectful and unprofessional. Grinnell - Acting/Directing (1/30/08) Ithaca College Acting 4/08/08 Knox College: letter (11/8) U of Maine (Scenic Design) 3/08 Email naming the candidate they hired. Miami University (5/13) VAP. Letter encourages application for TT in Acting/Directing: "we hope thi search will be conducted during the 2008-2009 academic year." Something to look forward to. Michigan State Univ. Acting/Directing 3/28/08 Missouri State University: letter (10/12) U of Pittsburgh, Theatre and Performance Studies. 5/23/08 Rockford College - acting - 11/16/08 Santa Clara - acting - 11/16/08 Stanford U-letter dated March 5, 2008 and sent via mail. The letter stated that they "kept my file open to further consideration until very recently." Did any other letters state this? Could be boiler-plate language, but very nice. Another poster on the wiki remarked that his/her rejection letter from Stanford arrived (3/17/08), saying they had made a recommendation to the dean for a hire. **Yes, mine had the same language. But I too was touched and still am. Shows you that a well-written rejection letter does mean something. I agree...I got the same rejection letter but was very impressed. Trinity U San Antonio: Letter rec'd (11/03) Letter indicated that candidates have already been asked for additional materials. Washington U.--sent me the wrong rejection letter--but then sent an e-mail to correct it. It's always nice to be rejected twice. UC Santa Barbara - 3 positions - letter 3/19/08 University of Colorado Boulder - Acting- 3/2208 University of Maryland Baltimore Acting 4/1/08 U. Of North Carolina Chapel Hill Acting 3/22/08 University of San Diego University of San Francisco (1/14/08) University of Wyoming (1/22/08) Notre Dame (1/26/08) UC Davis (2/5/08) University of Washington (Scenic Design): Letter stating that they had decided on a short list. University of Minnesota (2/15/08) Yale (acting) 3/17/08) University of North Carolina, Greensboro. (3/14). Even named the successful candidate in the letter! (Don't feel comfortable posting that info on this site, but hey, if you're reading this: congratulations!) [Why not name names; where's the unwritten rule?] (As far as I know, the unwritten rule remains written only on my heart). City College of NY (5/12). Single best rejection letter I've received for anything. Ever. Well written, actually seemed sincere in its claim that it was a "Herculean task" to sort through the 217 (!!!) immensely-qualified applicants for the job. South Carolina, University of (Dramaturgy), letter dated 5/6. SEARCH ABANDONED: UC Santa Barbara - Acting/Directing - per letter dated 3/19/08 Great Basin College (2/08) U of Minnesota- Any idea why? I heard secondhand of internal disputes, but no details. (No "appropriate" candidate is what I heard, with no real details.) The job description was odd, I'm not suprised they couldn't find any suitable candidates. Sonoma State University (notification 2/21); email/materials received (11/20) FYI - this is the 2nd year in a row that SSU has abandoned their search. Truman State University - possibly abandoned - they checked my references but when I emailed them, they told me that the position has not yet been approved. That was in March. ABANDONED SEARCH CONFIRMED. LETTER DATED 5/13. SAYS TEMP POSITION TO BE POSTED SHORTLY. University of Central Florida. Posted last month, canceled this month. State budget cuts. HOW DID YOU FIND THIS OUT? WAS THIS THE TYA JOINT OST JOB? [No, the TYA job stands as far as I know. The theatre history search was canceled. I received a letter to this effect last week after having already been in e-mail communication with the Admin Asst. A word about the TYA/New Plays job: I know Orlando Shakespeare Theatre had a TYA position AND there's a pretty hefty TYA program through UCF at the Orlando Rep. Not sure if there is any connection between these programs. OST had one full and one shared (with UCF) position dedicated to the New Play thing. The Playfest is buttressed by a substantial private grant for another year or three, though I believe that's only indirectly related to the position (if the funding goes away when the grant expires, there may be no New Play Festival to run -- it is in no way a self-supporting operation). And then there's the teaching load at UCF. My best guess: they're filling the shared OST New Play/UCF teaching position and the OST TYA position with one person instead of two, and rewriting the job description to exclude some of the other duties the former TYA person also undertook. The shared OST New Play/UCF position is already two jobs made into one largely for budgetary reasons, which is not to say it was a bad gig -- just a complicated one. A caveat: this is based on inference and a basic knoweldge of how things have worked there for the last several years and NOT on any information directly received from previous or current faculty/staff at UCF/OST. In other words -- don't take any of this as gospel. I truly think that the right person, with their own clear cut agenda and some grit and political savvy, could make something really interesting out of all this -- but be prepared to fight an uphill battle in a state where legislators look to arts and education first when it comes to budget cuts and where they are additionally determined to cut taxes at every turn to insure their own job security]. WOW--YOU CERTAINLY KNOW A LOT. THE JOB AD SAYS THE TEACHING LOAD IS THE NEW PLAY STUFF IN THE FALL AND THEN THREE COURSES IN THE SPRING. SOUNDS LIKE "3/3". IS THAT NOT TRUE? IS THE LOAD HIGHER THAN THAT? ALSO IS THE TYA PERSON LISTED IN THE WEBSITE LEAVING OR WAS IT A PREVIOUS LOSS THEY INCURRED? IS THERE ANY WAY ON THIS WEB SITE TO E-MAIL OFF LIST? Not sure about the off list mail, though I'd be happy to do that if we can figure out a way not to publish our private info here. My info on this is, at best, second hand and inferred from, as I say, my previous experience with area institutions. Used to have some friends who worked at OST, but they've moved on. Playfest has been traditionally held in Jan or Feb (right before or near the start of Spring semester at UCF) and the weeks leading up to it are, as with any such endeavor, very intense and busy. Infer what you will about the balance of the teaching load. I'm assuming that the current AD for New Play Development is leaving. Only been in the job for a year or so. I'll see if I can confirm that and find out more. As to the TYA thing . . . I don't see anyone listed in that role at OST anymore. They used to have someone who did some of that (a TYA playwright) and had other responsibilities. Everyone over there