. . "Like the other airships, the Deus Ex Machina is sheeted in a special light metal armour, allowing for the maximum protection possible while still being light enough to be carried by the hydrogen-filled body. However, this armour seems to fare poorly against any sort of ordnance attack (as demonstrated when Zorin's zeppelin, having similar protection, was brought down within moments by Seras Victoria's Harkonnen II anti-aircraft gun), although can hold up for a short while against missile attacks. The transport compartment seems to be extremely spacious, having enough room to accommodate a large amount of personnel, a huge stash of weaponry, a treasury, a laboratory, and a huge war room connected to the bridge of the ship. The large, oval command centre allows a huge, computerised screen to be present, covering every inch of wall in the room, and can be alternated between a massive strategic map or an external viewport, presumably simulated or on live-feed from external cameras. The Deus Ex Machina's primary armament are the V-1 Flying Bombs, cruise missiles that were originally used during World War II. The Deus Ex has a massive supply of these weapons, which are fired from launch hangers on the underside of the airship's transport compartment. Like the weapons used by the Last Battalion's ground forces, the V-1 Bombs appear to have been upgraded from their original WWII era counterparts, apparently using napalm or some other incendiary device to create massive fireball explosions. The exact size of the Deus Ex Machina is unknown, although it is almost four times the size of the other zeppelins (which, in turn, are each roughly the size of the Hindenburg airship) and the armoury alone is apparently large enough to accommodate an entire U-Boat, as well as an Me-262, a supposed Nazi \"UFO\", a multitude of Panther tanks (which were, surprisingly, unused in the conquest of London) and other salvaged Nazi surplus - and this is only a fraction of the available space in the entire underside compartment. The airship possesses the facilities to launch airborne assaults via a series of launch rails, designed to catapult the soldiers of the Last Battalion into battle, as well as a multitude of launch hangars designed to fire the V-1 Flying Bombs."@en . . "Malcolm David Kelley - Walt Lloyd*"@en . "2005-03-30"^^ . . . . . "Locke and Boone discover a dead body."@en . "#A10000; color: black"@en . . "--03-30"^^ . . "Oveur"@en . . . "Sealing a persons, beast, devil, etc, etc soul into an object or other person"@en . . . . . . . . "\"Deus Ex Machina\""@en . "MV version: 88,000+ , 68,000+"@en . . . "right"@en . . . . . . . "9"^^ . . "The term deus ex machina (appropriately enough, meaning \"the god from the machine\" in Greek) is used to refer to a plot device in which a surprising or unexpected event occurs in a story's plot, often to resolve flaws or tie up loose ends in the narrative. In classical Greek theatre, this often involved an actor representing a god whose powers saved the day, being suspended above the stage by a crane, hence the origin of the term. However, when used in Transformers, it's mainly a new character coming out of nowhere and kicking everyones ass (often used to promote a new toy); when a dead character comes back for some reason; or gets a new body (again, to sell toys). Sometimes, however, it's just conveniently used accesories."@en . . "\"[[|]]\" es el episodio n\u00FAmero diecinueve de la primera temporada de Lost. Locke comienza a sufrir dificultades f\u00EDsicas y \u00E9l y Boone intentan encontrar una forma de entrar en la Escotilla. Jack se muestra reacio a curar a Sawyer cuando \u00E9ste comienza a tener fuertes dolores de cabeza."@es . . . "2005-03-30"^^ . . . . . "Locke loses the ability to walk, yet rejects Boone's offer to help."@en . . "\u00ABDeus Ex Machina\u00BB - \u0434\u0435\u0432\u044F\u0442\u043D\u0430\u0434\u0446\u0430\u0442\u0430\u044F \u0441\u0435\u0440\u0438\u044F \u043F\u0435\u0440\u0432\u043E\u0433\u043E \u0441\u0435\u0437\u043E\u043D\u0430 \u0441\u0435\u0440\u0438\u0430\u043B\u0430 Lost, \u043A\u043E\u0442\u043E\u0440\u0430\u044F \u0432\u044B\u0448\u043B\u0430 \u043D\u0430 \u0442\u0435\u043B\u0435\u044D\u043A\u0440\u0430\u043D\u044B \u0421\u0428\u0410 30 \u043C\u0430\u0440\u0442\u0430 2005 \u0433\u043E\u0434\u0430. \u041F\u043E\u0441\u043B\u0435 \u0442\u0430\u0438\u043D\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0433\u043E \u0441\u043D\u0430, \u041B\u043E\u043A\u043A \u0432\u0435\u0434\u0451\u0442 \u0411\u0443\u043D\u0430 \u043A \u043C\u0435\u0441\u0442\u0443 \u043A\u0440\u0443\u0448\u0435\u043D\u0438\u044F \u0441\u0430\u043C\u043E\u043B\u0451\u0442\u0430, \u0432 \u043D\u0430\u0434\u0435\u0436\u0434\u0435, \u0447\u0442\u043E \u044D\u0442\u043E \u043F\u043E\u0434\u0441\u043A\u0430\u0436\u0435\u0442 \u0435\u043C\u0443, \u043A\u0430\u043A \u043E\u0442\u043A\u0440\u044B\u0442\u044C \u043B\u044E\u043A. \u0422\u0435\u043C \u0432\u0440\u0435\u043C\u0435\u043D\u0435\u043C \u043D\u0430 \u043F\u043B\u044F\u0436\u0435 \u0421\u043E\u0439\u0435\u0440 \u043C\u0443\u0447\u0430\u0435\u0442\u0441\u044F \u043E\u0442 \u0433\u043E\u043B\u043E\u0432\u043D\u044B\u0445 \u0431\u043E\u043B\u0435\u0439. \u0424\u043B\u044D\u0448\u0431\u044D\u043A \u043F\u043E\u0441\u0432\u044F\u0449\u0435\u043D \u043F\u0435\u0440\u0432\u043E\u0439 \u0432\u0441\u0442\u0440\u0435\u0447\u0435 \u041B\u043E\u043A\u043A\u0430 \u0441\u043E \u0441\u0432\u043E\u0438\u043C\u0438 \u0431\u0438\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u0438\u043C\u0438 \u0440\u043E\u0434\u0438\u0442\u0435\u043B\u044F\u043C\u0438."@ru . . . "250"^^ . . . . . "The Deus Ex Machina is an escape pod that was hidden in an box labelled \"Hamdingers\" in the Satellite of Love\u2019s cargo bay. It was discovered by Gypsy in the episode Mitchell when she asked Mike Nelson\u2019s help to find a way to get Joel Robinson off the Satellite (she believed the Mads wanted to kill him after the movie). The reason they didn\u2019t discover it before was because (according to Gypsy) nobody likes Hamdingers, so they never opened the box to look what was really inside. Mike also helped Gypsy gain control of the escape pod after tricking TV's Frank into giving him the keys to the control panel in Deep 13. At the end of the episode, Gypsy used the Deus Ex Machina to launch Joel back to Earth, where he crash landed in the Australian outback. In Mitchell it was mentioned that the Deux Ex Machina was the only escape pod aboard the SOL, but in the episode Space Mutiny, three extra pods were discovered only to be destroyed by Crow, Gypsy and Servo's insipid carelessness. A Latin translation of the Greek theos ek m\u0113khan\u0113s, literally \"god from the machinery,\" the term deus ex machina has its origins in Greek theater, where actors representing the gods would be lowered on ropes into the performance to provide the denouement. In modern usage the term has come to define any event in a narrative that saves the protagonist from a seemingly hopeless situation, usually in a cheap and lazy way. ."@en . "\"[[|]]\" es el episodio n\u00FAmero diecinueve de la primera temporada de Lost. Locke comienza a sufrir dificultades f\u00EDsicas y \u00E9l y Boone intentan encontrar una forma de entrar en la Escotilla. Jack se muestra reacio a curar a Sawyer cuando \u00E9ste comienza a tener fuertes dolores de cabeza."@es . . . "& Damon Lindelof"@it . . . "1"^^ . . "Dark Samus"@en . . "Jack's ever-changing bag."@en . "Oveur"@en . "Sawyer heeft steeds vaker last van hoofdpijn en vraagt Jack om zijn medisch oordeel over de mogelijke oorzaak. In de jungle doen Boone en Locke een verrassende ontdekking, met tragische gevolgen voor \u00E9\u00E9n van hen."@nl . . . "Jon CJG"@en . "Emperor Ing"@en . . . "Deus Ex Machina, aka God in the Machine, is a vidja game where you play as a god and a machine. As the icing on the proverbial and delicious cake, you play as the god inside the machine, both of which are yourself. So you play yourself inside yourself. It's like being your own proverbial and delicious cake, and eating it too."@en . "Experience all the different endings that Deus Ex: Human Revolution has to offer."