This HTML5 document contains 333 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

PrefixNamespace IRI
n278http://dbkwik.webdatacommons.org/resource/YdxH1WbqcLZNJ9IyXXyiaA==
n136http://dbkwik.webdatacommons.org/resource/rn97Hu7FExH-guU2mHn1Bw==
n179http://dbkwik.webdatacommons.org/resource/h8pa9kbfVWQJBX6YKIOUNw==
n218http://dbkwik.webdatacommons.org/resource/m5268hoCy0FopVdhvAYd7w==
n118http://dbkwik.webdatacommons.org/resource/OlpE3M05EM_5Cqv6Zfq4mA==
n252http://dbkwik.webdatacommons.org/resource/xumZ0quGh8lZzILhrDO4xw==
n232http://dbkwik.webdatacommons.org/resource/cBpXlWJIfws8IJ-Ed4hKWg==
n169http://dbkwik.webdatacommons.org/resource/-XscQi5Dn01rg-bmfVtGyA==
n69http://dbkwik.webdatacommons.org/resource/xJYJkiOg12QFO0xOfO2MXw==
n212http://dbkwik.webdatacommons.org/resource/5NRAsKI9Ip9d_Tf7TK8hIw==
n286http://dbkwik.webdatacommons.org/resource/-N_VCveVvrmxwGxIwTKu6g==
n242http://dbkwik.webdatacommons.org/resource/gmj4m7YssOchO_8EdXLWiA==
n207http://dbkwik.webdatacommons.org/resource/vdP0LP-6QeY7LTuldS3hIw==
n238http://dbkwik.webdatacommons.org/resource/8HpKOCbTyFzqeWTUNqIkDA==
n280http://dbkwik.webdatacommons.org/resource/6_LnouBUMTCig7f3iLBIFg==
n79http://dbkwik.webdatacommons.org/resource/CXLf8saZH35f7bPtKMC5qA==
n283http://dbkwik.webdatacommons.org/resource/yZHxKhqddP5RToB-8gsdEg==
n70http://dbkwik.webdatacommons.org/resource/jdeTcKb6raqk5bfBTabrcg==
n34http://dbkwik.webdatacommons.org/resource/L5OUQCas3NG0Nvi_BWCthQ==
n135http://dbkwik.webdatacommons.org/resource/lmNEAmDneEVDQEUlIsqLuw==
n14http://dbkwik.webdatacommons.org/resource/9pIO5J4kIxT5cED_FTTcPg==
n109http://dbkwik.webdatacommons.org/resource/cw5b1c2WYkBXP8RauuiO_g==
n176http://dbkwik.webdatacommons.org/resource/nfNEyZX3JSrzTxFDbr_UUA==
n71http://dbkwik.webdatacommons.org/imagecomics/property/
n8http://dbkwik.webdatacommons.org/resource/_Pu6e7RnQIHynVCO7vvZig==
n68http://dbkwik.webdatacommons.org/resource/GDZDicQu4kHj8CNj-KsakQ==
n77http://dbkwik.webdatacommons.org/resource/fIkP7qoX50wh4lvwNXst0A==
n290http://dbkwik.webdatacommons.org/resource/sGIYVWXEIQk7la-qa5F5Fw==
n217http://dbkwik.webdatacommons.org/resource/msZuPpBnyy-mCrgSoctVig==
n147http://dbkwik.webdatacommons.org/resource/l4KdaIVF4r9KC79fgpEp0A==
n287http://dbkwik.webdatacommons.org/resource/UzhvtVr4Hu0GMZKusCxbNg==
n229http://dbkwik.webdatacommons.org/resource/SM0ahGMrZC4q5alNyFDbGA==
n16http://dbkwik.webdatacommons.org/resource/PRk4xVoj3OrtDfeR3eaulQ==
n30http://dbkwik.webdatacommons.org/resource/TgOVbXtoSofCtrjpr1F5Hw==
n159http://dbkwik.webdatacommons.org/resource/1bdPhB6IoNQHFxxuj0ykpg==
n36http://dbkwik.webdatacommons.org/magicalstory/property/
n55http://dbkwik.webdatacommons.org/resource/gk7VFDOatg2gd0EEc_JKTg==
n121http://dbkwik.webdatacommons.org/resource/C9V9_Edgg2jIZTCStGg-Ew==
n245http://dbkwik.webdatacommons.org/resource/vgu9dX5kTI4jVypNiWYsvg==
n308http://dbkwik.webdatacommons.org/resource/A4Ww645xSp6wXCmwa2oV2g==
n140http://dbkwik.webdatacommons.org/resource/N6T8nvoPPBjfKOzTWFzJVA==
n279http://dbkwik.webdatacommons.org/resource/VMIcYq3lj2QI5x0_tYqrcA==
n295http://dbkwik.webdatacommons.org/resource/eoDdQzQR25rzVl2OHfCGQA==
owlhttp://www.w3.org/2002/07/owl#
n23http://dbkwik.webdatacommons.org/resource/43JQnGgrOLlO7nChyf7ddg==
n139http://dbkwik.webdatacommons.org/resource/83tHTg5YyxGjxp6kTk_kRg==
n239http://dbkwik.webdatacommons.org/resource/sVweRnK5B4LR3faXxv4nIA==
n2http://dbkwik.webdatacommons.org/resource/Ik3yjuxVktA8GK9R9dLSJQ==
dbrhttp://dbpedia.org/resource/
n277http://dbkwik.webdatacommons.org/resource/KbxFnLUmqrGC6-Hfvdnmew==
n191http://dbkwik.webdatacommons.org/resource/a5tbWJg9kGcTrcXbevOQsA==
n4http://dbkwik.webdatacommons.org/resource/txGFwsvLTGF2KK7Z-oWMtg==
n288http://dbkwik.webdatacommons.org/7extremepowers/property/
n221http://dbkwik.webdatacommons.org/resource/HAXc4ov5c_zdYEeNRwNL0g==
n205http://dbkwik.webdatacommons.org/resource/YGGSKO0VHTebCBBDFu3gZA==
n54http://dbkwik.webdatacommons.org/resource/LUX5OMZw6Ud3zwHW17JPvQ==
n180http://dbkwik.webdatacommons.org/resource/AJ4igYsJjF12DrchNHtrsw==
n29http://dbkwik.webdatacommons.org/resource/dMWOK1FU_OWlF_Bpq850pw==
n67http://dbkwik.webdatacommons.org/resource/sNtuKMvuNGaqGZFqB4HXag==
n162http://dbkwik.webdatacommons.org/resource/QOiHI65D1hgrGLRWDIQNKw==
n301http://dbkwik.webdatacommons.org/resource/4C6wDhfNppKerKkMNLkttg==
n161http://dbkwik.webdatacommons.org/resource/CtdDQDTGRxI2n9Kf580gyQ==
n97http://dbkwik.webdatacommons.org/resource/O6Bk0EgM1JSWHXfMu-uF5g==
n230http://dbkwik.webdatacommons.org/resource/VQtGK51WhsMzEGNFXdBvmw==
dctermshttp://purl.org/dc/terms/
n241http://dbkwik.webdatacommons.org/resource/uLdm0gSyu2IIWgez3gnuSw==
n25http://dbkwik.webdatacommons.org/resource/J0fdl3Mx8srczT9umRJW7Q==
n262http://dbkwik.webdatacommons.org/resource/2e9dxbDDzKpRU7cmvL1O7Q==
n123http://dbkwik.webdatacommons.org/resource/1S_SIudq3cHX2yHRBOG19g==
n187http://dbkwik.webdatacommons.org/resource/tW-CamwWDV__oSISdH88mg==
n272http://dbkwik.webdatacommons.org/resource/agt23QNtQft7cFXCq7N2ug==
n168http://dbkwik.webdatacommons.org/resource/xZjcPpKxurFZtczDfexgsw==
n299http://dbkwik.webdatacommons.org/resource/l06lbx-wBPhqKgm0yE8tNA==
n236http://dbkwik.webdatacommons.org/resource/GjfNNZ-_8Ef4Db7MRTnGLA==
n15http://dbkwik.webdatacommons.org/resource/kqBt8wUh8Iw7n6F0cevuIw==
n120http://dbkwik.webdatacommons.org/resource/_Zpr0NJbPFuMcGO3_iLzxg==
n192http://dbkwik.webdatacommons.org/resource/ZYZmCdeWNTN1ulp3L6SZ1Q==
n284http://dbkwik.webdatacommons.org/resource/sVYF0jI5Rbq4WAeazFJfMQ==
n188http://dbkwik.webdatacommons.org/resource/nGhKHIptfrxZQ4enXthJyQ==
n127http://dbkwik.webdatacommons.org/resource/UWgSQqw_qDbsaSGrDBXE2Q==
n296http://dbkwik.webdatacommons.org/resource/PGNRdiUYRtuPO-gJkuu1iQ==
n276http://dbkwik.webdatacommons.org/resource/xiqDTuqgeP5qiXyDcacvMQ==
n18http://dbkwik.webdatacommons.org/resource/acJ3mdXRHqr-fW-HjmzZ6g==
n294http://dbkwik.webdatacommons.org/resource/QyClrJThCZDZjojjovF3LQ==
n257http://dbkwik.webdatacommons.org/resource/aeBor-z-DlVaFiPqL7wI0Q==
n142http://dbkwik.webdatacommons.org/resource/6Foj84bIlLww7zeEJzeHFw==
n94http://dbkwik.webdatacommons.org/resource/79W_e_Wl7Ts_ezruwZJqIw==
n108http://dbkwik.webdatacommons.org/resource/zSvID_Uy3di99yZ5iuzcHA==
n181http://dbkwik.webdatacommons.org/resource/Gwz7jlJjQrakJfuYfcZ9mA==