wears multiple hats and the hats shift according to budget and availability. They've had a staff retention problem the last few years. Don't know the status of the UCF faculty member currently heading the TYA MFA, but the current budget climate has no doubt put UCF in much the same fix as OST. They need people who can cover multiple bases. This is a shared line with OST, so if the TYA faculty person is leaving and they can get someone to cover the core courses for that program and share the expense with OST . . . . win (OST)/win (UCF). My question is, will it also be a win for the person in that hybrid position? VERY INTERESTING STUFF. SO IMPORTANT TO KNOW. I HAVE NO IDEA HOW TO DO OFF LIST BUT MAYBE THIS IS BETTER ON-LIST SO ANYONE INTERESTED IN THE JOB CAN ALSO READ. SEEMS TO ME THAT IF ONE WERE OFFERED THAT JOB, THERE WOULD BE A LOT OF POINTS TO NEGOTIATE FOR LIKE TEACHING LOAD REDUCTION GIVEN THE TIME NEEDS OF THE FESTIVAL.SEEMS LIKE WHOEVER GOES INTO IT BETTER DO SO WITH OPEN EYES. DO YOU HAVE ANY IDEA OF THE DEPT. CLIMATE? WHY ARE PEOPLE LEAVING? No idea what things are like now. A year or two ago, they had a new outside-hire dept head who was, by all accounts, a disaster. Spent hugely, leaving the tail end of the season with no production $$. Very unpopular with long-term faculty under previous (long term) chair. Program has expanded rapidly over the last few years, adding a multi-track MFA to a large BA/BFA(?). [University has been growing by leaps and bounds too and is now the largest in the state (55-65K enrolled, I think).] Current chair is interim, from among the long term faculty. Spoke to a recent MFA grad who liked program -- but student experience is not, as we know, always indicative of faculty experience. About three years back, they had a new person in the shared OST/UCF slot -- a playwright. Negotiated out of most of New Play festival admin commitments. Much fuss was made over transformative agenda in playwriting aspect of program. Moved on a year later. Current person in same slot is the one leaving now. No idea why in either case. . . as I say, I'm not wired in, just pay attention to the smoke signals. I'd say there was still something burning over there. Good luck!! Winona State: TT canceled, 1 year VAP search initiated. Presumably they will or have already posted the new search. COMMENTS: Go Franklin and Marshall! Get it right this time; 10th time's the charm! Does this years market really suck or is it just me? Nope, it really sucks. Give it time...things will start to heat up soon. it is still early, esp for tech/design jobs. Tech/design jobs seem to be everywhere, my kingdom for a directing job! Is it still early at this point? Or is this it? Where are all the jobs? As someone who is going out on the market for the fifth time, let me assure you: it's not late yet. More jobs should be trickling out in December, and a handful will keep showing up in January and February. Then, around March/April, expect to see short-term gigs start cropping up (as departments scramble to accommodate sabbaticals, etc.) Is it possible to start listing area that the opening is in? Some of these schools have multiple openings. Anybody know the story on U of Montana, why there are so many openings? I am used to applying for English jobs where the MLA is the expected deadline. Noting the vast number of schools unaccounted for above, I am curious when you expect the majority of them to have responded by. Hey folks, I recently noticed the older wiki is active again and has updates this one doesn't. Does anyone know if its safe again? Are most people sticking with this one whats the story? Last I checked the old wiki had flamed out again.- As of Feb 23rd its still active with new info, I tried to update this one today from the old one but it seems different groups of people posting on each version with a few posting on both. Where is the old wiki? I cannot find it. I see that there's an unconfirmed acceptance for the UNC-Greensboro job but this page indicates an update on 3/6/2008 and the other page says it was updated 3/10/2008. Can anyone tell me what is the most recent information. I'm particularly anxious about the status of UNCG's search. [Just received the letter today, 3/19. As noted above, they even included the name of the successful candidate in my rejection letter.) ... That's odd, they didn't include her name in my rejection letter. Job Search Status Poll: Come on folks, add yourself in under the catagory that you fit below- unemployed PhD, PhD/MFA combo, MFA or any of the above in a seriously bad job. So if there is a total of 1 by the catagory add yourself and change it to 2 and the next person should then change the total to 3 and so forth-this could be interesting. An unscientific poll to give us an idea of how many of us are out there. Add a catagory if you don't fit the existing ones. 1) Anybody know exactly how many unemployed Ph.D.'s in theatre there are right now? Total= 2 2) I'd also be interested to know how many unemployed MFA(theatre)/PhD(performance studies) combos (like myself) are knocking around still w/out tenure-track positions. Total = 0 3) Unemployed MFA. Total = 1 4) Add to that the total of us who are employed in REALLY bad jobs? Total= 2 5) Finally landed a job? PhD Total= 0, MFA Total= 0, MFA/PhD Total= 0 6) PhD's back on the market after being cut from a tenure-track job. Total= 1 When I began in my PhD program the chair said that they keep the program small because they don't want to grant more degrees than there are jobs. I feel that man owes me a job b/c he gave me an entirely incorrect view of the market, i.e., that there exists even the possibility for all PhDs to have jobs. [I'd say you probably should have checked out the validity of those statements. Even before I decided to go to grad school, I knew that the job prospects in the humanities were not great. Full employment in academia is ludicrous on its face: Schools with theatre programs (x) multiplied by the number of freshly-scrubbed Ph.D.s regurgitated annually (y) equals . . . well, WAAAY more than the number of jobs available in any given year. (NOT a math grad, obviously.) And then you calculate all the people (like us, apparently) who don't get jobs in their first year on the market . . . if the Ph.D. didn't have some instrinsic value to me personally, I would have been a fool to pursue it, knowing something of these market conditions. It did and I still sometimes feel like a fool -- but I have something that I've always wanted and I just have to believe that I did all that for a reason, even if that reason doesn't turn out to be a career in academia.]