@en . "Heavy"@en . . . . . . "Samus"@en . . . . . "The Deus Ex Machina is an escape pod that was hidden in an box labelled \"Hamdingers\" in the Satellite of Love\u2019s cargo bay. It was discovered by Gypsy in the episode Mitchell when she asked Mike Nelson\u2019s help to find a way to get Joel Robinson off the Satellite (she believed the Mads wanted to kill him after the movie). The reason they didn\u2019t discover it before was because (according to Gypsy) nobody likes Hamdingers, so they never opened the box to look what was really inside. Mike also helped Gypsy gain control of the escape pod after tricking TV's Frank into giving him the keys to the control panel in Deep 13."@en . "2005-07-05"^^ . . . . . . . . "Deus Ex Machina refers to a narrative ending in which an improbable event is used to resolve all the problematic situations and help bring the story to a usual happy or bad conclusion depending on the director/Writer mostly this is found in Films and Comic books and as such most profiles wont have DEM style written into profiles on FBO."@en . . . . . "Tactical Soviet victory"@en . "Odcinek rozpoczyna si\u0119 wspomnieniem Johna Locke\u2019a. Jest on pracownikiem sklepu z zabawkami. Pokazuj\u0105c ma\u0142emu ch\u0142opcu zabawk\u0119, dostrzega nagle tajemnicz\u0105 kobiet\u0119, kt\u00F3rej wzrok intryguje Locke\u2019a. Gdy John podchodzi, pytaj\u0105c o co chodzi, kobieta odpowiada wykr\u0119tnie, i\u017C szuka pi\u0142ki. W spotkaniu tym jest jednak co\u015B dziwnego. Na Wyspie Locke i Boone ko\u0144cz\u0105 budow\u0119 d\u017Awigni, kt\u00F3ra ma pos\u0142u\u017Cy\u0107 do otwarcia w\u0142azu. Gdy Boone pr\u00F3buje dowiedzie\u0107 si\u0119 kim Locke by\u0142 przed katastrof\u0105, nie otrzymuje oczekiwanej odpowiedzi. Nast\u0119puje zwolnienie urz\u0105dzenia, lecz w\u0142az nawet si\u0119 nie wgina, a maszyna ulega zniszczeniu. Boone zauwa\u017Ca, \u017Ce w nog\u0119 Locke\u2019a wbi\u0142 si\u0119 kawa\u0142ek metalu. John, nie czuj\u0105c b\u00F3lu, postanawia usun\u0105\u0107 ostro zako\u0144czony fragment blachy z uda. W nocy Locke sprawdza stan swej nogi, przyk\u0142adaj\u0105c do niej p\u0142on\u0105c\u0105 pochodni\u0119, lecz nie powoduje to b\u00F3lu. John obawia si\u0119, czy parali\u017C nie zaczyna powraca\u0107. Nast\u0119pnego dnia Locke i Boone postanawiaj\u0105 odbudowa\u0107 d\u017Awigni\u0119, lecz Boone, z powodu znu\u017Cenia ma w\u0105tpliwo\u015Bci co do sensu ich pracy. Locke t\u0142umaczy, i\u017C Wyspa powie co maj\u0105 robi\u0107. Locke zaczyna mie\u0107 problemy z chodzeniem. Kolejne wspomnienie Locke\u2019a. Na parkingu przed sklepem z zabawkami John dostrzega tajemnicz\u0105 kobiet\u0119 ponownie. Gdy chce do niej podbiec, zostaje potr\u0105cony przez cofaj\u0105cy samoch\u00F3d. Przez moment wydaje si\u0119, \u017Ce w\u0142a\u015Bnie to by\u0142o powodem kalectwa Locke\u2019a, dop\u00F3ki nie wstaje i dogania kobiet\u0119. \u0141apie j\u0105 za r\u0119k\u0119 i pr\u00F3buje dowiedzie\u0107 si\u0119 dlaczego go \u015Bledzi, na co kobieta odpowiada: \u201EJestem twoj\u0105 matk\u0105.\u201D. Locke i jego matka siadaj\u0105 przy fili\u017Cankach herbaty. Kobieta twierdzi, \u017Ce spotkanie nie by\u0142o przypadkowe i \u017Ce by\u0142o im przeznaczone. Gdy John pyta o ojca, matka odpowiada mu, \u017Ce nigdy go nie mia\u0142. John by\u0142 \u201Ecudownie pocz\u0119ty\u201D. Dla trze\u017Awo my\u015Bl\u0105cego Locke\u2019a kobieta ta mog\u0142a wydawa\u0107 si\u0119 niespe\u0142na rozumu. Akcja filmu przenosi si\u0119 na\u2026 \u2026Wysp\u0119, gdzie Sawyer pyta Sun, kt\u00F3ra ro\u015Blina pomo\u017Ce mu w uporaniu si\u0119 z b\u00F3lem g\u0142owy. Rozmow\u0119 s\u0142yszy Kate. Okazuje si\u0119, \u017Ce Sawyer ma przera\u017Aliwe b\u00F3le g\u0142owy, na kt\u00F3re nie dzia\u0142a aspiryna, znajduj\u0105ca si\u0119 w jego \u201Eapteczce\u201D. Kate postanawia poprosi\u0107 Jack\u2019a o zbadanie Sawyer\u2019a. Jednak Jack wie z wcze\u015Bniejszych do\u015Bwiadcze\u0144 z Sawyerem, \u017Ce nie b\u0119dzie to \u0142atwe. W d\u017Cungli Boone m\u00F3wi Locke\u2019owi, i\u017C jest rozczarowany codzienn\u0105 prac\u0105 bez rezultat\u00F3w \u2013 twierdzi, \u017Ce w\u0142azu nie da si\u0119 otworzy\u0107. Jednak John wierzy, \u017Ce Wyspa da im znak. W\u0142a\u015Bnie wtedy nad ich g\u0142owami przelatuje dymi\u0105cy si\u0119 samolot. Locke spogl\u0105da na Boone\u2019a, kt\u00F3ry le\u017Cy zakrwawiony na ziemi i powtarza zdanie: \u201ETeresa spada ze schod\u00F3w, Teresa spada ze schod\u00F3w\u2026\u201D John odwraca si\u0119 i widzi kobiet\u0119, kt\u00F3ra podawa\u0142a si\u0119 za jego matk\u0119, wskazuj\u0105c\u0105 miejsce l\u0105dowania samolotu. Nast\u0119pnie Locke patrzy na swoje nogi i widzi, \u017Ce siedzi na w\u00F3zku inwalidzkim. Przestraszony, b\u0142aga Wysp\u0119, aby nie odebra\u0142a mu mo\u017Cliwo\u015Bci chodzenia. I w\u0142a\u015Bnie wtedy, gdy wydaje mu si\u0119, \u017Ce nie mo\u017Ce by\u0107 gorzej, John budzi si\u0119 \u2013 to by\u0142 tylko koszmar. Locke podbiega do ogniska i budzi Boone\u2019a. Nast\u0119puje retrospekcja. Locke pr\u00F3buje dowiedzie\u0107 si\u0119 kim naprawd\u0119 jest tajemnicza kobieta. Dzi\u0119ki badaniom genetycznym okazuje si\u0119, \u017Ce to Emily Annabelle Locke, kt\u00F3ra leczy si\u0119 na schizofreni\u0119. Gdy Locke pragnie wiedzie\u0107 kim jest jego ojciec, otrzymuje teczk\u0119 z dokumentami. Locke podchodzi do bramy i prosi o spotkanie z panem Cooperem \u2013 jego ojcem. Stra\u017Cnik odpowiada, \u017Ce pan Cooper nie ma syna. John t\u0142umaczy, i\u017C niczego od niego nie chce i prosi stra\u017Cnika, aby ten dowiedzia\u0142 si\u0119 co da si\u0119 zrobi\u0107. Locke zostaje wpuszczony do posiad\u0142o\u015Bci. John ogl\u0105da zdj\u0119cia w salonie, gdy do pokoju wchodzi jego ojciec, kt\u00F3ry prze\u0142amuje pierwsze lody, oferuj\u0105c mu whisky. Cooper t\u0142umaczy, \u017Ce nie wiedzia\u0142, i\u017C posiada syna, a Emily nie przyzna\u0142a si\u0119, \u017Ce by\u0142a w ci\u0105\u017Cy. Dopiero p\u00F3\u017Aniej przysz\u0142a prosi\u0107 o pieni\u0105dze, m\u00F3wi\u0105c \u017Ce pozostawi\u0142a dziecko do adopcji. Cooper wyjawia, \u017Ce nie ma rodziny i to jasne, \u017Ce chce pozna\u0107 swego jedynego syna, zapraszaj\u0105c go na polowanie w nadchodz\u0105cy weekend. Z powrotem przy w\u0142azie. Locke opowiada Boone\u2019owi o swoim \u015Bnie. Twierdzi, \u017Ce samolot by\u0142 znakiem, na kt\u00F3ry oczekiwali. Boone my\u015Bli jednak, \u017Ce John straci\u0142 zmys\u0142y przez spo\u017Cycie pasty, kt\u00F3ra spowodowa\u0142a, \u017Ce Boone widzia\u0142 sw\u0105 siostr\u0119 (odcinek 11). Na dow\u00F3d prawdziwo\u015Bci wizji, Locke zadaje pytanie, kt\u00F3re szokuje Boone\u2019a: \u201EKim by\u0142a Teresa?\u201D Boone rozpozna\u0142 to imi\u0119. Teresa by\u0142a jego opiekunk\u0105, kt\u00F3r\u0105 Boone \u201Etorturowa\u0142\u201D, wzywaj\u0105c do swojego pokoju w najbardziej b\u0142ahych powodach. Pewnego dnia Teresa potkn\u0119\u0142a si\u0119 i spad\u0142a ze schod\u00F3w. W tym samym czasie, Jack postanawia sprawdzi\u0107 jak idzie budowa tratwy, gdy zauwa\u017Ca Sawyera. Pyta o b\u00F3le g\u0142owy, jednak Sawyer nie jest zadowolony, \u017Ce Kate wspomnia\u0142a o tym Jackowi. Lekarz odchodzi, lecz Sawyer chce si\u0119 dowiedzie\u0107 co mu jest. Jack straszy jednak Sawyera, m\u00F3wi\u0105c \u017Ce musi przeprowadzi\u0107 par\u0119 bada\u0144. Locke i Boone podr\u00F3\u017Cuj\u0105 przez d\u017Cungl\u0119, lecz nogi Johna odmawiaj\u0105 pos\u0142usze\u0144stwa. Locke spogl\u0105da w g\u00F3r\u0119 i dostrzega cia\u0142o cz\u0142owieka wisz\u0105ce na ga\u0142\u0119zi. Okazuje si\u0119, \u017Ce by\u0142 to ksi\u0105dz, jednak cz\u0142owiek ten mia\u0142 przy sobie bro\u0144. Kolejne wspomnienie Locke\u2019a. John przychodzi do posiad\u0142o\u015Bci ojca, b\u0119d\u0105c um\u00F3wionym na polowanie. Jest jednak za wcze\u015Bnie i widzi ojca przechodz\u0105cego dializ\u0119. T\u0142umaczy on, \u017Ce aby m\u00F3g\u0142 \u017Cy\u0107 dalej, potrzebuje przeszczepu nerki. Z salonu ojca Locke\u2019a nast\u0119puje przeniesienie na\u2026 \u2026pla\u017C\u0119, gdzie nawet najcichszy d\u017Awi\u0119k doprowadza Sawyera do szale\u0144stwa. Kate zabiera go do Jacka, kt\u00F3ry przeprowadza seri\u0119 pyta\u0144, od powa\u017Cnych do bezsensownych. Sawyer orientuje si\u0119, \u017Ce Jack kpi sobie z niego, wstaje i odchodzi. Jack twierdzi, \u017Ce Sawyer jest zdrowy. Wszystko, czego potrzebuje to okulary. W d\u017Cungli Locke i Boone przeszukuj\u0105 okolic\u0119 w poszukiwaniu samolotu, jednak z nogami Johna jest coraz gorzej. Locke wyjawia Boone\u2019owi, \u017Ce je\u017Adzi\u0142 na w\u00F3zku inwalidzkim, ale Wyspa go zmieni\u0142a. Nast\u0119puje powr\u00F3t w czasie do momentu polowania ojca z synem, gdzie Locke zdobywa swoje pierwsze trofeum. John coraz lepiej poznaje