n206http://dbkwik.webdatacommons.org/resource/p0Nw_Oh_aJ9-43qQ1vDspw==
n266http://dbkwik.webdatacommons.org/resource/hYepcaWaTFvtO7L6dNLasQ==
n10http://dbkwik.webdatacommons.org/resource/mrpUurQd02OF8hxS-kc0YA==
n202http://dbkwik.webdatacommons.org/resource/E0At1WcTqXpkHl9OG89Wpg==
n153http://dbkwik.webdatacommons.org/resource/wO1S0KkSzTQkG31na39qag==
n247http://dbkwik.webdatacommons.org/resource/HgOiaUBIGds8kONcCnQNPA==
n255http://dbkwik.webdatacommons.org/resource/9uq2VdR5kx5YdnlH12DMGA==
n47http://dbkwik.webdatacommons.org/resource/YycyZKCGReoY2vCpOFoy3g==
n90http://dbkwik.webdatacommons.org/resource/zyy53Nt_ICO2mwJCb0M2og==
n164http://dbkwik.webdatacommons.org/resource/amybJvfH0tHBjKOs4TCCEQ==
n264http://dbkwik.webdatacommons.org/resource/M5vI7w5aW043OSvLesWIVg==
n208http://dbkwik.webdatacommons.org/resource/WJQ-kLzxQioi3WvS4lRRDA==
n289http://dbkwik.webdatacommons.org/resource/IM5rRxQDa0rXRtT3sE9P5A==
n63http://dbkwik.webdatacommons.org/resource/xHqXsuiy1oZn3M5ioIfx-A==
rdfshttp://www.w3.org/2000/01/rdf-schema#
n32http://dbkwik.webdatacommons.org/resource/nzhnAt9Iz5ALWP77Z7bs0A==
n126http://dbkwik.webdatacommons.org/resource/oXYkwFtGZjI5nFAy0Scuwg==
n282http://dbkwik.webdatacommons.org/resource/m27isE40BdrTEcplubPK1g==
n61http://dbkwik.webdatacommons.org/resource/1Jvb1cyxd3fYGEPol30rDA==
n223http://dbkwik.webdatacommons.org/resource/p1cnhW0M7ypfLjscYEbLUg==
n268http://dbkwik.webdatacommons.org/resource/TNrhrL2Oz316-um4fBCYxg==
n95http://dbkwik.webdatacommons.org/resource/0fHf77FLZpD2LX9jRQDX3g==
n302http://dbkwik.webdatacommons.org/resource/Sdvr4UUm5NlTStWSoHFQng==
n243http://dbkwik.webdatacommons.org/resource/-DTmw-PDfBVCCkoUePejZg==
n186http://dbkwik.webdatacommons.org/resource/t5IkGyzFI4XndAOynvbMLw==
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n228http://dbkwik.webdatacommons.org/resource/59USKa1ogtl_bogHP1igcQ==
n64http://dbkwik.webdatacommons.org/resource/dXTbBDC4GsI6E-S83xWzQg==
n253http://dbkwik.webdatacommons.org/resource/P32jeYe7MUrlFuTZt9vuLg==
n37http://dbkwik.webdatacommons.org/resource/SzMa_2YvUE25DdbwrZn19w==
n26http://dbkwik.webdatacommons.org/resource/dl2MgQ-PBPEyO1I1dsEiKg==
n196http://dbkwik.webdatacommons.org/resource/isd3ZlyALy6BXfJk6WiBXA==
n250http://dbkwik.webdatacommons.org/resource/u2_A6gGUIbz8hct6hUCSCQ==
n269http://dbkwik.webdatacommons.org/resource/sUQbU8ij2KKzg21ixnbDuQ==
n45http://dbkwik.webdatacommons.org/resource/eqbu_rTtCSH2qrhdSk1xMw==
n89http://dbkwik.webdatacommons.org/resource/a2SwawLGyIdMJycHIB8Rmg==
n56http://dbkwik.webdatacommons.org/resource/FChiUR9XUHQ2DLHAEVm9Rg==
n107http://dbkwik.webdatacommons.org/resource/Q5VqR4eFgnOmoj8FYCw_gw==
n85http://dbkwik.webdatacommons.org/sv.stargate/property/
n116http://dbkwik.webdatacommons.org/resource/64K3GKNgiA-39XcLA0Xx8w==
n84http://dbkwik.webdatacommons.org/resource/fs6NMejlXotwCK3rEgiudw==
n38http://dbkwik.webdatacommons.org/resource/JOHGzLmbT4EJDmaGm3OfPw==
n76http://dbkwik.webdatacommons.org/resource/Ef7B23favrjHeG7BANeYtg==
n265http://dbkwik.webdatacommons.org/resource/5Lp2PiQvjVZIIsgHjKnS9A==
n80http://dbkwik.webdatacommons.org/resource/No7Sbr6EDOPHqYiVTeuqCA==
n78http://dbkwik.webdatacommons.org/resource/y3vtkf5N_qdoJpiRUX00RQ==
n122http://dbkwik.webdatacommons.org/resource/YZ5Bma7R47HC4TBY2vePBg==
n175http://dbkwik.webdatacommons.org/resource/z-YVGHVeBjakRrfjZjHhGg==
n82http://dbkwik.webdatacommons.org/resource/k-hC_E2zQ6qx8fXGDQ8Fpw==
n93http://dbkwik.webdatacommons.org/resource/Law7NQKxm6hOMehpBsfpTg==
n213http://dbkwik.webdatacommons.org/resource/WEzdaR2Q0NATt-VZ-SRXhg==
n39http://dbkwik.webdatacommons.org/resource/CniVs9qn8XNJRyes9MAJAQ==
n211http://dbkwik.webdatacommons.org/resource/1I8GcSS-_91q-F1BtvHXgg==
n261http://dbkwik.webdatacommons.org/resource/_QYlfIHoX3_HiVhZp-29QQ==
n215http://dbkwik.webdatacommons.org/resource/cnoNBjIS4vPppQd-zoZRcQ==
n172http://dbkwik.webdatacommons.org/resource/MNb5iUAoscSUCl49NfQhog==
n146http://dbkwik.webdatacommons.org/resource/TxDsCmRfp-E44JnhSTQq1w==
n12http://dbkwik.webdatacommons.org/starwars/property/
n216http://dbkwik.webdatacommons.org/resource/MzzlJw5olWR9K0n3zUyyeg==
n144http://dbkwik.webdatacommons.org/resource/36Dvjf-Nq14mbjJnRpaE6w==
n160http://dbkwik.webdatacommons.org/resource/VOc3lhgt5rbKbhXsHmtKdA==
n292http://dbkwik.webdatacommons.org/resource/Bz6Fo_kJVOzWe_Z1j8cHXA==
n41http://dbkwik.webdatacommons.org/resource/WfP5-htD_iwDaAxpz_G-XA==
n98http://dbkwik.webdatacommons.org/resource/7UFGHZJFYNS1BLY57WLOag==
n13http://dbkwik.webdatacommons.org/resource/L7DXtd-sJX1yevT-eiPA-Q==
n267http://dbkwik.webdatacommons.org/resource/7RuURChrRAi2wcC2ZBcNKw==
n235http://dbkwik.webdatacommons.org/resource/Pu67pbax-DVbEwCDbp3J9g==
n9http://dbkwik.webdatacommons.org/resource/1qwjUyiqbxpT5FlqzKDG_w==
n53http://dbkwik.webdatacommons.org/resource/niEjkVQZajNdhG2fhj6Sjg==
n209http://dbkwik.webdatacommons.org/resource/JozHohaWS9ar3gKNQ1ez-w==
n151http://dbkwik.webdatacommons.org/resource/1wehPX7XcjAGMDJAY8K67g==
n48http://dbkwik.webdatacommons.org/ontology/
n130http://dbkwik.webdatacommons.org/resource/8U0yYXA8HVSpDMVCzdJskA==
n171http://dbkwik.webdatacommons.org/inuyasha/property/
n119http://dbkwik.webdatacommons.org/resource/BLqArd-VlwN0P_nZbM4h3g==
n303http://dbkwik.webdatacommons.org/resource/WadwTi26Wdi0-zl6NcnR-g==
n31http://dbkwik.webdatacommons.org/villains/property/
n222http://dbkwik.webdatacommons.org/resource/dhmDlgaDIjtHNidlX9avIg==
n233http://dbkwik.webdatacommons.org/resource/hRZVTDeDKO5iL33bQdHJ8A==
n163http://dbkwik.webdatacommons.org/resource/U1zkAMr2KOjNRU--rei6_Q==
n173http://dbkwik.webdatacommons.org/resource/ap-HJTS35AJTaMPFentGew==
n60http://dbkwik.webdatacommons.org/resource/o9q2jrr4HV8-ZkfUOarBtg==
n184http://dbkwik.webdatacommons.org/resource/3iUq4LFc3zgDMQFtbqdWcQ==
n11http://dbkwik.webdatacommons.org/resource/zFuX0P69e7mn4b3sWHZaIA==
n174http://dbkwik.webdatacommons.org/resource/tC-k3y3vipjgVIQGSP0WeA==
n46http://dbkwik.webdatacommons.org/resource/XU5C6zRYqJaO1s9cS4LnzQ==
n165http://dbkwik.webdatacommons.org/resource/5oMz7ybZ1k0H8Xb571X24A==
n170http://dbkwik.webdatacommons.org/resource/07mpV_9PkAtaKYVUVUlqjQ==
n220http://dbkwik.webdatacommons.org/resource/D33kE5_XtJngdF7qmJrjug==
n152http://dbkwik.webdatacommons.org/resource/R7qU8SMZULyjmkvidmZ1yg==