* I'd say it might be nice if you didn't tell others what they "should have" done! This is a stressful time. This is the same kind of Uncle Tom thinking that keeps academia in chains. Wake-up! I do regret the "should have". Fair criticism. No less stressful on this end, btw, but I offer my sincerest apology. I was simply reflecting on my own reasons for doing this and did not mean to imply that you must feel the same way. All I was saying was that the presumed extrinsic rewards of a career in academia were not MY reason for going to graduate school, though I do sustain some hope for a non-traditional version of that career. Not sure I understand the "Uncle Tom" criticism, which seems to be from a different poster. Wake up to what, exactly? Would you care to elaborate? Am I to infer that you believe some kind of collective action is in order? How would that work exactly? Will our employed, comfortably tenured and tenure-tracked fellows support us in our action? (As gently illuminating as your response was to my musings above, you will pardon me if I doubt the kind, supportive intentions of everyone on the other side of the job search fence). The "intrinsic value" argument is like being sold a broken television and being told by the salesperson that it is still a good piece of furniture. Collective action? Yes, demand of ASTR and ATHE to spend the time and money to do real research into the state of the profession as does the MLA.
* You make a good point. ASTR and ATHE should both put some more effort into institutional research. I have a publication dated 1999, compiled by Tom Postlewait, that lists all the doctoral programs in the US and Canada, with lists of recent dissertations and schools where graduates are currently working. I would have liked a little more detail than this provides (i.e. actual statistics of how many graduates are hired in academic jobs of various kinds how long after completion), but as far as I know, nobody has attempted to update even this much in the past decade. This disconnect between the numbers admitted to grad programs and the actual market for these graduates has been ongoing as long as I've been in the field (since the early 90s). Rumors of mass boomer retirements any year now have fueled irrational hopes for nearly two decades. Unsurprisingly, a fair number of grad programs have suspended enrollments or closed their PhD programs altogether in the past two decades to cries of alarm from throughout the field (about a half dozen of the programs in Postlewait's book don't exist anymore). But shouldn't we rather applaud some faint hint of realism when programs admit that they are not supported by economic reality? The mere existence of so many PhD programs does not indicate the health of our discipline. And real statistical institutional research is a necessary first step to better practices. Also, the writer who started this strain doesn't reach the full depth of the problem. It isn't just that there are too many fresh PhDs or even PhDs going out on the market a second time. The decreased likelihood of junior scholars being tenured is sending many seasoned PhD's back out on the market from year to year. Imagine assistant professors, some of whom may even have been your advisers in grad school, competing for the same jobs as you because their publication dossiers didn't quite pass muster or some other exacting reason. These "tainted" faculty aren't necessarily preferable to fresh PhDs in a faculty search, but there are also many very successful junior faculty who go on the market to better their position, and may take a new job if their home schools don't bargain well enough. Many desirable jobs are going to scholars making lateral moves, leap-frogging from less to more desirable positions. I heard Sue-Ellen Case quip a few years back that academia is becoming increasingly like the military. Constantly being shifted to a new assignment. All this suggests that our doctoral programs may be way out of step with the reality of the job market. But someone has to step forward and do the numbers. The MLA has just published the worthwhile "Report of the MLA Task Force on Evaluating Scholarship for Tenure and Promotion" and its PROFESSION 2007 has excellent commentary about the report. Would that the esteemed senior faculty of our discipline would take on the task of doing the same and even relating it to the MLA's report. Obviously, the variability in theatre departments is greater while the population is smaller; it would be a tricky task, but an ethical one. One structural problem: the membership of ASTR is not wholly from departments of theatre and is not representative of the profession in the same way that MLA is. In this way, the "discipline" of theatre studies is incongruent with the "profession" in a way that is harmful to both. I'd like to add my two cents. I finally landed a tenure track job after two visiting positions, one for three years and another for one. Given my first year of applying ABD, that totals five years on the market--a lot of interviews and phone conversations but no job. I have seen jobs I was perfect for not even give me a nod and gotten calls for jobs that seemed completely out of left field. I share the frustration and despair I hear in these pages, and I know very well of the anxiety that comes when April rolls around and one has no employment other than adjuncting and/or working at Borders. The key (in my experience) is persistence...there often seems to be no rhyme or reason for why people get some jobs and do not get others. For the record, I got more phone calls and interviews this year than ever before, so I think that experience does matter. I also know a fair number of junior faculty who have made lateral moves, and it is difficult for a newly minted PhD. with less teaching/publication experience to realistically compare. I agree with Sue Ellen Case that academia has become like the military in that you must be willing to go where the jobs are. For example, my