swego ojca. Ponownie na Wyspie. Locke wsparty na ramieniu Boone\u2019a jest coraz bardziej zm\u0119czony. Gdy podr\u00F3\u017Cnicy postanawiaj\u0105 odpocz\u0105\u0107, dostrzegaj\u0105 wisz\u0105cy na skarpie samolot. Boone postanawia dosta\u0107 si\u0119 do niego. Kolejna scena odbywa si\u0119 w szpitalu, gdzie Locke postanawia odda\u0107 ojcu swoj\u0105 nerk\u0119. Na Wyspie Jack przynosi Sawyerowi pude\u0142ko z okularami. Wzrok Sawyera pogorszy\u0142 si\u0119 z powodu d\u0142ugotrwa\u0142ego czytania. Gdy Sawyer wybra\u0142 dwie pary, Sayid stopi\u0142 po jednym szkle z ka\u017Cdej z nich, tworz\u0105c nowe okulary. Nie s\u0105 pi\u0119kne, ale dzia\u0142aj\u0105. W d\u017Cungli Boone znajduje we wraku map\u0119 oraz kolejne cia\u0142o. Jego ruchy powoduj\u0105 ko\u0142ysanie si\u0119 niestabilnie po\u0142o\u017Conego samolotu. Boone dostrzega kilka statuetek Maryi. Wyrzuca jedn\u0105 z nich do Locke\u2019a. Figurka rozbija si\u0119, ukazuj\u0105c znajduj\u0105c\u0105 si\u0119 w niej heroin\u0119. Boone sprawdza radio, nawi\u0105zuje kontakt radiowy z lud\u017Ami podaj\u0105cymi si\u0119 za rozbitk\u00F3w z samolotu Oceanic 815, lecz w tym momencie samolot spada. Locke wyci\u0105ga Boone\u2019a z wraku i biegnie do obozu. W jaskiniach Kate dzi\u0119kuje Jackowi za pomoc Sawyerowi, gdy Locke wbiega z Boonem niesionym na karku. M\u00F3wi Jackowi, \u017Ce zdarzy\u0142 si\u0119 wypadek \u2013 Boone spad\u0142 ze skarpy podczas polowania. Jack wie, \u017Ce rany Boone\u2019a s\u0105 bardzo powa\u017Cne i wysy\u0142a Kate po r\u0119czniki i wod\u0119. Chc\u0105c dowiedzie\u0107 si\u0119 od Locke\u2019a szczeg\u00F3\u0142\u00F3w, Jack dostrzega \u017Ce John znikn\u0105\u0142. Powr\u00F3t do szpitala, gdzie Locke budzi si\u0119 po operacji. Dostrzega, \u017Ce \u0142\u00F3\u017Cko, gdzie le\u017Ca\u0142 jego ojciec jest puste. W drzwiach pojawia si\u0119 matka Locke\u2019a, t\u0142umacz\u0105ca si\u0119, \u017Ce potrzebowa\u0142a pieni\u0119dzy. Dlatego posz\u0142a do Coopera, kt\u00F3ry kaza\u0142 odnale\u017A\u0107 Johna. John zaczyna domy\u015Bla\u0107 si\u0119, \u017Ce by\u0142 to tylko podst\u0119p, aby jego ojciec m\u00F3g\u0142 dosta\u0107 now\u0105 nerk\u0119. Gdy Locke chce dosta\u0107 si\u0119 do posiad\u0142o\u015Bci ojca, stra\u017Cnik nie pozwala mu wej\u015B\u0107. Locke odje\u017Cd\u017Ca, kawa\u0142ek, a po jego policzkach zaczynaj\u0105 p\u0142yn\u0105\u0107 \u0142zy. Na Wyspie Locke kl\u0119czy przy w\u0142azie, p\u0142acz\u0105c i wo\u0142aj\u0105c: \u201EZrobi\u0142em wszystko o co prosi\u0142a\u015B! Dlaczego?\u201D. Nagle z wn\u0119trza bunkra zaczyna wyp\u0142ywa\u0107 snop \u015Bwiat\u0142a, pozostawiaj\u0105c Locke\u2019a i widz\u00F3w zastanawiaj\u0105cych si\u0119 kto znajduje si\u0119 w \u015Brodku..."@pl . "Original: 1,000+ , 1,000+ , 240+"@en . "1"^^ . "In literature, deus ex machina (Latin for \"God from the machine\") was a plot contrivance that, while unrealistic, solved a seemingly unsolvable problem by adding something unexpected to it. Some people considered it \"an outdated literary device.\" The 2373 introduction of a benevolent Rukani vessel to the holonovel Insurrection Alpha by Kathryn Janeway was an example of this. Tuvok praised her addition, calling it a \"a very effective plot development.\" (VOY: \"Worst Case Scenario\")"@en . "Deus Ex Machina, aka God in the Machine, is a vidja game where you play as a god and a machine. As the icing on the proverbial and delicious cake, you play as the god inside the machine, both of which are yourself. So you play yourself inside yourself. It's like being your own proverbial and delicious cake, and eating it too."@en . "42"^^ . "Deus Ex Machina is the God of Time and Space and a major character of Future Diary manga and anime. Co-creator of the Future Diaries alongside John Bacchus, Deus creates the survival game to make sure he has a successor to his title before his inevitable death. Able to manipulate time, space, and the laws of cause and effect, Deus is the most powerful entity in the series and acts as the judge of the survival game."@en . "1"^^ . . "MV version: May.8.2014"@en . . "Dominic Monaghan - Charlie Pace*"@en . . . "Deus Ex Machina is the eighth Soviet mission in Aftermath expansion. It is the last mission to feature the Soviet supersoldier, Volkov. The objective is to locate and reaquire Volkov, who has been captured by the Allies and is being studied by them."@en . . . "SG Of Reverse Exorcism"@en . "1"^^ . "2005-11-21"^^ . "Categor\u00EDa: Definiciones Un deus ex machina (En lat\u00EDn \"Dios desde la m\u00E1quina\") traducci\u00F3n de la expresi\u00F3n griega \u00AB\u03B1\u03C0\u00F2 \u03BC\u03B7\u03C7\u03B1\u03BD\u1FC6\u03C2 \u03B8\u03B5\u00F3\u03C2\u00BB (ap\u00F2 m\u0113chan\u1E17s the\u00F3s). La frase es un recurso argumental improbable que se ha empleado en la ficci\u00F3n (a menudo en el g\u00E9nero de la fantas\u00EDa y la ciencia ficci\u00F3n) para resolver los problemas de forma abrupta en una historia, y funciona de manera muy similar a Goddidit y el argumento del Dios de los huecos. El razonamiento Ad hoc puede emplearse en un intentos de justificar la intervenci\u00F3n, ya que estos eventos por su naturaleza a menudo aparecen incompatibles con la narrativa."@es . . "1"^^ . . . . . . . "#FFFFFF"@en . . "30"^^ . "Samus vs Emperor Ing"@en . . "The Deus ex Machina is the main flagship of the millenium fleet."@en . . "1"^^ . . . . . "Deus Ex Machina is the twenty-ninth issue of the series."@en . "9"^^ . . "Deus ex machina"@es . . "1"^^ . "Deus Ex Machina refers to a narrative ending in which an improbable event is used to resolve all the problematic situations and help bring the story to a usual happy or bad conclusion depending on the director/Writer mostly this is found in Films and Comic books and as such most profiles wont have DEM style written into profiles on FBO."@en . "Jon CJG"@en . . . . . "3"^^ . . . "1952"^^ . "1"^^ . . "3"^^ . "1"^^ . . . . . . "Deus Ex Machina is a thriller/drama machinima series by Jon CJG, who at the time went under the aliases DigitalPh33r. Jon ended the series at a cliffhanger on the second part of the ninth episode of the series. This is due to Jon's dislike for the shows, stating that it \"sucks\". Due to this, like One Life Remaining, It's a Wonderful Live and Hard Justice, it has been omitted from the listing on his new blog."@en . . "Deus Ex Machina refers to a writing technique where at the last second possible for the heroes have an intervention in the form of a completely out-of-left-field solution. In this case, none of the solution was setup in a previous episode and usually it will be followed by a hard reset of the show dynamic so the characters cannot use this power again; lest they destroy the suspension of disbelief. The writers of Doctor Who literally cannot sleep at night if they have written a story without one or more. Frequently used in finales."@en . . "Deus ex machina (dos\u0142. z \u0142ac. b\u00F3g z maszyny) - maksyma oznaczaj\u0105ca nieoczekiwanego zbawiciela, osob\u0119 lub okoliczno\u015B\u0107, kt\u00F3ra przedwcze\u015Bnie zako\u0144czy\u0142a zawi\u0142\u0105 okoliczno\u015B\u0107 b\u0105d\u017A okoliczno\u015Bci."@pl . "Un giovane Locke sta lavorando in un grande magazzino e sta mostrando il gioco MouseTrap ad un bambino: John dice al ragazzino che quello \u00E8 il suo gioco preferito. Una donna misteriosa osserva l'uomo ed il ragazzo da lontano: quando Locke le si avvicina, incuriosito dalle occhiate che la donna gli lancia quando pensa che lui non la osservi, lei finge indifferenza e gli chiede di indicarle lo scaffale dei palloni da calcio. Pi\u00F9 tardi, nel parcheggio del grande magazzino, Locke rivede la donna che, nuovamente, lo sta osservando da lontano: accortasi che l'uomo l'ha vista, per\u00F2, la donna tenta di fuggire scappando fra le auto del parcheggio. John allora la insegue ma viene colpito da un'auto che esce da un parcheggio: poco dopo per\u00F2 l'uomo si rialza e riesce a raggiungere la donna, affrontand"@it . . . "Volkov, full Soviet arsenal"@en . . . . "2"^^ . . "1"^^ . "Locke banging on the door of the Hatch when the light comes on."@en . . . "Deus ex machina"@hu . "Jon CJG"@en . . "Dei ex machina originated in the tragedian classics of ancient Greece. Euripides, a pioneer of interior decoration-related tragedy, introduced the world to the tragic consequences of floor painters who would paint themselves into corners. Audiences regularly fell asleep as the protagonist was left standing immobile in the corner of the room waiting for paint to dry. Euripides, in his famous play The Satyr Paints the Vestibule, broke from this pattern by having the Satyr rescued by a robot with extendable arms. Audiences welcomed this break from the previously tedious genre."