n102http://dbkwik.webdatacommons.org/resource/yfk3LrCzz5-Q18OOC5Bqjw==
n182http://dbkwik.webdatacommons.org/resource/5Rl3mvu1ZBw9D5tSlaix_Q==
n100http://dbkwik.webdatacommons.org/resource/aJVm6GQogamzhNpDxl0jeA==
n231http://dbkwik.webdatacommons.org/resource/Zw6y3pi4V3vG95ItEH9vKg==
n74http://dbkwik.webdatacommons.org/resource/UR1W-NCuSjHg2CTykVu8zQ==
n251http://dbkwik.webdatacommons.org/resource/hrQILdd3eDpbGa97vpe_7w==
n234http://dbkwik.webdatacommons.org/resource/mOES_PcUOTMUGyX1XF7woQ==
n28http://dbkwik.webdatacommons.org/resource/LpeZJB_GT9sxwZ2kITUY6w==
n193http://dbkwik.webdatacommons.org/resource/47wm60OYGuwnVD5UFvm4tA==
n256http://dbkwik.webdatacommons.org/resource/O86kPmzsAk08uKXqt2MKZw==
n270http://dbkwik.webdatacommons.org/resource/x1qMHH1z4fH3GGDgtwzvBQ==
n293http://dbkwik.webdatacommons.org/resource/Y5dDsOoJmXTCUQAJ-hk5ow==
n91http://dbkwik.webdatacommons.org/resource/cKLocmQy0gYgoR0_mWNczw==
n274http://dbkwik.webdatacommons.org/resource/h_FljxpWDAl0VaM85-6mOA==
n52http://dbkwik.webdatacommons.org/resource/y9Fu7ZBxl1qK6NBjLfqH0g==
n141http://dbkwik.webdatacommons.org/resource/HBfIwKUaUDqqJXj08Gvp2Q==
n258http://dbkwik.webdatacommons.org/resource/Xs9oXz2VyFZWAObq7DcWAg==
n66http://dbkwik.webdatacommons.org/resource/itXqDoGZpc-k-CsuFoACmQ==
n99http://dbkwik.webdatacommons.org/resource/gZ9NdrLOpMhlu9n0iEnYmA==
n190http://dbkwik.webdatacommons.org/resource/rVCjecGaGcNpvcBZLeyLhw==
n254http://dbkwik.webdatacommons.org/resource/8-oPsWfi3sqKcN1Z6RRvgg==
n143http://dbkwik.webdatacommons.org/resource/ccRjo72N-D91ZLlmfztA8w==
n246http://dbkwik.webdatacommons.org/resource/JbigoQ7AX89KwMLZmXJxYw==
n24http://dbkwik.webdatacommons.org/conworld/property/
n194http://dbkwik.webdatacommons.org/resource/TiQioEO66zbsd5ClCNHnyA==
n305http://dbkwik.webdatacommons.org/resource/Tiat8_wiN1KKSpi_DF2iSg==
n131http://dbkwik.webdatacommons.org/resource/Yz0rUvqq_0o_A1Lvrpc6Vw==
n183http://dbkwik.webdatacommons.org/resource/iFJV9limYXaUFPMcbkENqg==
n150http://dbkwik.webdatacommons.org/resource/YauJkVfgTnnMyPY-KWj_kg==
n3http://dbkwik.webdatacommons.org/sonic/property/
n73http://dbkwik.webdatacommons.org/resource/7jC0yHX_xRcmHNlMkyLs6g==
n210http://dbkwik.webdatacommons.org/resource/1OEip0Zy9nj2r4hnAB0Rvg==
n189http://dbkwik.webdatacommons.org/resource/AaSM9BK2HdstLyBejbEYqg==
n104http://dbkwik.webdatacommons.org/resource/-ChpBcObJNvlSJbtQA_aEQ==
n226http://dbkwik.webdatacommons.org/resource/0KklXoauQToGlMQ-DQG_aQ==
n83http://dbkwik.webdatacommons.org/resource/8o1p8DBc7tTqR4sOpNWJXA==
n259http://dbkwik.webdatacommons.org/resource/tP-AKRU6ErkHntUkTVvvZA==
n263http://dbkwik.webdatacommons.org/resource/SxSEmqltpESLRTyR5isacQ==
n75http://dbkwik.webdatacommons.org/resource/LSCgMYmF8tZtAXHaJPAg9w==
n44http://dbkwik.webdatacommons.org/stargate/property/
n260http://dbkwik.webdatacommons.org/resource/j3VS-QZwnfFbHjxb0Wz5mA==
n58http://dbkwik.webdatacommons.org/interlingua/property/
n166http://dbkwik.webdatacommons.org/resource/4lsHPb9fS9ZEoYKFd_SiZg==
n155http://dbkwik.webdatacommons.org/resource/3HEQ0EEh99LyI_sDIL6Dwg==
n137http://dbkwik.webdatacommons.org/resource/C8_pjJfcfiqWiCqn3pZMMQ==
n201http://dbkwik.webdatacommons.org/resource/_9plbYLWjQnhTYh4dHR9hw==
n22http://dbkwik.webdatacommons.org/resource/B-Jq6eTERsSmYy87Cb9wmg==
n59http://dbkwik.webdatacommons.org/resource/glsKW20XKKAGAnbX_Aj_3A==
n225http://dbkwik.webdatacommons.org/resource/UmzETQnR6fLRQAqGIKBTig==
n7http://dbkwik.webdatacommons.org/resource/Uu9JxwAXOGt33Dua6hKdvA==
n214http://dbkwik.webdatacommons.org/resource/QiWlBq3eElOgADK26sGQcg==
n40http://dbkwik.webdatacommons.org/resource/xdpH6-A6ggZPD1PZUiOadg==
n285http://dbkwik.webdatacommons.org/resource/MsPQfyvWvwQfkudIGvSiUg==
n224http://dbkwik.webdatacommons.org/resource/H6vL9RZ8xT1y0onx1o9Xew==
n103http://dbkwik.webdatacommons.org/resource/coRnAIIS4oeOzfARnBLZug==
n138http://dbkwik.webdatacommons.org/resource/rwwPULHoBK5HGuUuRYgtTQ==
n178http://dbkwik.webdatacommons.org/resource/bhJt3LY6GGKBOp2eIAWm_g==
n132http://dbkwik.webdatacommons.org/resource/IwvwRRgE_qYLD7wdgkfSdA==
n273http://dbkwik.webdatacommons.org/resource/ajQO8H38D-rpxjmeq8YOfQ==
n306http://dbkwik.webdatacommons.org/resource/WRWMiSXck727NQdqdVkWbg==
n237http://dbkwik.webdatacommons.org/resource/-PZgXEOgB8Dp8jTYrxlt4w==
n158http://dbkwik.webdatacommons.org/resource/g4k57uHAg1CFtLBs61vRIA==
n124http://dbkwik.webdatacommons.org/resource/y7N6dOb_opo9zPXNFFfdtA==
n111http://dbkwik.webdatacommons.org/resource/jCMOJFxRFxD4RsKvY19J3w==
n129http://dbkwik.webdatacommons.org/resource/VzyU4clC6C5CjMFEw4t4JQ==
n156http://dbkwik.webdatacommons.org/resource/PZ1dxN_oeAOxo9MR3niODw==
n145http://dbkwik.webdatacommons.org/resource/Tz--65RznfcpjWp1Alt3jA==
n33http://dbkwik.webdatacommons.org/resource/ibONRuYzjAKvUIOR7MU8pg==
n203http://dbkwik.webdatacommons.org/resource/yUksxHyKbFjAS8qqhuYzYA==
n271http://dbkwik.webdatacommons.org/resource/DmcpqU4OUDrYOAQj_1hV2w==
n128http://dbkwik.webdatacommons.org/resource/iVRvqgU-0aahojrUim2aJw==
n42http://dbkwik.webdatacommons.org/resource/oVAvlk9Mtga7zh24FwO6_g==
n106http://dbkwik.webdatacommons.org/resource/T5Fgm6dXMeSPSa7V3bvomw==
n197http://dbkwik.webdatacommons.org/resource/kkaihYwuXfoiQwS1RDGY_Q==
n195http://dbkwik.webdatacommons.org/resource/rF-PRTDG7bfTGGpANlBl3Q==
n133http://dbkwik.webdatacommons.org/resource/h0pWz9jME2neyl_DAyoJgQ==
n112http://dbkwik.webdatacommons.org/resource/brAs8-KWLqDxqGXuqRXarw==
n20http://dbkwik.webdatacommons.org/resource/vZiCZIPaLVAtKSec9qCXww==
n204http://dbkwik.webdatacommons.org/resource/3g9RcESl7IoH0q1dfYSOgg==
n35http://dbkwik.webdatacommons.org/resource/Q9L9PM-Lq4oa0aei5P8LEQ==
n154http://dbkwik.webdatacommons.org/resource/X2fEpQO_m5ExZ7WlQHvrMw==
n51http://dbkwik.webdatacommons.org/resource/LT_e3p492USvzHL34sqVew==
n105http://dbkwik.webdatacommons.org/resource/z1ttHE7JUWtWmgtTOJ7cFQ==
n86http://dbkwik.webdatacommons.org/resource/rvygM72_wVdT83ltNBsq-w==
n117http://dbkwik.webdatacommons.org/resource/qKMXMU2sZoes2hIDA2o8Tg==
n227http://dbkwik.webdatacommons.org/resource/-SBWJpJeYRfM20wgyjeduA==
n200http://dbkwik.webdatacommons.org/resource/l92XmaY9vTXuw4ihrfw-eQ==
n149http://dbkwik.webdatacommons.org/resource/TuErDNYsGFrl5WQiFWsFgw==