institution had an opening and we only have 25 applications...and only 3-4 completed PhDs. applied. I encourage anyone on the market to keep looking--I got a call today from a major institution, so clearly all searches have not been completed, and I was once hired as late as July. That being said, I wonder what we could do with the numbers. Clearly, Postlewait's work needs to be updated, but I think it would be difficult to determine an"average" number of PhDs. and/or job openings. There have been, in the five years on the market, great job years and terrible ones. In addition, if we are counting PhDs on the market, do we count those applying ABD? What about those who may be leaving the profession for a more lucrative career (I always thought about being a plumber)? What about ABD's adjuncting or in full time non-tenure positions (as I am in now)? I'm not saying its impossible, but I think these are questions worth thinking about. Just as a side note, I have found (as a theatre historian and director) that ATHE was a much better conference for job networking than ASTR (since ASTR is primarily people who already have jobs as theatre historians). Finally, I want to stress that sites such as this have been very helpful to me in terms of venting, sharing info, communicating, etc. I hope for the best for everyone on here, and trust me, I understand, sympathize, and hope you get a good job soon. Without the numbers, I have no idea whether the "problem" is the sheer volume of competition, a flaw in my materials, or whether I am just not good enough, especially in a field where (as a traditionalist) I feel like an outsider already; the experience of graduate school has destroyed my self-worth and my financial future. What is a traditionalist? Since we don't have "the numbers" and won't for a while, I suggest to the person above that you have a senior colleague at a different institution than yours look at your materials; that way you can know if there is a flaw in the materials or if you need to do something else to improve your chances (i.e., write a better cover letter, get more publications/productions, etc.). I did this and it was very helpful. Finally, I think that we have to accept the fact that there is no such thing as a cookie cutter approach to the job hunt. Unlike other industries, it seems as if each academic job is an individualized search...sometimes with narrow criteria and sometimes with broad criteria. Given this, I would not worry about competition as much as finding the "right" position. Anybody hear *anything* from Reed or Montana?REED INTERVIEWED SIX CANDIDATES. THE FINAL ONE WAS INTERVIEWED 3/26. Six!! No wonder they're taking so long. I WILL POST AS SOON AS I KNOW MORE. I THINK YOU COULD ALSO CONTACT THE CHAIR OF THE SEARCH TO FIND OUT YOUR STATUS...THEY ARE PRETTY LATE IN THE YEAR ALREADY AND CURRENT PROFS NEED TO LET CURRENT ACADEMIC POSITIONS KNOW BY 4/1 IF THEY INTEND TO LEAVE...GOOD LUCK. Having served on a job search committee, I can tell you that a department that brings in 6 candidates instead of 3 is wasting a lot of people's time. The purpose of phone interviews is to ask the right questions so you can narrow the search. Six candidates is either academic wishy-washyness or a department's precious self-image if you ask me. Has anyone else on this wiki heard anything on any of the Montana positions? I heard that they were calling up references a few weeks ago, but nothing more. It's getting pretty darn late to be stringing out tenure track hires. I heard for the Acting/Movement position that they had invited two people for on campus interviews several weeks ago. HELP! Where are the VAP's this year?! I agree...there seem to be no VAPs this year...what's up? Just FYI...do people consider this a good year for jobs or a bad one? In general, bad. There were fewer openings and less than usual movement (3rd year on the market, here). Specifically, a good year. I landed a great position. I also have the feeling it is a bad year...I am very surprised by the lack of openings in the latter part of the job search (Jan/Feb.) . It seems as if a lot of committees are taking their time this year, so perhaps some VAPs will open up soon. As for the above poster, congrats! May we ask where, or is that too gauche? I concur, its been the worst year I've seen in the last six that I've paid attention to the market. Has anyone heard anything from Cornish College beyond the "we got your stuff postcard"? THEY CALLED ME 5/21 TO SET UP PHONE INTERVIEW FOR JUNE. ANYONE KNOW MORE ABOUT THE JOB? July 6- Has anyone heard anything about the Cornish job yet? Their human resources page lists the job still open and not filled? Has anybody accepted this one yet? CORNISH: 7/14/08: They phone interviewed me (mid June) and then said they were doing campus interviews week of June 23rd. Seems like it should be filled by now. They did 5 phones and three campus interviews. I did not get campus interview. Please post when you know who got it. I think it is fine to list who got a job. for god's sake this IS a WIKI. Walla Walla CC update? They started late (April 4) and were suppose to meet mid-May for first round decisions. Anybody see the Art History page? They have a whole search history listed for each job, maybe a better way to format for next year? Yikes, next year! On the bad side they also list who accepted the job. Although many of us would want to know out of curiosity, I don't know about having my name posted say before I told my empolyer, and where does one even get such info right after an offer is made anyway? Anybody know what's going on at Denison? They had a tenure-track opening this past fall and obviously didn't fill it. Now, they are hiring two new tenure-track positions. This could be a great sign--the university is supportive of the department, OR once could wonder why both acting/directing professors left the school. Just wondering...
- See a comprehensive list of Carmilla in adaptation. (There are no entries yet.)