@en . "Shinri Hizumi"@en . . "POI_0323_Collier7.png"@en . "Destroy the Soviets"@en . "Deus Ex Machina transcript"@en . "1"^^ . "\"Deus Ex Machina\" is the nineteenth episode of Season 1 of Lost. After a mysterious dream, Locke sets out with Boone to find a crashed Beechcraft, in the hope that it will lead him further on his quest to open the hatch. Meanwhile, at the beach, Sawyer begins to suffer from severe headaches. Flashbacks in this episode concentrate on Locke's first meeting with his biological mother and father."@en . . "Deus Ex Machina"@pt . . "*Did not appear in the episode."@en . . . "A deus ex machina is a plot device, commonly used when an author has written themselves into a corner. It is a way to \"save the day\" by random, often magical or pseudo-magical means. For example: Our heroes are trapped in the last room of a keep, hordes of bloodthirsty orcs pounding down the door, with a dragon roasting the stones around them. Suddenly, God whisks them away to a magical island paradise. Tolkien's Great Eagles are often accused of being dei ex machina due to their habit of showing up exactly when needed. Dei ex machina are also often used by Mary Sues."@en . . "Deus ex machina (dos\u0142. z \u0142ac. b\u00F3g z maszyny) - maksyma oznaczaj\u0105ca nieoczekiwanego zbawiciela, osob\u0119 lub okoliczno\u015B\u0107, kt\u00F3ra przedwcze\u015Bnie zako\u0144czy\u0142a zawi\u0142\u0105 okoliczno\u015B\u0107 b\u0105d\u017A okoliczno\u015Bci."@pl . . . . . . . "Deus ex Machina? Wha'? You're speaking gibberish, man. I have no idea what a day-ooze ex machinehead is... is that like a Motorhead? Motorhead is pretty cool! THE AAACE OF SPAAADES!!"@en . . . . . . . "Deus ex machina"@fr . . . . . . "Destroy the Allies"@en . "When Bulkhead makes a discovery in Greece, the race is on to recover an Energon Harvester. File:Prime-starscream-s01e10-energonharvester.png"@en . "(Anomalies)"@en . "Dei ex machina originated in the tragedian classics of ancient Greece. Euripides, a pioneer of interior decoration-related tragedy, introduced the world to the tragic consequences of floor painters who would paint themselves into corners. Audiences regularly fell asleep as the protagonist was left standing immobile in the corner of the room waiting for paint to dry. Euripides, in his famous play The Satyr Paints the Vestibule, broke from this pattern by having the Satyr rescued by a robot with extendable arms. Audiences welcomed this break from the previously tedious genre. The writing community of Michael Bay, a harbor town on the island of Rhodes, adopted and popularized dei ex machina among visiting merchants who in turn spread the practice as they traveled the ports of the ancient near-east and the Mediterranean Sea. By 200 BCE it was practically impossible for movies to be commercially successful unless they featured robots. The movie-going public's position had become very clear: Give us robots, and where a movie already features robots, give us more robots!"@en . . "Deus Ex Machina es el Dios del tiempo y el espacio y un personaje importante en 'Future Diary\" en el manga y anime. Co-creador de los Diarios de Future junto a John Bacchus , Deus crea el juego de supervivencia para thumb|Deus asegurarse de que tiene un sucesor de su t\u00EDtulo antes de su muerte inevitable . Capaz de manipular el tiempo , el espacio y las leyes de causa y efecto, Deus es el personaje m\u00E1s poderoso de la serie y act\u00FAa como el juez del juego de supervivencia."@es . . . . . . "Deus Ex Machina was a MDP and a Protectorate Bloc. It became defunct on April 19, 2010 after SSX merged into the Second IAA leaving NV as it's only remaining signatory."@en . . . . "Locke is left lonely and heart-broken after the surgery."@en . . . . . . . . . . . . . "2005-10-21"^^ . . "39"^^ . "--10-15"^^ . "Overview"@en . "Deus Ex Machina refers to a writing technique where at the last second possible for the heroes have an intervention in the form of a completely out-of-left-field solution. In this case, none of the solution was setup in a previous episode and usually it will be followed by a hard reset of the show dynamic so the characters cannot use this power again; lest they destroy the suspension of disbelief. It is strictly a reference to the resolution of a plot. If random events happen with no explanation as to why or how they happened within a building conflict it's not Deus Ex Machina; it's just shitty writing. The Cybermen in Nightmare in Silver getting The Flash powers and Paralysis Hands from The Girl Who Waited is NOT Deus Ex Machina, it is just bad writing. Likewise if something random happens AFTER the resolution that wasn't foreshadowed, it's not this either: it's a good old fashioned moffucking. Deus Ex Machina is not an indicator of how good an episode or arc plot is; it is only a lazy writing technique. Good episodes can have a cop out ending and bad episodes can be well setup and foreshadowed throughout the series with clever callbacks. Frequently, a bad episode with Deus Ex will be considered a shit episode; and a good episode without Deus Ex will still be considered shit by RTDchads. The writers of Doctor Who literally cannot sleep at night if they have written a story without one or more. Frequently used in finales."@en . "\u00C8 il viso di di una macchina tecnologica appare in matrix in everything games appare un dispositivo dove ti fa vedere la faccia pi\u00F9 grande Categoria:Everything games toy box"@it . "#| |1"@en . . "Deus Ex Machina is an achievement/trophy in Deus Ex: Human Revolution. It is gained by watching all four endings in the game."@en . "Deus Ex Machina is the God of Time and Space and a major character of Future Diary manga and anime. Co-creator of the Future Diaries alongside John Bacchus, Deus creates the survival game to make sure he has a successor to his title before his inevitable death. Able to manipulate time, space, and the laws of cause and effect, Deus is the most powerful entity in the series and acts as the judge of the survival game."@en . . . . . . . "Josh Holloway - James Ford"@en . . "Locke introduces himself to his father."@en . . . . . "Like the other airships, the Deus Ex Machina is sheeted in a special light metal armour, allowing for the maximum protection possible while still being light enough to be carried by the hydrogen-filled body. However, this armour seems to fare poorly against any sort of ordnance attack (as demonstrated when Zorin's zeppelin, having similar protection, was brought down within moments by Seras Victoria's Harkonnen II anti-aircraft gun), although can hold up for a short while against missile attacks. The transport compartment seems to be extremely spacious, having enough room to accommodate a large amount of personnel, a huge stash of weaponry, a treasury, a laboratory, and a huge war room connected to the bridge of the ship. The large, oval command centre allows a huge, computerised screen to"@en . . "\"Deus Ex Machina\""@ru . . . . . . "2568.0"^^ . . . . "Deus ex Machina is a Latin phrase which literally translates, \"deity from out of a machine\". It is a reference to a theatrical device in Roman and Greek plays. In some Roman and Greek dramatic works, if a character in the play found themselves in an impossible situation, an actor playing the role of a deity was lowered from a machine (a crane) onto the stage to resolve the plot."@en . . "The Deus Ex Machina is the central interface of the Machine City. It creates a humanoid \"face\" similar to that of a human baby's from a swarm of flying insect-like droids, which it uses to communicate."@en . "Locke begins to lose feeling in his legs, and sees visions of a Beechcraft crashing on the island. Boone and Locke set off to find it. Meanwhile, Sawyer suffers from headaches."@en . . "Julie Ow - Enfermeira"@pt . . . "Emilie de Ravin - Claire Littleton*"@en . "Categor\u00EDa: Definiciones Un deus ex machina (En lat\u00EDn \"Dios desde la m\u00E1quina\") traducci\u00F3n de la expresi\u00F3n griega \u00AB\u03B1\u03C0\u00F2 \u03BC\u03B7\u03C7\u03B1\u03BD\u1FC6\u03C2 \u03B8\u03B5\u00F3\u03C2\u00BB (ap\u00F2 m\u0113chan\u1E17s the\u00F3s). La frase es un recurso argumental improbable que se ha empleado en la ficci\u00F3n (a menudo en el g\u00E9nero de la fantas\u00EDa y la ciencia ficci\u00F3n) para resolver los problemas de forma abrupta en una historia, y funciona de manera muy similar a Goddidit y el argumento del Dios de los huecos. El razonamiento Ad hoc puede emplearse en un intentos de justificar la intervenci\u00F3n, ya que estos eventos por su naturaleza a menudo aparecen incompatibles con la narrativa."