n291http://dbkwik.webdatacommons.org/resource/BesGYzPqq-1nWj37XA1WZQ==
n50http://dbkwik.webdatacommons.org/resource/hdSBvhnd4t04kZoZBfc8dw==
n307http://dbkwik.webdatacommons.org/resource/U-mvQdnzMv1EmU7xWvHlbQ==
n115http://dbkwik.webdatacommons.org/resource/QDHAqx2YTx2oP4q0hPBcVg==
n43http://dbkwik.webdatacommons.org/resource/sfK-t9wbbZYU4bVCdjq9XA==
n110http://dbkwik.webdatacommons.org/resource/EiNg891UFxQLKt367em-VQ==
n248http://dbkwik.webdatacommons.org/resource/mGVEva3vnKt7x0BVnBhdjQ==
n219http://dbkwik.webdatacommons.org/resource/Ni-eh1QFTN1i7c1U7bDJTg==
n148http://dbkwik.webdatacommons.org/resource/OZT-_t-ofxofiPb6OKA0eg==
n101http://dbkwik.webdatacommons.org/resource/bcw3rm7ji9UAvOESiEj_Aw==
n198http://dbkwik.webdatacommons.org/resource/01WXb9q35IMQkGYzTp3UDw==
n49http://dbkwik.webdatacommons.org/resource/5JCH4Ch44NReC48nUxAEYA==
n88http://dbkwik.webdatacommons.org/archiesonic/property/
n17http://dbkwik.webdatacommons.org/resource/GTPvpnr2BksIsa7PRs1qHg==
n125http://dbkwik.webdatacommons.org/resource/0rdhE2VRf1VR0dcpZY5VEw==
n72http://dbkwik.webdatacommons.org/resource/qb-nPJOtOE8w3hAUE8_WtA==
n297http://dbkwik.webdatacommons.org/resource/h3X7di5xcr-8pP712OtBdQ==
n157http://dbkwik.webdatacommons.org/ragnarok/property/
n87http://dbkwik.webdatacommons.org/resource/iKhCQpu2tvhjt_uXXHKHhw==
n199http://dbkwik.webdatacommons.org/resource/KiLn1Ugye_xbAYQzrCsVYA==
n249http://dbkwik.webdatacommons.org/resource/NORTsUkzvU_vfa8mqDMbqQ==
n96http://dbkwik.webdatacommons.org/resource/dXEuSxZGlC2dKGLB2l51Yw==
n244http://dbkwik.webdatacommons.org/resource/cqarQmjnmdl16ephP9Ac1g==
n281http://dbkwik.webdatacommons.org/resource/92UqLa4uitHDJihhsKOyxg==
n57http://dbkwik.webdatacommons.org/resource/cI91VjPr6Ub6dPuhJQ3RDg==
n62http://dbkwik.webdatacommons.org/resource/N6iJcGDvZjKkjE3weUSFbg==
n65http://dbkwik.webdatacommons.org/pl.wim/property/
n177http://dbkwik.webdatacommons.org/resource/RiaMY-W7ua567zJeXjY1LA==
n167http://dbkwik.webdatacommons.org/resource/DoHjhVmcU5JtDFXx0-zTvw==
n298http://dbkwik.webdatacommons.org/resource/i8WQJUEbDiX3sbK4QTWTMg==
n240http://dbkwik.webdatacommons.org/resource/p0BYAsVfb0kuwJNFpoj7Tg==
n134http://dbkwik.webdatacommons.org/resource/H9fkHacAkfmKAR7mfXEawA==
n21http://dbkwik.webdatacommons.org/resource/BV2S7M4eIjwLOyLIoMH3TQ==
n275http://dbkwik.webdatacommons.org/resource/XeFO6gKKMDrKcuamP6V32w==
xsdhhttp://www.w3.org/2001/XMLSchema#
n27http://dbkwik.webdatacommons.org/resource/zjAH3w0mRKh1JWcDGGWARw==
n19http://dbkwik.webdatacommons.org/resource/D41jlqISG1vTP2QHxH1zrQ==
n304http://dbkwik.webdatacommons.org/resource/zybZtYbOxnsBkXlCySwEsw==
n300http://dbkwik.webdatacommons.org/resource/d8GYp5KavntJVLBZddKPeg==
n81http://dbkwik.webdatacommons.org/resource/HAfucQsyINcRaNUbdxBrqA==
n92http://dbkwik.webdatacommons.org/resource/V6V0aWtSDRn5WrNnrS2iyA==
n185http://dbkwik.webdatacommons.org/resource/xutUYTz775_NbnYBV9McCg==
Subject Item
n2:
rdf:type
n46: n70: n79: n83: n213: n278:
rdfs:label
Angelus Angelus Angelus ANGELUS Angelus Angelus Angelus Angelus
rdfs:comment
Angelus m. (plural angelus) 1. * Alternative spelling of angélus. After some coders,finally a musician! the compo#7 winner: Angelus, another great tracker from spain... A:Hello. I'm Angel M. Vazquez,I'm 33 years old and I live in Santiago de Compostela, a nice city in the northwest of Spain. I work as a pathology technician in a hospital. This is one of my passions (too much hours I spend working in the laboratory). The others are digital photography and, of course, computer music (and music in general). made by MfM on 11/02/2006 Angelus est de loin le membre le plus instable de la Confrérie. Si ses actions montrent qu'il est tout acquis à la cause du Néant, sa façon de faire fait grincer des dents à nombre de ses confrères, qui considèrent qu'il n'a pas à autant agir de son propre chef. Autant que possible, il se tient éloigné de l'Anilheum, qui n'est pour lui rien de plus qu'une prison et une source d'ennuis. A noter qu'il suit les progrès de Celiel avec un grand intérêt... Angeli - also known as Enochi (sing. Enoch) - are a sapient species from Elysion. [Source] thumb|150px|right|Um sino do Angelus No Cristianismo, Angelus é devoção ao milagre da Encarnação, quando o filho de Deus nasceu do corpo de uma mulher. Ela ainda é recitada em algumas Igrejas Católicas atualmente por volta das 18:00 horas. Os versos do Angelus em geral são acompanhados das batidas de um sino. Em Ragnarök Online, Angelus é uma habilidade de Noviços que aumenta a defesa dos aliados. Ela é representada por um sino, semelhante ao recital real do Angelus. The Angelus was a EF76 Nebulon-B escort frigate that saw service with the Alliance Fleet during the Galactic Civil War. Angelus var en konstruktion som skapats av en Asuraner biomassa kallas Hybrid. Efter Hybrid undkom ett försök till förstörelse av Asuranerna, skapade den Angelus att infiltrera Atlantis, med Doktor Elizabeth Weirs minnen att forma honom till vad det behövs. Angelus is the evil half of Angel and a major antagonist in Buffy the Vampire Slayer - whenever Angel becomes truly happy he is transformed into Angelus. This is due to a curse put upon him by gypsies in the past in vengeance for his misdeeds. As Angelus, Angel is devoid of all human emotion, save perhaps cruelty. He is also a ruthless killing machine - in other words Angelus is as bad as any of Buffy's "Big Bads" and indeed has been described as one himself. It's believed that he's more evil than any other vampire in history, even more so than his grandsire, The Master. Es el sexto opening del anime InuYasha, interpretado por Hitomi Shimatani. Angelus - uczestnik konkursów internetowych. Angelus increases the soft DEF of the caster and party members for this skill's duration. Angelus is a character that appears in the Sonic the Hedgehog comic series and its spin-offs published by Archie Comics. He is an ancient security system hologram created by the ancient Babylonians which was place beneath the Gigan Mountains to protect the Key to Babylon Garden. ANGELUS is the sixth opening theme from the InuYasha anime, performed by Hitomi Shimatani. The Angelus is a primal force of Light and has been in an eternal war with her counterpart, The Darkness since they were