- [[Datei:Anton Karidian Hamlet.jpg|thumb|Eine Hamlet-Vorführung]] Das Theater ist eine Kunstform, bei der Schauspieler bestimmte, von Autoren zu diesem Zweck geschriebene Stücke auf einer Bühne, die durch einen Vorhang vom Zuschauerraum abgegrenzt ist, vorführen. Der Regisseur übernimmt die Inszenierung des Stückes und setzt es konkret um. Als Theater bezeichnet man auch die Gebäude, in denen dies geschieht. Das Theaterschauspiel ähnelt den Spielfilmen, die Aufführungen sind jedoch stets lebensecht, weswegen es sich auch in der Zeit nach Erfindung von Film, Fernsehen und später holographischen Simulatoren großer Beliebtheit erfreut. Die Schauspielergruppe um Anton Karidian führt 2266 Hamlet auf der USS Enterprise auf. Karidian selbst spielt den Geist von Hamlets Vater (TOS: ). Die Talosianer erlangen Unterhaltung dadurch, dass sie die Gedanken der Lebensformen in ihrer Menagerie lesen und durch Illusionen manipulieren. Dies ist für sie besser als Theater (TOS: , ). Als er 2266 während der Militärgerichtsverhandlung gegen Commander Spock genug von dessen ungenehmigter Vorführung von Filmmaterial hat, erinnert Commodore Mendez Spock daran, dass er vor einem Gericht steht und dies nicht ein Theater ist (TOS: ). 2369 wollen William Thomas Riker, Doktor Beverly Crusher und Data das Theaterstück "Geistige Verfassung" an Bord der USS Enterprise-D aufführen, jedoch kommt es dabei zu Zwischenfällen. (TNG: )
- Theater was Germany's entry in the Eurovision Song Contest 1980 in The Hague, performed by Katja Ebstein. This was Ebstein's third Eurovision entry; she had represented her homeland in 1970 and 1971, both times finishing in third position. In the song Ebstein sings about the manner in which clowns have to mask their true feelings when performing on stage - a situation which is said to be true of all performers. The four backing singers were dressed as clowns and the song's composer Ralph Siegel played the piano on stage wearing gloves with small clowns on the fingers. Ebstein also recorded the song in English (as "It's Showtime"), French ("Theatre") and Italian ("Teatro"). The song was performed twelfth on the night, following Norway and preceding the United Kingdom. At the close of voting, it had received 128 points, placing second.
- The Theater(劇場 Gekijō) is an area of the movie theater on Sheena Island.
- Enyoy this movies if you can,.... Or watch it on Youtube, you can comment there, if you like the movie click "Like" if you don't like the movie also click "Like".
- A structure perfect for gatherings and performances, the theater has a stage and seating area. The static theater is one of the largest structures in the game and can seat dozens of players. Its stage is huge, and it also includes a spatious green room and back stage area. The player city theaters vary from planet to planet, but offer a smaller version of the static theaters. Most guilds and cities prefer the guild hall or cantina for meeting and gathering, however, so the theater is usually not a sought-after structure. Entertainers can give Inspiration buffs while dancing or playing music in a Theater. Player city theaters can be built by Trader (Structures) who have gained the Structure Expertise IV skill. Only a Master Entertainer with enough available lots is able to place the structure. Theaters come in three varieties, depending on which planet your player city is on:
* Corellia Theater
* Tatooine Theater
* Naboo Theater
* Tatooine
* Mos Entha - (1404 3293)
* Mos Eisley - (3301 -4766)
- This map also has various location where you can camp, rush and tank. This map was highly used for nade killing because the map is small, so it's easy to get a grenade kill. In this map, all the boxes are non-penetrable, meaning that you can't shoot through a box, even with 100% wall bang guns. This map however has a very clever camp spot in the middle of it. You will probably need 2 people to get upon the tollbooth. It's a good camping spot, but it's hard to evade from the enemy. In other way, the "outside" of the building, that is, the long way through both Global Risk and Black List sides, it's a perfect place to snipe, and even to single shoot with powerful weapons like M14EBR or even AK or M4A1.
- Das Theater gibt es schon lange. Denkt man zum Beispiel an Shakespeare. Oder an die Antike in der auch schon die Römer zur Unterhaltung schon Theater spielten.
- In 1986, the Cetacean Institute had its own theater, which the museum dubbed the "marine theater". The documentary "The Wonderful World of Whales" was shown to audiences in this theater. (Star Trek IV: The Voyage Home) Another theater was located in a building on Planet Q. There, in 2266, the Karidian Company of Players staged an Arcturian version of Macbeth. (TOS: "The Conscience of the King" ) In the 23rd century, the Federation starship USS Enterprise had a theater. In 2266, the Karidian Company of Players performed Hamlet there, for the vessel's crew. The Enterprise's theater later became the site of actor Anton Karidian's death after his daughter Lenore, driven mad, killed him with a hand phaser while trying to murder Captain James T. Kirk. (TOS: "The Conscience of the King" ) In the final revised draft of the script for "The Conscience of the King", this theater was described as a redress of the Enterprise's briefing room. Ultimately, however, this was actually a redress of the Constitution-class engineering set. A century later, the USS Enterprise-D had a theater. In 2367, Doctor Beverly Crusher staged her version of the play Cyrano de Bergerac with Reginald Barclay in the leading role. (TNG: "The Nth Degree" ) For the theater room as it appeared in "Sarek" and "The Nth Degree", the Ten Forward set on Paramount Stage 8 was used. On smaller starships, the mess hall could be converted into an impromptu movie theater, or a simulation of such a theater could be recreated on a holodeck. (ENT: "Dear Doctor", "Cold Front"; VOY: "Repression") The script of "Return to Grace" mentioned Didactic Theater as a type of Cardassian theater.