@es . "Season Finale. \"Deus Ex Machina\" is the 23rd episode of season 3, and the 68th produced hour of Person of Interest. It originally aired on May 13, 2014."@en . "Deus Ex Machina"@es . . "Sawyer is suffering as the pain grows worse."@en . . . "200"^^ . . "2005-03-30"^^ . . . "left"@en . . . "Deus Ex Machina. \u0422\u0435\u043A\u0441\u0442"@ru . "Original: Niconico Broadcast / YouTube Broadcast"@en . . . . . . "Deus ex Machina"@en . . "Jorge Garcia - Hugo Reyes"@en . . . . . "Deus Ex Machina was a MDP and a Protectorate Bloc. It became defunct on April 19, 2010 after SSX merged into the Second IAA leaving NV as it's only remaining signatory."@en . "19"^^ . "Deus_Ex_Machina is a dedicated member of Bungie.net. He mainly confines himself to private groups, posting an occasional message on the general forums, and has been an active participant in a number of chapters. These include Legacy, Seventh Column Troopers, and Spartans Alliance. He is also a member of The Inner Circle, the private planning group of the SA-SCT alliance, and Ivory Tower, a group he founded."@en . "Yunjin Kim - Sun-Hwa Kwon"@en . . . . . . . . . . "39"^^ . . "Locke begins to lose feeling in his legs, and sees visions of a Beechcraft crashing on the island. Boone and Locke set off to find it. Meanwhile, Sawyer suffers from headaches."@en . "\u00C8 il viso di di una macchina tecnologica appare in matrix in everything games appare un dispositivo dove ti fa vedere la faccia pi\u00F9 grande Categoria:Everything games toy box"@it . "God's Workshop"@en . "Dark Aether"@en . "Sawyer wearing his new glasses."@en . . . . . . . . . . . . . "A deus ex machina is a plot device, commonly used when an author has written themselves into a corner. It is a way to \"save the day\" by random, often by magical or pseudo-magical means. If the hero is dangling at the edge of a cliff with a villain stepping on his fingers, a flying robot suddenly appears to save him. Dei ex machina are also often used by 'Sues. The term deus ex machina literally means god from the machine, and originates from Ancient Greek theater. It refers to situations in which a crane (machine) was used to lower actors or statues playing a god or gods (deus) onto the stage to set things right, often near the end of the play. It has since come to be used as a general term for any event in which a seemingly fatal plot twist is resolved by an event never foreshadowed or set up."@en . . . "29"^^ . . . "1"^^ . . "19"^^ . . . . . "Deus ex machina"@pl . . "#| |0"@en . "Deus Ex Machina"@en . "|} Escrito por Exibido em Exibido em Elenco Convidados especiais Convidados Co-estrelado por N\u00E3o creditados Imagens arquivadas \"Deus Ex Machina\" foi o d\u00E9cimo nono epis\u00F3dio da 1\u00AA Temporada de Lost, e foi ao ar em 30 de mar\u00E7o de 2005. Locke come\u00E7a a sofrer dificuldades f\u00EDsicas e Boone tenta achar uma forma de entrar na escotilha; Jack reluta em oferecer ajuda quando Sawyer come\u00E7a a passar por terr\u00EDveis dores de cabe\u00E7a."@pt . "Harold Perrineau - Michael Dawson"@en . . . "#| |1"@en . . . . "Odcinek rozpoczyna si\u0119 wspomnieniem Johna Locke\u2019a. Jest on pracownikiem sklepu z zabawkami. Pokazuj\u0105c ma\u0142emu ch\u0142opcu zabawk\u0119, dostrzega nagle tajemnicz\u0105 kobiet\u0119, kt\u00F3rej wzrok intryguje Locke\u2019a. Gdy John podchodzi, pytaj\u0105c o co chodzi, kobieta odpowiada wykr\u0119tnie, i\u017C szuka pi\u0142ki. W spotkaniu tym jest jednak co\u015B dziwnego. Nast\u0119pnego dnia Locke i Boone postanawiaj\u0105 odbudowa\u0107 d\u017Awigni\u0119, lecz Boone, z powodu znu\u017Cenia ma w\u0105tpliwo\u015Bci co do sensu ich pracy. Locke t\u0142umaczy, i\u017C Wyspa powie co maj\u0105 robi\u0107. Locke zaczyna mie\u0107 problemy z chodzeniem."@pl . "Deus Ex Machina"@it . "Deus Ex Machina"@ru . . . . "Matthew Fox - Jack Shephard"@en . . . . . . "1"^^ . . . . . . . "& Damon Lindelof"@es . . "Deus Ex Machina"@it . "Maggie Grace - Shannon Rutherford*"@en . "Deus ex machina refers to a poor plot device used to solve a seemingly impossible situation. Examples include being summoned away from being cornered, blinking out of harm's way or discovering a new power in a life-threatening situation. Like godmoding, this is potentially annoying and makes for bad roleplay, especially if your character is the kind that people want to smack in the face."@en . . . "3"^^ . "Deus Ex Machina"@pl . "1"^^ . "Deus ex machina (literally \"god from a/the machine\") originates from Greek theatre, when a god was brought on the stage by a mechanical device. The term is commonly used to refer to an improbable contrivance in a story characterized by a sudden unexpected solution to a seemingly intractable problem."@en . "Boone makes contact with someone."@en . . . . "1"^^ . . . . . . . "Deus Ex Machina es el Dios del tiempo y el espacio y un personaje importante en 'Future Diary\" en el manga y anime. Co-creador de los Diarios de Future junto a John Bacchus , Deus crea el juego de supervivencia para thumb|Deus asegurarse de que tiene un sucesor de su t\u00EDtulo antes de su muerte inevitable . Capaz de manipular el tiempo , el espacio y las leyes de causa y efecto, Deus es el personaje m\u00E1s poderoso de la serie y act\u00FAa como el juez del juego de supervivencia."@es . "right Deus ex machina est un boss apparaissant dans Final Fantasy IV -Interlude-."@fr . . . "Flag of Deus Ex Machina"@en . "2559.0"^^ . "\"Deus Ex Machina\" is the nineteenth episode of Season 1 of Lost. After a mysterious dream, Locke sets out with Boone to find a crashed Beechcraft, in the hope that it will lead him further on his quest to open the hatch. Meanwhile, at the beach, Sawyer begins to suffer from severe headaches. Flashbacks in this episode concentrate on Locke's first meeting with his biological mother and father."@en . "50"^^ . . "The Deus ex Machina is the main flagship of the millenium fleet."@en . . "Original: Apr.19.2014"@en . "480.0"^^ . . . . . "15"^^ . . "blue"@en . . "Deus Ex Machina"@da . . . "70"^^ . "Deus ex Machina is a Latin phrase which literally translates, \"deity from out of a machine\". It is a reference to a theatrical device in Roman and Greek plays. In some Roman and Greek dramatic works, if a character in the play found themselves in an impossible situation, an actor playing the role of a deity was lowered from a machine (a crane) onto the stage to resolve the plot. As a contemporary artistic device it is either used to resolve a difficult plot by means that are apparently artificial, in a mechanical sense or in a metaphysical sense, or it is used as a way to indicate an inherent metaphysical presence within the underlying system or structure of something mechanical."@en . . . "Deus Ex Machina"@en . . . . "Tyler Burns Laudowicz - Crian\u00E7a"@pt . . . "Emperor Ing"@en . . . . . . . . "30"^^ . . "Deus ex Machina? Wha'? You're speaking gibberish, man. I have no idea what a day-ooze ex machinehead is... is that like a Motorhead? Motorhead is pretty cool! THE AAACE OF SPAAADES!!"@en . . . "Locke's trebuchet fails to open the Hatch's door."@en . "Japanese: \u30C7\u30A6\u30B9\u30FB\u30A8\u30AF\u30B9\u30FB\u30DE\u30AD\u30CA"@en . . "In literature, deus ex machina (Latin for \"God from the machine\") was a plot contrivance that, while unrealistic, solved a seemingly unsolvable problem by adding something unexpected to it. Some people considered it \"an outdated literary device.\" The 2373 introduction of a benevolent Rukani vessel to the holonovel Insurrection Alpha by Kathryn Janeway was an example of this. Tuvok praised her addition, calling it a \"a very effective plot development.\" (VOY: \"Worst Case Scenario\")"@en . . "2568.0"^^ . . . "23"^^ . . . "19"^^ . "The phrase deus ex machina ['de.\u028As eks 'ma\u02D0k\u02B0i.na\u02D0] (literally \"god out of a machine\") describes an unexpected, artificial, or improbable character, device, or event introduced suddenly in a work of fiction or drama to resolve a situation or untangle a plot (e.g. the rope that binds the hero's hands is luckily chewed off by a rat, or an angel suddenly appearing to solve problems)."