created. However, at some point during her history, the Angelus and the Darkness united to create a balance, this balance became known as the Witchblade. The Angelus possessed Lauren would once again attempt to kill The Darkness and would also come into conflict with the new Magdalena (Patience). During the fight Appolonia ran the Angelus through with the Spear of Destiny. The Angelus temporarily takes possession of Patience, but the spirit is forced out of Patience's body. Angelus is a character from the machinima series . He is a support character in and a main character in Chronicles. Born on the 5th of March, 2583 on Harvest. He has a really bad need for revenge against the Arbiter who destroyed Harvest and will stop at nothing till he is dead. Angelus the Babylon Guardian was the protector of an ancient Babylonian treasure hidden in Babylon Garden. He appears in the image of a large, genie-like figure bearing a huge sword. Angelus had no idea of his true nature and believed he was an Ancient who had been overseeing an experiment to use nanites to enhance the intellect of a planet's population, only to remain in stasis for several centuries after an unexpected culling disrupted the experiment. Having awoken from stasis, he attempted to help his 'children' develop a weapon against the Wraith, but his planet was destroyed by the Asurans. Although Angelus helped with the creation of a "weapon" that he believed could be used against the Replicators, his true nature was eventually exposed when his ship was revealed to actually be incapable of hyperspace travel on the scale that he would have required. Unaware of his true purpose, Angelus was absorbed by the Hybrid as it began to expand and infect the city. Despite
owl:sameAs
dbr:Angelus
n131:
Atlantis, the Hybrid
n231:
*Chronicles
n120:
10
n283:
6
n105:
n106:
n108:
Neutral
n27:
Yasuaki Maeshima avex trax
dcterms:subject
n7: n8: n9: n16: n18: n19: n20: n28: n33: n35: n40: n42: n47: n49: n57: n60: n62: n63: n68: n73: n76: n82: n84: n87: n91: n92: n98: n99: n104: n110: n112: n115: n119: n121: n130: n146: n148: n150: n154: n156: n159: n160: n161: n163: n164: n173: n176: n180: n181: n186: n187: n188: n189: n191: n197: n198: n199: n206: n208: n212: n222: n223: n228: n229: n230: n233: n234: n241: n243: n245: n249: n254: n256: n257: n259: n260: n261: n269: n270: n271: n272: n277: n280: n281: n282: n284: n292: n293: n295: n297: n298: n300: n303: n304: n305: n306: n307: n308:
n286:
Masculin
n144:
n145: n221:
n155:
*Magenta and orange vest with white feather rims *Necklace with three metal pieces strung on *Golden armbands *Magenta and orange waistcloth with orange belt
n139:
n118: n39:
n56:
0.5
n81:
Rebellion, Dawn Tempest
n285:
2007
n41:
6.627096E8
n103:
Angelus
n109:
2007
n29:
Vampire
n64:
*Atlantis *Hybriden
n111:
y
n135:
n136:
n117:
3.5
n43:
Man utseende och personlighet
n174:
n175:
n153:
#5260E0
n11:
#5260E0
n88:wikiPageUsesTemplate
n89: n195:
n24:wikiPageUsesTemplate
n25:
n71:wikiPageUsesTemplate
n72: n80: n95: n97: n100: n116: n147: n211: n225: n226: n238: n239: n258: n263: n265: n273: n275:
n58:wikiPageUsesTemplate
n59: n90: n96: n122: n132: n140: n179: n201: n209: n242: n276: n296:
n171:wikiPageUsesTemplate
n172: n216:
n65:wikiPageUsesTemplate
n66: n142: n170: n192:
n157:wikiPageUsesTemplate
n158: n262:
n3:wikiPageUsesTemplate
n4: n138: n141: n217: n252: n291:
n44:wikiPageUsesTemplate
n45: n133: n143: n302:
n12:wikiPageUsesTemplate
n13: n34: n54: n67: n77: n101: n203:
n85:wikiPageUsesTemplate
n86: n128: n266:
n61:
transparent
n210:
Marc Silvestri; David Wohl; Garth Ennis
n123:
Supportive
n151:
167
n204:
*B-wing starfighters *T-65 X-wing starfighters
n184:
n175:
n23:
Kill for his own amusement, psychologically break Buffy Summers and kill her friends, send the world into a Hell dimension.
n220:
Nihilistes
n202:
Gold
n244:
Buffyverse
n26:
Vampire abilities , fighting skills, swordsmen, knifemen *Super strength *Swordsmanship
n75:
UNSC *Alliance to Restore the Republic **Alliance Fleet Ancient Babylonians
n93:
None
n264:
SPARTAN-V
n15:
Flight, magic usage, bioluminescence
n299:
The Angelus
n200:
Silver
n218:
Angelus
n177:
Winged Humanoid Active
n268:
Anjerasu
n30:
Angelus, Babylon Guardian
n194:
Sonic Universe #33 The Darkness #2
n190:
Kimi ga Inai Mirai
n185:
open
n167:
Lavender, purple
n288:wikiPageUsesTemplate
n289:
n36:wikiPageUsesTemplate
n37: n290:
n31:wikiPageUsesTemplate
n32: n178:
n165:
n166:
n94:
None
n267:
The Angelus, Primal Force of Light
n14:
Varies on Host 30
n17:
Angel, the Pope, the Big Bad Bogeyman
n236:
n237:
n224:
Psychologically torturing his victims before killing them
n134:
#0F1C8A
n55:
270.0 2.2
n274:
Angelus Original Continuity ANGELUS
n219:
Lauren Franchetti, Celestine, Danielle Baptiste, Finch, Jenny Romano
n248:
Thousands of years
n10:
Corporal
n53:
20
n149:
154
n127:
Close-Quarters, Assault
n287:
Lawful Evil, Lawful Neutral, Lawful Good
n279:
Angelus
n129:
Current Continuity Pre-SGW
n207:
2007
n255:
Angelus
n22:
Alive
n21:
No Host
n137:
Top Cow; Switch
n247:
Vampire
n38:
n39: n118:
n246:
One Day, One Dream
n196:
Unknown
n253:
White
n235:
Purple
n107:
Omnivore
n162:
None Male Male appearance and persona
n294:
Hitomi Shimatani
n152:
Ange n215:
n126:
2007
n240:
BOUNCEBACK
n169:
white
n69:
アンジェラス
n78:
2583-03-05
n124:
n125:
n52:
Divine Protection Lv. 3
n102:
300
n227:
S064
n193:
Harvest
n214:
N/A
n250:
n251:
n182:
N/A
n48:abstract