- Theater is where you can watch all the video's of you that hidden Jackal recorded behind your TV screen, that means it masturbated to the times you t-bagged other players.
- Du öffnest die Augen. Du bist in einem dunklen Raum. Du sitzt auf einem unbequemen, engen Sessel. Als du dir die Augen reiben willst, merkst du, dass du gefesselt bist. An den Armlehnen befinden sich rostige Metallringe, die an deiner Haut scheuern. Du versuchst, den Kopf zur Seite zur drehen, um dich umzuschauen. Sofort bohren sich Metallstäbe in deine Schläfen. Du kannst nichts anderes tun, als nach vorne zu sehen. Plötzlich gehen die Lichter an. "Meine Damen und Herren, wir freuen uns, sie heute Abend zu unserer Vorstellung begrüßen zu dürfen." Die Stimme klingt seltsam, als ob der Sprecher uralt wäre. Im Schein der Lichter siehst du, dass du vor einer großen zerfallenen Bühne sitzt, die über und über mit Spinnweben bedeckt ist. Du siehst noch etwas. Etwas, das dich schaudern lässt. Eingetrocknete Blutflecken. Du atmest schwer und versuchst, dich aus deinen Fesseln zu befreien. Schweißperlen bilden sich auf deiner Stirn. Du bemerkst den schrecklichen Geruch, der sich nach und nach ausbreitet. Es riecht nach Blut und Verwesung. Ein Lichtkegel erscheint auf der Bühne und beleuchtet einen gekrümmten Mann, der langsam in deren Mitte schreitet. Der Mann hat einen fleckigen schwarzen Smoking an und einen eingedellten Zylinder auf dem Kopf. Sein Gang ist schwer und seine Arme hängen herab. Als er dir sein Gesicht zuwendet, erblickst du sein irrsinniges Grinsen. "Lassen sie uns nun in die bunte Welt des Theaters eintauchen", verkündet er und geht von der Bühne. Der Vorhang öffnet sich. Du blickst auf eine schaurige Szenerie: Ein zerfetztes Stück Pappe verdeckt eine wackelige Leiter. Die Pappe ist blutverkrustet und geformt wie ein Turm. Aus dem Turmfenster schaut jemand heraus. Ein Kopf erscheint, geführt von einem durchsichtigem Stück Schnur. Eine Marionette? Du siehst genauer hin. Es ist keine Marionette. Es ist eine halb verweste Frauenleiche. "Oh, wann wird er nur kommen, der Mann meines Herzens?" Ihre Stimme ist hoch und scheppernd. "Hier bin ich, Liebste!" Eine zweite Leiche kommt auf die Bühne gewankt. Teilweise ist die Haut abgefetzt. Du musst würgen. Und doch kannst du die Augen nicht von diesem Schauspiel wenden. Plötzlich wirft die Frau ein Messer nach dem Mann und durchbohrt seinen angegammelten Körper. "Das bist du nicht.", zischt die Frau nun. Der Mann fasst sich an die Brust und gibt ein röchelndes Geräusch von sich. Der Vorhang schließt sich langsam wieder. Doch du siehst noch, wie sich der Kopf der Frau in deine Richtung dreht. Ihre leeren Augenhöhlen scheinen dich direkt anzustarren. Du unterdrückst einen Schrei. "Kommen wir nun zum zweiten Akt", ertönt die Stimme des Theaterdirektors. Der Vorhang öffnet sich wieder. Die Hintergrundkulisse war wohl einstmals ein Wald, doch nun ist sie vollkommen zerstört und staubig. Außerdem siehst du auch hier braune, eingetrocknete Blutspuren, die wie Handabdrücke aussehen. Ein kleines Mädchen kommt auf die Bühne. Auch hier ist es eine Leiche, die wie eine Marionette durch Fäden bewegt wird. Auf einmal versperrt ihr ein großes dunkles Etwas den Weg. Eine fadengesteuerte Hundeleiche. "Wohin des Weges, holde Maid?" Der Kopf des Hundes schwingt beim Sprechen hin und her. "Ich gehe zu meiner Großmutter, denn sie ist krank und ich bringe ihr Wein und Kuchen." Das Mädchen spricht langsam und leise wie eine Geisteskranke. Dann stürzt sich der Hund auf das Mädchen und fängt an, sie zu zerfetzen. Die Schnüre verheddern sich nicht ein einziges Mal. "Wie sagt man so schön? Alle guten Dinge sind drei!", sagt der Direktor, als sich der Vorhang geschlossen hat. Ein letztes Mal schwingt der Vorhang auseinander. Nun siehst du einige Kinderleichen, die um eine andere tanzen, die an einen Holzpfahl gefesselt ist. Das gefesselte Kind schreit um Hilfe. Nun löst sich ein anderes aus dem Reigen und zündet ein Streichholz an. "Ungläubige!", zischt es verächtlich. "Ungläubige, Ungläubige, Ungläubige!" Die anderen verfallen in eine Art Singsang und wiegen ihre Köpfe hin und her. Das Kind wirft das Streichholz auf das Mädchen, dessen Kleid sofort Feuer fängt. Es schreit weiter, während die anderen lachen. Dann fallen sie auf die Knie und schreien etwas in einer fremden Sprache. Der Vorhang schließt sich. Eine Weile lang herrscht Stille. Du nutzt die Zeit, um das Geschehene zu verarbeiten. Plötzlich kommt der