@en . "\u00ABDeus Ex Machina\u00BB - \u0434\u0435\u0432\u044F\u0442\u043D\u0430\u0434\u0446\u0430\u0442\u0430\u044F \u0441\u0435\u0440\u0438\u044F \u043F\u0435\u0440\u0432\u043E\u0433\u043E \u0441\u0435\u0437\u043E\u043D\u0430 \u0441\u0435\u0440\u0438\u0430\u043B\u0430 Lost, \u043A\u043E\u0442\u043E\u0440\u0430\u044F \u0432\u044B\u0448\u043B\u0430 \u043D\u0430 \u0442\u0435\u043B\u0435\u044D\u043A\u0440\u0430\u043D\u044B \u0421\u0428\u0410 30 \u043C\u0430\u0440\u0442\u0430 2005 \u0433\u043E\u0434\u0430. \u041F\u043E\u0441\u043B\u0435 \u0442\u0430\u0438\u043D\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0433\u043E \u0441\u043D\u0430, \u041B\u043E\u043A\u043A \u0432\u0435\u0434\u0451\u0442 \u0411\u0443\u043D\u0430 \u043A \u043C\u0435\u0441\u0442\u0443 \u043A\u0440\u0443\u0448\u0435\u043D\u0438\u044F \u0441\u0430\u043C\u043E\u043B\u0451\u0442\u0430, \u0432 \u043D\u0430\u0434\u0435\u0436\u0434\u0435, \u0447\u0442\u043E \u044D\u0442\u043E \u043F\u043E\u0434\u0441\u043A\u0430\u0436\u0435\u0442 \u0435\u043C\u0443, \u043A\u0430\u043A \u043E\u0442\u043A\u0440\u044B\u0442\u044C \u043B\u044E\u043A. \u0422\u0435\u043C \u0432\u0440\u0435\u043C\u0435\u043D\u0435\u043C \u043D\u0430 \u043F\u043B\u044F\u0436\u0435 \u0421\u043E\u0439\u0435\u0440 \u043C\u0443\u0447\u0430\u0435\u0442\u0441\u044F \u043E\u0442 \u0433\u043E\u043B\u043E\u0432\u043D\u044B\u0445 \u0431\u043E\u043B\u0435\u0439. \u0424\u043B\u044D\u0448\u0431\u044D\u043A \u043F\u043E\u0441\u0432\u044F\u0449\u0435\u043D \u043F\u0435\u0440\u0432\u043E\u0439 \u0432\u0441\u0442\u0440\u0435\u0447\u0435 \u041B\u043E\u043A\u043A\u0430 \u0441\u043E \u0441\u0432\u043E\u0438\u043C\u0438 \u0431\u0438\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u0438\u043C\u0438 \u0440\u043E\u0434\u0438\u0442\u0435\u043B\u044F\u043C\u0438."@ru . . "Deus ex machina"@en . . . . . . . . "Deus Ex Machina is the God of the machines of Zero-One, leading them against the humans to take over Earth. Deus rules the machines, but is not to be confused with Queen Machina who ruled the Machine Empire."@en . . "Image Gallery"@en . . "Full Allied arsenal"@en . . . "A common form of Ass Pull or Writer Cop Out, a Deus Ex Machina is an outside force that solves a seemingly unsolvable problem in an extremely unlikely (and, usually, anticlimactic) way. If the secret documents are in Russian, one of the spies suddenly reveals that they learned the language. If the writers have just lost funding, a millionaire suddenly arrives, announces an interest in their movie, and offers all the finances they need to make it. If The Hero is dangling at the edge of a cliff with a villain stepping on his fingers, a flying robot suddenly appears to save him."@en . . . . "Locke's mother says he was immaculately conceived."@en . . "Deus ex machina (literally \"god from a/the machine\") originates from Greek theatre, when a god was brought on the stage by a mechanical device. The term is commonly used to refer to an improbable contrivance in a story characterized by a sudden unexpected solution to a seemingly intractable problem. Neoclassical literary criticism, from Corneille and John Dennis on, took it as a given that one mark of a bad play was the sudden invocation of extraordinary circumstance. Thus, the term \"deus ex machina\" has come to mean any inferior plot device that expeditiously solves the conflict of a narrative."@en . "Season Finale. \"Deus Ex Machina\" is the 23rd episode of season 3, and the 68th produced hour of Person of Interest. It originally aired on May 13, 2014."@en . "A bloody Boone in Locke's vision."@en . . . "The term deus ex machina (appropriately enough, meaning \"the god from the machine\" in Greek) is used to refer to a plot device in which a surprising or unexpected event occurs in a story's plot, often to resolve flaws or tie up loose ends in the narrative. In classical Greek theatre, this often involved an actor representing a god whose powers saved the day, being suspended above the stage by a crane, hence the origin of the term. However, when used in Transformers, it's mainly a new character coming out of nowhere and kicking everyones ass (often used to promote a new toy); when a dead character comes back for some reason; or gets a new body (again, to sell toys). Sometimes, however, it's just conveniently used accesories."@en . . "2014-05-13"^^ . . . . . . . . . "Deus Ex Machina also known as The SG Of Reverse Exorcism is an Longinus Sacred Gear. This Sacred Gear is rumored to be one of the few sacred gears with God Of The Bible's soul. Almost every user is hunted down and either killed or recruited before they can cause to much chaos."@en . . . . "Evangeline Lilly - Kate Austen"@en . . "A deus ex machina is a plot device, commonly used when an author has written themselves into a corner. It is a way to \"save the day\" by random, often magical or pseudo-magical means. For example: Our heroes are trapped in the last room of a keep, hordes of bloodthirsty orcs pounding down the door, with a dragon roasting the stones around them. Suddenly, God whisks them away to a magical island paradise. The term deus ex machina literally means \"god from the machine,\" and refers to Ancient Greek plays, in which one way of resolving insurmountable problems was to have a god appear through a trapdoor or descend on a winch and clear everything up. Tolkien's Great Eagles are often accused of being dei ex machina due to their habit of showing up exactly when needed. Dei ex machina are also often used by Mary Sues."@en . "1"^^ . "MV version: Niconico Broadcast / YouTube Broadcast"@en . "Terry O'Quinn - John Locke"@en . . "Deus Ex Machina is the twenty-ninth issue of the series."@en . . . . . "2006-05-01"^^ . "39"^^ . "119"^^ . . . "2606.0"^^ . . . . . . "39"^^ . "Deus ex machina refers to a poor plot device used to solve a seemingly impossible situation. Examples include being summoned away from being cornered, blinking out of harm's way or discovering a new power in a life-threatening situation. Like godmoding, this is potentially annoying and makes for bad roleplay, especially if your character is the kind that people want to smack in the face."@en . . "#000000"@en . . . "Deus Ex Machina is the eighth Soviet mission in Aftermath expansion. It is the last mission to feature the Soviet supersoldier, Volkov. The objective is to locate and reaquire Volkov, who has been captured by the Allies and is being studied by them. You are first tasked with destroying the Allied radar domes in the area. Build up your base while fending off Allied ground attacks, including a demolition truck which you should intercept with a single tank or some expendable rifle infantry before it can reach your base. Build an airfield along with a MiG, as well as a Sub Pen and Tech Center. When your Spy Plane is ready, send it to reveal the area near the northeast corner of the map. This should reveal the enemy's War Factory, as well as another demolition truck parked in front of it. Air defenses are fairly minimal, so use your MiG to destroy the truck, and the ensuing explosion will destroy the War Factory as well. The Allies won't replace their factory, so this should largely neutralize the threat posed by the enemy base. Meanwhile, build up several submarines as well as missile subs. Send a few subs to the north and east, and sink any Allied ships you encounter. Follow up with missile subs to bombard shore targets, as well destroy the radar domes located on the islands. Another radar dome is located to the east which can be destroyed via missile sub, and another is in the main Allied base which will probably require a ground force to reach. Once the main Allied base is dealt with and the last radar dome destroyed, Volkov's location will be revealed as being in a fake War Factory located south of the main Allied base. Send your ground forces to clear out the defenders (your missile subs can help as well). Several scientists will be dropped off at your base, and you will need to get at least one of them into the fake War Factory. Note that due to the game's script governing the scientists, should you place one of them into a Chinook helicopter, the helicopter will automatically take off and fly off the map. To prevent this, immediately tell the Chinook to land somewhere to interrupt its departure. Once you manage to get a scientist into the fake War Factory, Volkov will be reactivated under your control. Use him to help eliminate the remaining Allied forces, and the mission will end. (Note that if Volkov boards a Chinook, this will also cause the Chinook to fly away off the map, though this appears to be an intended part of the mission. If you want to keep Volkov on the field, don't let the Chinook leave!) If you fail to regain control over Volkov, either by destroying or capturing the fake War Factory, or by running out of time, the mission doesn't end but you will now have to confront a berserk Volkov. By far the most effective way for dealing with him (as well as any other \"superpowered\" infantry found in the game) is with attack dogs, as they can still kill him in one hit despite all his hitpoints and armor. Volkov will most likely be fixated on another target and won't attack your dogs before they get into range, but you may want to have several dogs just in case."