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| rdfs:label | - Tim Alexander
- Tim Alexander
- Tim Alexander
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| rdfs:comment | - Tim "Herb" Alexander (nacido o 10 de abril de 1965 en Cherry Point, North Carolina) é o baterista da banda estadounidense Primus. Tim tocou nas gravacións de Primus Suck on This, Frizzle Fry, Sailing the Seas of Cheese, Miscellaneous Debris, Pork Soda e Tales from the Punchbowl, antes de deixar a banda en 1996, e volvendo no ano 2003 para o EP Animals Should Not Try to Act Like People. Categoría:A Perfect Circle
- Tim Alexander is an American visual effects artist. He went to college as an Electrical Engineering major and found that the mathematics behind electrical engineering are the same as used in image processing/ compositing. He got interested in film after seeing a presentation on the visual effects of Terminator 2: Judgment Day and realized how the technology could be used to create really cool visuals. He got an internship with Buena Vista Visual Effects, which led to a job with Buena Vista before joining Industrial Light & Magic. He has worked on such films as E.T. the Extra-Terrestrial (1982), James and the Giant Peach (1996), Star Trek: First Contact (1996), The Lost World: Jurassic Park (1997), Contact (1997), Titanic (1997), Star Wars Episode I: The Phantom Menace (1999), The Perfect S
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| orixe | - Cherry Point, North Carolina.
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| Caption | - Alexander at the 86th Academy Awards Nominee Luncheon
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| abstract | - Tim "Herb" Alexander (nacido o 10 de abril de 1965 en Cherry Point, North Carolina) é o baterista da banda estadounidense Primus. Tim tocou nas gravacións de Primus Suck on This, Frizzle Fry, Sailing the Seas of Cheese, Miscellaneous Debris, Pork Soda e Tales from the Punchbowl, antes de deixar a banda en 1996, e volvendo no ano 2003 para o EP Animals Should Not Try to Act Like People. Categoría:A Perfect Circle
- Tim Alexander is an American visual effects artist. He went to college as an Electrical Engineering major and found that the mathematics behind electrical engineering are the same as used in image processing/ compositing. He got interested in film after seeing a presentation on the visual effects of Terminator 2: Judgment Day and realized how the technology could be used to create really cool visuals. He got an internship with Buena Vista Visual Effects, which led to a job with Buena Vista before joining Industrial Light & Magic. He has worked on such films as E.T. the Extra-Terrestrial (1982), James and the Giant Peach (1996), Star Trek: First Contact (1996), The Lost World: Jurassic Park (1997), Contact (1997), Titanic (1997), Star Wars Episode I: The Phantom Menace (1999), The Perfect Storm (2000), The Village (2004), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Half-Blood Prince (2009), Rango (2011), and The Lone Ranger (2013).
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