Theaterdirektor wieder auf die Bühne. Er hat einen spitzen Metallstab in der Hand. "Alles geht irgendwann zu Ende. Aber wir hoffen trotzdem, dass Sie es genossen haben. War es nicht ein einmaliges Erlebnis?" Der Mann kommt langsam näher. Panisch versuchst du noch einmal, dich aus den Fesseln zu befreien. Du zerrst daran, bis deine Knöchel blutig gescheuert sind. "Ihnen wird es hier gefallen", flüstert der Direktor und bohrt den Stab in deine Hand. Blut spritzt, Schmerz schießt durch deinen Körper. Du schreist verzweifelt. Du spürst, wie ein Faden durch die Wunde gezogen wird. Dann wird auch deine zweite Hand durchbohrt. Du schreist wieder auf, doch der Mann nimmt keine Notiz davon und zieht auch hier eine durchsichtige Marionettenschnur hindurch. Kraftlos sackst du im Sessel zusammen. "Wir sind noch lange nicht fertig!", säuselt der Mann und macht sich an deinen Füßen zu schaffen. Du ahnst schon was kommen wird und krampfst dich zusammen. Du spürst, dass du in deinem eigenen Blut stehst, nachdem auch deine Füße präpariert wurden. Es ist ein widerliches Gefühl. Der Theaterdirektor nimmt ein Messer und öffnet dir mit Gewalt den Mund. Er fummelt mit seinen blutigen Fingern darin herum, bis er deine Zunge fest im Griff hat. Das Messer kommt zum Einsatz und schneidet dir langsam und vorsichtig die Zunge heraus. Dein Schmerzensschrei geht in einem Husten unter, als du dich an deinem eigenen Blut verschluckst. "Shh, shh, es dauert nicht mehr lange." Der Mann nimmt einen Nagel und bohrt ihn durch deinen Unterkiefer. Blut fließt und durchnässt deine Klamotten. Die Schnur wird durchgezogen. "Sehen sie? So kann man dann den Kiefer bewegen.", sagt der Mann und zieht die Schnur nach oben. Dein Kiefer klappt zu. "Und jetzt müssen wir uns leider verabschieden." Er nimmt einen besonders langen Nagel und einen Hammer. Du schreist und rüttelst an den Fesseln. Du fühlst die Spitze des Nagels an deinem Kopf. Du schließt die Augen. Dann ein scharfer Schmerz und alles ist vorbei. ... Kategorie:Mord Kategorie:Schockierendes Ende Kategorie:Artikel ohne Bilder Kategorie:Tod Kategorie:Mittellang
- Players can 'pay to play' Theater from level 75 onward, where they can choose to pay with crystals (which will need to be bought with real money) to unlock the Picture early, rather than waiting until they reach level 77 and unlock it for free, through normal game play. Theater was introduced during the Halloween2014 update. From the Diary: Theater is one of the 15 pictures in the game that does not reward any combining elements, but does reward collection items that require a large number of combining elements to combine.
- The theater is the place where a Sim buys shows for your group that provide a positive moodlet, get a job in the Music career, attend Bass, Drum, Guitar, or Piano classes, hold autograph sessions or tour the theater. Sims can spend leisure time attending a movie or concert here, which will ultimately boost Fun. Sims can WooHoo here although they might get caught by the security and be asked to leave. This is one of the properties that a Sim can partner with and own in The Sims 3. Theaters generate the following red map tag in-game:
- Theaters are entertainment buildings in Tropico 4: Modern Times that take the place of Cabarets. They expand the functions of a cabaret; though they're still able to show cabaret-style shows, theaters can also be used to put on non-erotic plays. Tourists of all types, except for child tourists, enjoy attending theaters, including slob and eco tourists who don't attend cabarets.
- The Theater is a menu feature appearing in many games in the Kirby series. It sometimes needs to be unlocked by fulfilling certain requirements, such as through completing a game's story mode. The Theater allows the player to watch story clips and cutscenes from the game anytime he or she wishes to. Most cutscenes in the Theater need to be unlocked through viewing them while playing the game, while others are unlocked through completing the game 100%. While Kirby's Dream Collection: Special Edition does not have a Theater option, it does contain a feature called Kirby's History; this feature allows players to watch short clips from every previous Kirby game (excluding Kirby's Toy Box), three full-length Kirby: Right Back at Ya! episodes, and a orchestral video called "Gourmet Race to Green Greens: Chamber Music." In the Japanese version, the player can read various editions of Kirby manga in this feature as well.