After some coders,finally a musician! the compo#7 winner: Angelus, another great tracker from spain... A:Hello. I'm Angel M. Vazquez,I'm 33 years old and I live in Santiago de Compostela, a nice city in the northwest of Spain. I work as a pathology technician in a hospital. This is one of my passions (too much hours I spend working in the laboratory). The others are digital photography and, of course, computer music (and music in general). A:It was a September afternoon in 2002.I was searching for alternatives to Buzz. I worked with Buzz but I never had the feeling I'd got with my previous trackers. I needed any sort of tracker whith the modularity of Buzz but without its confusing patterns with lots of columns to automate the machines.Then Psycle appeared. I started loading some plugins and putting some notes in the patterns. It was the love at first sight. Since that moment, I never used fasttracker again. A:Since I was a child, music was in my blood. With my first computer (an Amstrad CPC464), I made so me BASIC code to play melodies although, as you can already imagine, they were too simply and rudimentary. With my first PC, I searched for some kind of music software to compose and then I knew the Trackers.A friend of mine give me a copy of my first tracker (please, don't ask me for its name... I can't remember it). After this one I worked with ScreamTracker and, as you already know, it was followed by Impulse Tracker, Fasttracker and Buzz. A:It's hard to decide... I'm sorry, but I can't say one and only feature: modularity, sound quality, clean interface, ... they are some of the characteristics I love in Psycle.But right now I must to add as a feature its Community and Development Team, I think this is a strong point we must to value. Also its opensource background makes it to be an open project for everybody. I'm really delighted that you can participate in its development with suggestions, improvements and bug reports. A:We all will be agree if I say that some of the features I'd like to be added in Psycle are the following ones: multipattern & sequencer (I think this is a necessary step in a kind of tracker like this one), the upcoming rewrited VST host and an improved sampler (currently both in development by JosepMa), multi I/O (TranceMyr is on it too),...But I think that one of the most important features I want to see in the future is the migration from the current only-for-Windows environment to a multiplatform environment. Only then Psycle will be a really free software. A:Ha ha ha... It was a surprise for me. Yes, it's true. As I have already said in the forums, the style of the song isn't too much... (how could I say it?) ... too much 'conventional'/'popular'. All the more since the quality of other entries: MfM's, Taika's, lastfuture's,... anyone could be the winner.It was great to know that other people likes what you do. A new sensation I never experienced. By the way, I want to seize the oportunity to thank everybody for their votes. Even so I never compose/write music to win anything, only to enjoy and share with others. A:I love guitar (even though I don't play guitar). I started composing the main melody with a simple sample of guitar. After this I changed the single sample for a multisampled acoustic guitar (8 samples) to give more realism.Then I started to structure the song: an introduction based on pads and the guitar, the main melody with a e-piano and the acoustic guitar, a transition with a drum that starts to mark the rythm and strings that grows and fills ambient, the full orchestrated part with all the elements plus drums section and an e-guitar as lead singer, and a finale part that ends in the main melody ambiented with strings and a fade out with the initial pads.After this I started to master the song into Psycle (I wanted that the song you heard with Psycle would be the same of the rendered version). I decided then to make a multiband compressor for the acoustic guitar and for the master compression to obtain better results in the mix. To test it I heard the render with other speakers (my home hi-fi, my car audio, my job computer's speakers,...).Inspiration? Usually I start playing melodies with my MIDI keyboard, but I must to confess that Mike Oldfield is one my favourites and, of course, it's reflected in what I do. A:Any song I listen to, any place I go to, any state of mind,... can inspire me everywhere a song. But mostly when I listen songs I have more ideas to compose. And whichkind of songs? Every style or genre I listen to. Although I have some prefered music genre, I have no problems about listen to others. A:Yeah, newage is one of my prefered genres I talked above. But it's not the only one. From Classical music (including some movie soundtracks), ethnic (african, hindu, arab,...), celtic/folk, jazz (classical, modern, acid,...), funky, central-southamerican music (salsa, bossanova,...), flamenco,... to chill-out, lounge, some trance, house.... ufff!!! As you can see I can't say one and only genre as long as I like a lot of them. I could say that I prefer to talk about songs themselves instead of genres: songs that I like to listen to or not. A:Sometimes I start with some ideas I've got previously as I said before (mainly after listen to other music). Othertimes I start playing some chords or melodies in my MIDI-keyboard with soundfonts or plugins loaded in Psycle without any plan in mind. A:As you can see above, I have a lot of musicians I like to listen to. But If I must to emphasize someone, I have to talk about Mike Oldfield. And you could ask me "What do you find in Mike Oldifield you like?". The capacity of innovation (rock, pop music, classical music, celtic music, techno, chillout... he has no damages to use one or other genre in his songs), his ability as producer (the way he uses the instruments, arranges the songs,...), and so on. That is not only because his music itself, but the way he composes. A:I love to listen any song that psyclers make. Any song from any psycler can give me new ideas, this is the best of a Community: to share. Any prefered psycler?... Ufff!... I can't say one: alk, taika-kim, quantinuity, MfM, sampler, ... please please don't make me this kind of questions. It's too hard to answer. A:ha ha ha... Any free time I have I spend playing in Psycle. Yes, I'm currently learning some basics about sound engeneering (compression, EQ,....) into Psycle. That's why I started a small tutorial in Psycle's Wiki page about this subject: I want to share what I'm learning with others. Other hobbies... digital photography (I always take my digital camera with me), to go out with my friends, to drive to nowhere, to read, to watch movies,... and, of course, to listen music. A:I can't say if I'm a good cooker... other people must judge me. But I must to say that I love the "empanada gallega" (a typical Galician pie) or the "tortillas" (omelettes) I cook. My mother is a really good cooker (I must to say that it is her job)... then I try to let her always to