@en . . "10.95M"@en . "Deus Ex Machina is the God of the machines of Zero-One, leading them against the humans to take over Earth. Deus rules the machines, but is not to be confused with Queen Machina who ruled the Machine Empire."@en . . "150"^^ . "1"^^ . . "Deus_Ex_Machina is a dedicated member of Bungie.net. He mainly confines himself to private groups, posting an occasional message on the general forums, and has been an active participant in a number of chapters. These include Legacy, Seventh Column Troopers, and Spartans Alliance. He is also a member of The Inner Circle, the private planning group of the SA-SCT alliance, and Ivory Tower, a group he founded."@en . "Deus Ex Machina is a thriller/drama machinima series by Jon CJG, who at the time went under the aliases DigitalPh33r. Jon ended the series at a cliffhanger on the second part of the ninth episode of the series. This is due to Jon's dislike for the shows, stating that it \"sucks\". Due to this, like One Life Remaining, It's a Wonderful Live and Hard Justice, it has been omitted from the listing on his new blog."@en . "2568.0"^^ . "The Deus Ex Machina is the central interface of the Machine City. It creates a humanoid \"face\" similar to that of a human baby's from a swarm of flying insect-like droids, which it uses to communicate."@en . . . . "Deus Ex Machina Sacred Gear Factory"@en . "#| |0"@en . "Deus Ex Machina"@nl . . "right Deus ex machina est un boss apparaissant dans Final Fantasy IV -Interlude-."@fr . . . . . "Episode-19.png"@en . . "Deudas e intervenci\u00F3n"@es . . . "The phrase deus ex machina ['de.\u028As eks 'ma\u02D0k\u02B0i.na\u02D0] (literally \"god out of a machine\") describes an unexpected, artificial, or improbable character, device, or event introduced suddenly in a work of fiction or drama to resolve a situation or untangle a plot (e.g. the rope that binds the hero's hands is luckily chewed off by a rat, or an angel suddenly appearing to solve problems)."@en . . . "|} Escrito por Exibido em Exibido em Elenco Convidados especiais Convidados Co-estrelado por N\u00E3o creditados Imagens arquivadas \"Deus Ex Machina\" foi o d\u00E9cimo nono epis\u00F3dio da 1\u00AA Temporada de Lost, e foi ao ar em 30 de mar\u00E7o de 2005. Locke come\u00E7a a sofrer dificuldades f\u00EDsicas e Boone tenta achar uma forma de entrar na escotilha; Jack reluta em oferecer ajuda quando Sawyer come\u00E7a a passar por terr\u00EDveis dores de cabe\u00E7a."@pt . "Sawyer heeft steeds vaker last van hoofdpijn en vraagt Jack om zijn medisch oordeel over de mogelijke oorzaak. In de jungle doen Boone en Locke een verrassende ontdekking, met tragische gevolgen voor \u00E9\u00E9n van hen."@nl . . "Unknown"@en . . . . "A deus ex machina is a plot device, commonly used when an author has written themselves into a corner. It is a way to \"save the day\" by random, often by magical or pseudo-magical means. If the hero is dangling at the edge of a cliff with a villain stepping on his fingers, a flying robot suddenly appears to save him. Dei ex machina are also often used by 'Sues."@en . "When Bulkhead makes a discovery in Greece, the race is on to recover an Energon Harvester. File:Prime-starscream-s01e10-energonharvester.png"@en . . "Daniel Dae Kim - Jin-Soo Kwon"@en . "2005-03-30"^^ . . . "yes"@en . "Deus Ex Machina"@pt . . . . . . "Deus Ex Machina"@nl . . . "Ian Somerhalder - Boone Carlyle"@en . . . . . . "Deus Ex Machina"@es . . "Deus Ex Machina also known as The SG Of Reverse Exorcism is an Longinus Sacred Gear. This Sacred Gear is rumored to be one of the few sacred gears with God Of The Bible's soul. Almost every user is hunted down and either killed or recruited before they can cause to much chaos."@en . . . "A common form of Ass Pull or Writer Cop Out, a Deus Ex Machina is an outside force that solves a seemingly unsolvable problem in an extremely unlikely (and, usually, anticlimactic) way. If the secret documents are in Russian, one of the spies suddenly reveals that they learned the language. If the writers have just lost funding, a millionaire suddenly arrives, announces an interest in their movie, and offers all the finances they need to make it. If The Hero is dangling at the edge of a cliff with a villain stepping on his fingers, a flying robot suddenly appears to save him. The term is Latin for god out of the machine (pronunciation: Day-oos eks MAH-kee-nah) and has its origins in ancient Greek theater. It refers to situations in which a crane (machine) was used to lower actors or statues playing a god or gods (deus) onto the stage to set things right, often near the end of the play. It has since come to be used as a general term for any event in which a seemingly fatal plot twist is resolved by an event never foreshadowed or set up. There are four primary forms a Deus Ex Machina can take: 1. \n* Total Deus Ex Machina -- A plot element that didn't previously exist and has no logical explanation behind it. Let's say the hero has been pummeled to an inch of his life and the villain has regained control of his gun. The hero then finds a magical remote control under a nearby couch that allows him to pause the scene, take the gun away, and shoot the villain. 2. \n* Illogical placement and timing Deus Ex Machina -- When something is established and explained in the work, but its use in that situation is jarring and impossible to believe. Building from the example above, let's say that instead of a magical remote, the local militia bursts in and shoots the villain. Maybe it was established earlier that the militia protects the countryside, but for them to somehow divinely know that there is a fight going on at this isolated farm and to burst in just in time to save the day is a Deus Ex Machina. 3. \n* Cut and paste Deus Ex Machina -- When Chekhov's Gun is quick-drawn, but it's done in a clumsy way that makes one realize that the author obviously just couldn't write them out of the situation with what they have, so they went back to some earlier point and put in one or two throwaway lines to set up a victory down the road. From the example above, perhaps the hero randomly decided to put a tiny pistol in one of his pockets and just happened to forget that he had it until now. 4. \n* Fridge Brilliance -- When something seems to be a Deus Ex Machina, but really isn't. The writers were just a bit too clever for their own good. To build from the above, let's say that in some early scene the hero intentionally rigged his gun to blow up should it ever be fired and it both fits with his personality and seems like a logical thing he would do. It might seem like a cop-out at first, but one then remembers he's a Technical Pacifist who Doesn't Like Guns and never wants to fire one in his life in spite of his job. See also Chekhov's Gun. Note that the Romans and Greeks used type 1 and 2. This was mainly due to tradition; unlike today, audiences in ancient times were openly violently hostile to excessive innovation to the point that they would break out in riots if a writer tried to go too far. Some moderns assume, wrongly, that true art sticks it to the man and always has, and crow that ancient writers were cowed by \"royalty\" not to be controversial. In reality theatric performances were staged by the aediles, minor elected officials who didn't have the authority to arrest anyone. The Emperors (when they did arise -- for most of this time period Rome was a republic and had no royalty) treated theatre as if it were beneath their notice -- in fact, the only theatre person to get in serious trouble did so after cuckolding the Emperor (plus Nero, who thought he was a theater person and got in trouble for unrelated reasons). The lines between Deus Ex Machina and other devices