- See also:
* Theatrical Productions Subgenres:
* Absurdism
* Ballet
* Burlesque
* Commedia Dell'Arte
* Dinner Theatre
* Farce
* Minstrel Shows
* Mummers
* The Musical
* Jukebox Musical
* Rock Opera
* Vampire Musicals
* Opera
* Restoration Comedy
* Satyr Play
* Theatresports
* Vaudeville Creators:
* Aeschylus
* Aristophanes
* Bertolt Brecht
* Anton Chekhov
* Euripides
* Bob Fosse
* Federico Garcia Lorca
* Johann Wolfgang von Goethe
* Henrik Ibsen
* David Mamet
* Christopher Marlowe
* Martin McDonagh
* Harold Pinter
* Alexander Pushkin
* William Shakespeare
* George Bernard Shaw
* Sophocles
* Tom Stoppard
* Oscar Wilde
* Moliere
* Noel Coward Creators of operas and musical theatre:
* Leonard Bernstein
* Gilbert and Sullivan
* Erich Wolfgang Korngold
* Wolfgang Amadeus Mozart
* Tim Rice
* Rodgers and Hammerstein
* Stephen Schwartz
* Stephen Sondheim
* Richard Wagner
* Andrew Lloyd Webber Specialty companies:
* Blue Man Group
* Cirque Du Soleil Tropes:
* All Musicals Are Adaptations
* Alternate Show Interpretation
* Alto Villainess
* At the Opera Tonight
* Audience Monologue
* BSOD Song
* Counterpoint Duet
* Crowd Song
* Spontaneous Choreography
* Dark Reprise
* Dinner Theater
* Dramatis Personae
* Dream Ballet
* The Eleven O'Clock Number
* Everything Has Rhythm
* Final Love Duet
* Gender Neutral Narrator
* Ghost Song
* Greek Chorus
* "I Am" Song
* "I Am Becoming" Song
* "I Want" Song
* Irrelevant Act Opener
* Mamet Speak
* Massive Multiplayer Ensemble Number
* Minor Character, Major Song
* The Musical Musical
* No Serious Business in Show Business
* Only So Many Equity Members
* Opening Ballet
* Original Cast Precedent
* Our Acts Are Different
* Patter Song
* Recitation Handclasp
* Screen to Stage Adaptation
* Set Switch Song
* Show Stopper
* Small Start Big Finish
* Sung Through Musical
* The Song Before the Storm
* The Soprano
* Tenor Boy
* That Reminds Me of a Song
* Villain Song
* "The Villain Sucks" Song
* Voice Types Indices:
* Classic Theatre
* Nineteenth Century Theatre Useful Notes:
* Actors Equity
* Equity
- |-|Worker Training Buildings = |-|Hero Training Buildings = |} File:Summary Theater.png File:Building Theater.png
- Theater is a feature available for use in Halo 3, Halo 3: ODST, Halo: Reach, Halo 4, Halo: The Master Chief Collection, and Halo 5: Guardians. Every time a player plays a game of Campaign or Multiplayer, the game will automatically be saved into a list of up to twenty-five recent films, which players can watch at their leisure. Players can save up to one-hundred saved films in Halo 3. Now, in Halo: Reach a player can save thousands of items, one thousand of each file type, including clips, films, maps, and gametypes, and not have to delete things. Players have a number of abilities while in-film; play, pause, fast-forward, take screenshot, rewind and record film clip, however only the later two are only available in Multiplayer clips in Halo 3 and Halo 3: ODST, due to loading issues in Campaign. Theater is also featured in Halo: Reach and is improved as "Theater 2.0." One improvement revealed at Gamescon 2010 is the ability to rewind films in Campaign and Firefight modes. Film clips are shorter, recorded sections of a film, only usable in Halo 3 and Halo: Reach, not in Halo 3: ODST. It is no longer possible to record Campaign or Spartan Ops using Theater. Pressing "Y" while watching a film will enable players to roam around the space in real-time. Despite popular belief, saved films are only collections of game information readable only through the Xbox 360, thus cannot recorded onto a PC without the use of Bungie Pro film rendering, or a video capture card. Screenshots can be saved to a computer as an actual image if posted from a file share on Bungie.net. Popular or highly rated films will be shown in the Bungie Favorites list.
- Im Jahr 2003 wurde im Stadtteil Brühl das neue Gebäude des Erfurter Theaters eröffnet. Das Theater bietet Platz für 800 Zuschauer und führt jährlich circa 250 Veranstaltungen durch. Hauptsächlich werden Musiktheaterstücke gespielt. Tanztheater und Schauspiel runden das Angebot ab. Ein Ziel des Theaters unter der Leitung von Generalintendant Guy Montavon ist es, einmal pro Spielzeit eine Uraufführung zu präsentieren. Das Theater, zu dem auch das Philharmonische Orchester Erfurt gehört, veranstaltet außerdem seit 1994 jährlich die Domstufen-Festspiele, die sich großer Beliebtheit erfreuen. Die Festspiele finden jeden Sommer statt und dauern drei Wochen. Vor der beeindruckenden Kulisse von Dom und Severikirche wird an mehreren Abenden jeweils ein Stück aufgeführt. Bekannte Stücke, die im Rahmen der Domstufen-Festspiele aufgeführt wurden, sind Carmina Burana (1994 und 1995), Jedermann (2000 und 2001), Der fliegende Holländer (2002), Jesus Christ Superstar (2005) und Der Mond (2006). Neben dem Theater Erfurt gibt es mit der Schotte, der Theaterfirma Erfurt, dem Neuen Schauspiel Erfurt und dem Galli-Theater noch kleinere unabhängige Theater in Erfurt. Seit 1979 gibt es das Erfurter Kabarett Die Arche und seit 2003 mit dem Lachgeschoss noch ein zweites Kabarett. Das Theaterangebot umfasst zudem mit dem Theater Waidspeicher und dem Erfreulichen Theater zwei Puppentheater, die sowohl Stücke für Kinder als auch für Erwachsene aufführen.
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