cook. ;-D A:I want to thanks everybody because Psycle and its Community. In special to the current main developers JosepMa & Bohan because to listen us. I want to add one and only thing: The best is not what Psycle has become, but what Psycle will be. made by MfM on 11/02/2006 Angeli - also known as Enochi (sing. Enoch) - are a sapient species from Elysion. [Source] The Angelus is a primal force of Light and has been in an eternal war with her counterpart, The Darkness since they were created. However, at some point during her history, the Angelus and the Darkness united to create a balance, this balance became known as the Witchblade. Like the Darkness, the Angelus creates a symbiotic relationship with a host (choosing female hosts as opposed to the male Darkness weilders) in order to carry out its life mission on Earth. The Angelus' main goal is to rid the world of evil and darkness regardless of mortal rule or law and recreate everything in their vision. In that time the Angelus has only come close one time to truly eliminating the Darkness. The trophy (Darkness Corpse) is kept in the sacred hall as a memento of this achievement. In modern times the ancient Angelus force found herself at odds with the current Darkness wielder, Jackie Estacado. Eventually the Angelus was defeated by Jackie, and was hostless for some time until Sonatine tried to coax the entity to join with Appolonia Franchetti. Because Appolonia desired the power too much, the Angelus chose her catatonic mother, Lauren Franchetti, instead. Soon after, the newly reborn Angelus was fooled into thinking she had finally killed the Darkness, after Jackie made a copy of himself. She soon fled with Appolonia to an ancient temple in the Amazon rainforest, where Lauren gave herself completely to the Angelus entity. The Angelus came in contact with the Magdalena, Sister Mariella. The Magdalena was seeking to reforge the Spear of Destiny which had been shattered during her first encounter with the Darkness. The fight ended with no clear winner but The Angelus ordered Appolonia to leave because she was touched too deeply by the Darkness (in this case evil) and that should they meet again she would kill her. The Angelus possessed Lauren would once again attempt to kill The Darkness and would also come into conflict with the new Magdalena (Patience). During the fight Appolonia ran the Angelus through with the Spear of Destiny. The Angelus temporarily takes possession of Patience, but the spirit is forced out of Patience's body. During the time the Angelus was without a host her followers sensed that the balance between the Light and Darkness has been tipped in favor of Jackie Estacado, and have begun preparing for war while the Angelus searches for a new host. She first takes possession of Velocity but is forced out by members of Cyberforce. She then takes possession of convicted murder Celestine. Shortly after the birth of Hope Pezzini (Sara & Jackie's daughter) The Angelus claims her only to have something mystical occur. After the explosion only Angelus and her foes remain. Celestine & The Angelus now co-exist as separate entities with Celestine now able to become the Angelus as needed but retaining her own free will. Celestine however knows that the Angelus does have the ability to submerge her will at any point, but the Angelus has chosen not to after her encounter with Sara Pezzini's daughter. During the events of Broken Trinity, two new artifacts of power emerged and entered the battlefield of the Witchblades (split between Sara Pezzini & Danielle Baptiste), The powerless Darkness host, and Angelus. These two artifacts are the Ember Stone and the Glacier Stone. Ember sought to claim the artifacts present as well as the remaining 8. The Angelus teleports Ember away from the battlefield and the host is then killed by Jackie Estacado wielding the Blood Sword (one of the other 13 artifacts). Disembodied once again, the Angelus force passed first to Finch, Danielle Baptiste's roommate and potential love interest, and then to Danielle Baptiste herself when she was mortally wounded and stripped of the Witchblade by Sara Pezzini. Unlike the previous hosts, the Angelus force has chosen not to submerge Danielle persona, but to actually let her control it, like Jackie Estacado does for the Darkness. Angelus est de loin le membre le plus instable de la Confrérie. Si ses actions montrent qu'il est tout acquis à la cause du Néant, sa façon de faire fait grincer des dents à nombre de ses confrères, qui considèrent qu'il n'a pas à autant agir de son propre chef. Autant que possible, il se tient éloigné de l'Anilheum, qui n'est pour lui rien de plus qu'une prison et une source d'ennuis. Au-delà de son combat pour la victoire du Néant, son principal intérêt réside davantage dans la recherche d'adversaires valeureux qui seraient en mesure de lui donner du fil à retordre. Peu de confrères lui font réellement confiance, étant donné qu'il semble poursuivre un but bien plus personnel que la victoire du Néant. A noter qu'il suit les progrès de Celiel avec un grand intérêt... Angelus is a character from the machinima series . He is a support character in and a main character in Chronicles. Born on the 5th of March, 2583 on Harvest. He has a really bad need for revenge against the Arbiter who destroyed Harvest and will stop at nothing till he is dead. Angelus the Babylon Guardian was the protector of an ancient Babylonian treasure hidden in Babylon Garden. He appears in the image of a large, genie-like figure bearing a huge sword. Angelus increases the soft DEF of the caster and party members for this skill's duration. Angelus had no idea of his true nature and believed he was an Ancient who had been overseeing an experiment to use nanites to enhance the intellect of a planet's population, only to remain in stasis for several centuries after an unexpected culling disrupted the experiment. Having awoken from stasis, he attempted to help his 'children' develop a weapon against the Wraith, but his planet was destroyed by the Asurans. Although Angelus helped with the creation of a "weapon" that he believed could be used against the Replicators, his true nature was eventually