are thin and blurry. If the villain above suddenly falls a victim to an offscreen sniper's shot without any plot connections it would likely be type 2: Big Bad is likely to have foes, but here's a Contrived Coincidence. If this sniper turns out to be some long-forgotten Victim Of The Week or a relative, it's type 3. If one of hero's potential allies did refuse to participate in the action, but decided to act on his own and it's in character, it may be type 4. If the villain was earlier attacked by some enemies, lurked in his lair with tight security, but then went out of his way to punish the hero and made a good target of himself by posturing and gloating in the open, it's not even Chekhov's Gun, just a death by carelessness. In the early years of the film industry, however, the concept came back into vogue due to the Hays Code. Villains, and anyone else who didn't toe the moral line, were absolutely not allowed to get away with their crimes, but as everyone knows, Evil is Cool. The solution was to let them be awesome for the duration of the movie, then drop a bridge on them in the last five minutes. It worked, of course. In spite of the above, even the dreaded Deus Ex Machina - perhaps the most notorious of tropes among readers, beating out Mary Sue - can be pulled off. There are ways to have a Deus Ex Machina resolution and still come to a satisfying conclusion - see the entire \"Rule Of X\" series of tropes: Rule of Cool, Rule of Cute, Rule of Empathy, Rule of Fun, Rule of Funny, Rule of Romantic, Rule of Scary, Rule of Sexy (for those ever-so-fun Deus Sex Machinas), Rule of Symbolism, and especially Rule of Drama. The key word, of course, is \"satisfying.\" It's definitely more difficult to achieve with some Rules than with others but not impossible for any of them. As noted below, this happens plenty in real life. Of course, Real Life is a much more complex system than most fictionalized versions of it, and so this ends up a legitimate plot twist. Fiction is also limited by the Law of Conservation of Detail, while real life clearly is not. The Reset Button often depends on Deus Ex Machina. A subtrope of Ass Pull; see also Diabolus Ex Machina. Particular types of deus ex machina include Coincidental Broadcast, You Didn't Ask, and often, Eureka Moment. Sometimes lead to a Gainax Ending. Also consider Suspiciously Specific Sermon for deus ex machinas that are actually religiously related. The word Deus ex Machina is also taken literally as a term for making ourselves gods through the application of technology, e.g. The Singularity; this isn't what it means at all! (Not that it wasn't a clever attempt at wordplay in the titles of the cult PC video game classic Deus Ex, its sequels, the unrelated manga Deus Ex Machina, or the trope Deus Est Machina). Also also, please make sure you have read the above criteria BEFORE submitting an entry. This is a not a place to Complain About Plot Twists You Don't Like. Examples of Deus Ex Machina include:"@en . "2.3"^^ . "Deus Ex Machina is an achievement/trophy in Deus Ex: Human Revolution. It is gained by watching all four endings in the game."@en . "Un giovane Locke sta lavorando in un grande magazzino e sta mostrando il gioco MouseTrap ad un bambino: John dice al ragazzino che quello \u00E8 il suo gioco preferito. Una donna misteriosa osserva l'uomo ed il ragazzo da lontano: quando Locke le si avvicina, incuriosito dalle occhiate che la donna gli lancia quando pensa che lui non la osservi, lei finge indifferenza e gli chiede di indicarle lo scaffale dei palloni da calcio. Pi\u00F9 tardi, nel parcheggio del grande magazzino, Locke rivede la donna che, nuovamente, lo sta osservando da lontano: accortasi che l'uomo l'ha vista, per\u00F2, la donna tenta di fuggire scappando fra le auto del parcheggio. John allora la insegue ma viene colpito da un'auto che esce da un parcheggio: poco dopo per\u00F2 l'uomo si rialza e riesce a raggiungere la donna, affrontandola: la donna a quel punto gli rivela di essere la sua madre biologica, Emily Annabeth Locke. [[Immagine:1X19_LockeCooperHunt.jpg|left|thumb|Locke e Cooper a caccia insieme]] Poco dopo, in un bar, Locke cerca di scoprire qualcosa di pi\u00F9 dalla donna che dice di essere sua madre: Emily gli racconta di averlo dato in affidamento quando lui era piccolo ed \u00E8 per quel motivo che lui non si ricorda nulla di lei. Quando John chiede alla donna informazioni riguardo a suo padre, cuorioso di sapere se l'uomo \u00E8 ancora vivo, la donna, con suo grande stupore, afferma candidamente che lui \u00E8 davvero una persona speciale perch\u00E8 non ha un padre ed \u00E8 stato concepito per Immacolata Concezione. Locke assume quindi un investigatore privato per ottenere informazioni sui suoi genitori. L'uomo, Frainey, gli cominunica che ha scoperto che sua madre in passato \u00E8 stata ricoverata diverse volte per schizofrenia all\u2019Istituto di Igiene Mentale Santa Rosa. Quando Locke chiede all'investigatore informazioni su suo padre l\u2019uomo esita: sotto le insistenze di Locke Frainey gli offre la possibilit\u00E0 di consultare un fascicolo nel quale sono contenute le informazioni riguardo a suo padre ma allo stesso tempo lo avverte che la ricerca dei proprio genitori \u00E8 una reazione molto naturale ma spesso porta a grandi delusioni. Locke risponde che lui \u00E8 interessato a conoscere tutta la verit\u00E0 riguardo a suo padre ed allora l\u2019investigatore gli offre un indirizzo. [[Immagine:1X19_LockeCooperHospital.jpg|right|thumb|Locke e Cooper all'ospedale]] Locke si trova davanti alla bella villa dove vive suo padre e si presenta ad un guardia al cancello. Di fronte ai tentennamenti dell'uomo, che sembra essere molto sospettoso e non gli permette di oltrepassare il cancello, Locke racconta che ha da poco scoperto di essere figlio di Anthony Cooper e che vuole incontrare suo padre: alla fine, dopo molto insistere, John viene ricevuto ed accolto dal padre. Cooper incontra il figlio ed afferma di non aver saputo subito della sua esistenza perch\u00E9 Emily gli aveva detto che non avrebbe potuto avere bambini: lui ha scoperto di aver un figlio solo un anno dopo la sua nascita, quando Emily gli chiese dei soldi e gli disse che aveva gi\u00E0 dato il bambino in affidamento. Cooper sembra affenzionarsi rapidamente al figlio, lo prende sotto la sua ala protettiva e gli propone di passare un po' di tempo assieme per conoscersi: lo invita quindi ad andare a caccia con lui la domenica successiva. [[Immagine:deusexmachina13_thumb.jpg|left|thumb|John va a trovare il padre dopo l'operazione]] Un giorno, arrivato in anticipo ad un appuntamento con il padre, Locke sorprende l'uomo mentre sta facendo la dialisi. Cooper afferma che non avrebbe voluto che lui scoprisse la sua malattia: per potersi salvare avrebbe bisogno di un trapianto di rene ma sembra essere molto pessimista circa le sue possibilit\u00E0 di ottenerlo poich\u00E8 le liste di chi ha bisogno di ottenere un rene sono molto lunghe. Durante una battuta di caccia John si dimostra molto abile con il fucile: il padre \u00E8 molto soddisfatto di come stia crescendo il loro rapporto ed esprime al figlio la sua gratitudine nei confronti di Emily che ha consentito loro di conoscersi finch\u00E8 erano ancora in tempo. Qualche tempo dopo Locke ed Anthony sono in due letti dell'ospedale pronti per un'operazione: con grande generosit\u00E0 John ha infatti deciso di donare al padre un suo rene. Proprio prima di essere portati in sala operatoria Cooper dice al figlio che si ritroveranno una volta ripresisi dall\u2019anestesia. Pi\u00F9 tardi, dopo il trapianto, Locke riprende i sensi e si risevglia: con sua grande sorpresa scopre per\u00F2 che suo padre \u00E8 gi\u00E0 stato dimesso ed \u00E8 andato a casa. Interdetto, John non riesce a capire per quale motivo il padre non lo abbia aspettato. In quel momento sulla soglia della stanza compare Emily: la donna gli rivela che Anthony ha in realt\u00E0 organizzato quel piano per convincerlo a donargli spontaneamente il rene di cui lui aveva bisogno per vivere e che le ha chiesto di essergli complice in cambio di soldi che la donna necessitava. Locke, distrutto e ferito nei suoi sentimenti, si trascina allora fuori dal letto d\u2019ospedale e guida fino alla casa del padre: la guardia per\u00F2 gli impedisce l'accesso. Locke, deluso ed amareggiato, si allontana in macchina dalla villa e, crollando psicologicamente, scoppia a piangere per sfogare la rabbia per il tradimento che ha subito."@it . . . . . . . . .