exposed when his ship was revealed to actually be incapable of hyperspace travel on the scale that he would have required. Unaware of his true purpose, Angelus was absorbed by the Hybrid as it began to expand and infect the city. Despite being absorbed, Angelus' consciousness survived and after Sheppard stunned the Hybrid by ramming it with a Puddle Jumper while it was trying to climb the main tower, Angelus managed to gain some control over its basic functions. He created a sort of body for himself and saved Sheppard by cushoning his fall. Angelus was horrified by the truth of what he was and knew the Hybrid had to be killed, so he teamed up with Sheppard to do it. After gaining Sheppard's trust, Angelus took over two litres of Sheppard's blood and used that and Sheppard's Ancient Technology Activation gene to manufacture a poison to kill the Hybrid while it was stunned, exploiting the fact that its artificial immune system could only attack while it was conscious, and it could thus be killed by introducing an unknown foreign antibody into its system. Angelus helped Sheppard escape, but lost control at the last moment as the Hybrid woke up. However, Sheppard was close enough to the edge of the Hybrid that he escaped on his own. The Hybrid died of the poison and Angelus died with it. (SGA: "Angelus") Angelus is a character that appears in the Sonic the Hedgehog comic series and its spin-offs published by Archie Comics. He is an ancient security system hologram created by the ancient Babylonians which was place beneath the Gigan Mountains to protect the Key to Babylon Garden. Angelus - uczestnik konkursów internetowych. Es el sexto opening del anime InuYasha, interpretado por Hitomi Shimatani. Angelus m. (plural angelus) 1. * Alternative spelling of angélus. ANGELUS is the sixth opening theme from the InuYasha anime, performed by Hitomi Shimatani. thumb|150px|right|Um sino do Angelus No Cristianismo, Angelus é devoção ao milagre da Encarnação, quando o filho de Deus nasceu do corpo de uma mulher. Ela ainda é recitada em algumas Igrejas Católicas atualmente por volta das 18:00 horas. Os versos do Angelus em geral são acompanhados das batidas de um sino. Em Ragnarök Online, Angelus é uma habilidade de Noviços que aumenta a defesa dos aliados. Ela é representada por um sino, semelhante ao recital real do Angelus. The Angelus was a EF76 Nebulon-B escort frigate that saw service with the Alliance Fleet during the Galactic Civil War. Angelus var en konstruktion som skapats av en Asuraner biomassa kallas Hybrid. Efter Hybrid undkom ett försök till förstörelse av Asuranerna, skapade den Angelus att infiltrera Atlantis, med Doktor Elizabeth Weirs minnen att forma honom till vad det behövs. Angelus hade ingen aning om sin sanna natur och trodde att han var en De gamla som hade övervaka ett experiment för att använda nanite att förbättra intellektet av en planets befolkning, bara att stanna kvar i stasis under flera århundraden efter en oväntad culling stört experiment. Efter att ha vaknat ur stasis, försökte han att hjälpa hans 'barn' utvecklar ett vapen mot Wraith, men hans planet förstördes av Asuranerna. Även Angelus hjälpte till med skapandet av ett "vapen" som han trodde skulle kunna användas mot Replikatorerna var hans sanna natur så småningom utsatt när hans skepp avslöjades att faktiskt vara oförmögna att hyperrymden resor på skalan att han skulle ha krävt. Omedveten om sin verkliga syftet var Angelus upp av hybrid som den började att expandera och infektera staden. Trots att absorberas, överlevde Angelus' medvetande och efter Sheppard bedövade Hybrid genom att ramma den med en Puddle Jumper medan den försökte klättra upp i huvudtorn, lyckades Angelus att få viss kontroll över sin grundläggande funktioner. Han skapade ett slags organ för sig själv och räddade Sheppard av cushoning hans fall. Angelus var förfärad över sanningen om vad han och visste hybriden måste dödas så han slog sig ihop med Sheppard att göra det. Efter att ha fått Sheppard förtroende, tog Angelus över två liter Sheppards blod och använde det och Sheppards DTA-genen för att tillverka ett gift för att döda Hybrid medan det var chockad, utnyttjar det faktum att dess artificiella immunsystem bara kunde anfalla samtidigt som det var vid medvetande och det kan därmed bli dödad genom att införa en okänd främmande antikropp i sitt system. Angelus hjälpte Sheppard fly, men tappade kontrollen i sista stund som hybrid vaknade. Emellertid var Sheppard tillräckligt nära kanten av den hybrid som han flydde på egen hand. Hybrid dog av giftet och Angelus dog med den. (ATL: "Stargate Atlantis: Angelus") kategori:Asuraner Angelus is the evil half of Angel and a major antagonist in Buffy the Vampire Slayer - whenever Angel becomes truly happy he is transformed into Angelus. This is due to a curse put upon him by gypsies in the past in vengeance for his misdeeds. As Angelus, Angel is devoid of all human emotion, save perhaps cruelty. He is also a ruthless killing machine - in other words Angelus is as bad as any of Buffy's "Big Bads" and indeed has been described as one himself. It's believed that he's more evil than any other vampire in history, even more so than his grandsire, The Master. Angelus is powerful for a vampire and alongside Spike and Drusilla, became one of the few vampires that assaulted Buffy and survived for more than one season. The conflict Buffy had with Angelus was much more personal than any of the other "Big Bads" due to the fact she was deeply in love with Angel - arguably Angelus has caused the most emotional pain to Buffy during the series and as such is one of the most evil of Buffy's villains. Because Angel is a hero within the Buffy universe, the transformations into Angelus rarely lasted long but when they did occur, it was always memorable and caused great tension within the group due to Angelus' penchant of attacking his opponents on a very personal level. He was portrayed by David Boreanaz, who also played Luc Crash.
Subject Item
n74:
n51:
n2:
Subject Item
n168:
n51:
n2:
Subject Item
n50:
n51:
n2:
Subject Item
n183:
n51:
n2:
Subject Item
n232:
n51:
n2:
Subject Item
n301:
n48:wikiPageDisambiguates
n2:
Subject Item
n205:
n75:
n2: