This HTML5 document contains 36 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

PrefixNamespace IRI
n40http://dbkwik.webdatacommons.org/resource/ydA5NrnJK4OMX7c2lSsQ8A==
n22http://dbkwik.webdatacommons.org/resource/izy9w4ZhkOvGMMAWrFmu4g==
n11http://dbkwik.webdatacommons.org/resource/4o-6bYngomJPyxy43NwkRQ==
dbrhttp://dbpedia.org/resource/
n16http://dbkwik.webdatacommons.org/resource/C0tc1vtxMKN9KdBmcEdifg==
n36http://dbkwik.webdatacommons.org/resource/L-7MDT0LNVxnZbgRalF7-Q==
n5http://dbkwik.webdatacommons.org/resource/RiaMY-W7ua567zJeXjY1LA==
n7http://dbkwik.webdatacommons.org/resource/46-TivHSieS7Aw0IOe0Kpg==
dctermshttp://purl.org/dc/terms/
n31http://dbkwik.webdatacommons.org/resource/Yfb-a5zScLZkmhcHmYlvrw==
rdfshttp://www.w3.org/2000/01/rdf-schema#
n30http://dbkwik.webdatacommons.org/resource/OLkvIluZah5ZtjCJF_3Isg==
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
xsdhhttp://www.w3.org/2001/XMLSchema#
n23http://dbkwik.webdatacommons.org/resource/1uMbFQYmGSON08gITFvwEA==
n21http://dbkwik.webdatacommons.org/resource/PizZhoFND1LHMxz8uMWqmw==
n9http://dbkwik.webdatacommons.org/resource/DeSoQq4UMw_jRUzNXD26xA==
n15http://dbkwik.webdatacommons.org/resource/l4dsiuwWVv4U6Tt-yAjipw==
n4http://dbkwik.webdatacommons.org/resource/iAkICxRwymtgXH5DJCGw2Q==
n17http://dbkwik.webdatacommons.org/resource/C81mG1_SzG6x-KaKvx4cEw==
n14http://dbkwik.webdatacommons.org/resource/q8gUalGoVMuoGu6jvUkoxg==
n34http://dbkwik.webdatacommons.org/resource/3dWB6VLb8T25MeS0PH-csg==
n39http://dbkwik.webdatacommons.org/resource/BDdzj66yQy84PTa2SsBJlQ==
n29http://dbkwik.webdatacommons.org/resource/kOFycT0-TrAUUej4Ga56jA==
n25http://dbkwik.webdatacommons.org/resource/sURrWC-AxRtU1MN0OJLFqg==
n6http://dbkwik.webdatacommons.org/resource/sqYyN3K6Wsm2b2dN6ay05Q==
n18http://dbkwik.webdatacommons.org/resource/z-bjiQTx-FzXfr1vgw3IRw==
n38http://dbkwik.webdatacommons.org/resource/UTlU7ab4Y3hMzrjC2U--Bw==
n19http://dbkwik.webdatacommons.org/music/property/
n10http://dbkwik.webdatacommons.org/resource/Ye4PKYpKQphOrqtb3mbnuw==
n8http://dbkwik.webdatacommons.org/resource/FIaTR_TRl7DtNwLasnFaYw==
n37http://dbkwik.webdatacommons.org/resource/_h3fFohcwJFWLrgINM6hQg==
n13http://dbkwik.webdatacommons.org/resource/PLjwhMtxAxtVTIwjrdvTaA==
n2http://dbkwik.webdatacommons.org/resource/VgPcFVdzQl67LCG359QYiw==
n35http://dbkwik.webdatacommons.org/ontology/
n41http://dbkwik.webdatacommons.org/resource/XBBbFlFDRn_rkN5rwLpLvA==
n12http://dbkwik.webdatacommons.org/resource/GBQNHpJTGE101zfdx8Oj8w==
n20http://dbkwik.webdatacommons.org/resource/y8iwHr8B8tq6asSSor0enw==
n33http://dbkwik.webdatacommons.org/resource/VxA3Sq0M49G3wOXob_cTLg==
n26http://dbkwik.webdatacommons.org/resource/kb7cjT2-pkRIlooUxkH2_A==
n32http://dbkwik.webdatacommons.org/resource/sDD2DY3PSJvYZMOSBtOKmg==
owlhttp://www.w3.org/2002/07/owl#
Subject Item
n17:
n5:
n2:
Subject Item
n8:
n5:
n2:
Subject Item
n29:
n5:
n2:
Subject Item
n15:
n5:
n2:
Subject Item
n38:
n5:
n2:
Subject Item
n22:
n5:
n2:
Subject Item
n23:
n5:
n2:
Subject Item
n6:
n5:
n2:
Subject Item
n34:
n5:
n2:
Subject Item
n11:
n5:
n2:
Subject Item
n26:
n5:
n2:
Subject Item
n32:
n5:
n2:
Subject Item
n7:
n5:
n2:
Subject Item
n9:
n5:
n2:
Subject Item
n10:
n5:
n2:
Subject Item
n31:
n5:
n2:
Subject Item
n40:
n5:
n2:
Subject Item
n36:
n5:
n2:
Subject Item
n2:
rdfs:label
Studio album
rdfs:comment
A studio album is an original collection of tracks by a recording artist. It usually does not contain live recordings and/or remixes, and if it does, those tracks do not make up a majority of the album and are often called "bonus tracks". Due to their heavily prepared nature, they can contain a variety of flourishes and production techniques, including segues, sound effects, found sound, and orchestral contributions.
owl:sameAs
dbr:Studio_album
dcterms:subject
n25:
n19:wikiPageUsesTemplate
n20:
n35:abstract
A studio album is an original collection of tracks by a recording artist. It usually does not contain live recordings and/or remixes, and if it does, those tracks do not make up a majority of the album and are often called "bonus tracks". Due to their heavily prepared nature, they can contain a variety of flourishes and production techniques, including segues, sound effects, found sound, and orchestral contributions. In the music industry, studio albums are usually contrasted with compilations and live albums. Studio albums are generally considered to be albums proper, containing material that is, in the majority, previously unreleased and original. They tend to be the highest-selling albums - in the United Kingdom, for example, eighteen of the twenty-four albums that have sold over 2.5 million copies are studio albums. In classical music, studio albums differ from live recordings in that they are often the result of multiple edits. Orchestral works in particular can be the result of several takes of the same piece. This practice is well established, and in older, analog recordings, edits are often very noticeable when transferred onto digital media.
Subject Item
n18:
n5:
n2:
Subject Item
n4:
n5:
n2:
Subject Item
n30:
n5:
n2:
Subject Item
n21:
n5:
n2:
Subject Item
n14:
n5:
n2:
Subject Item
n33:
n5:
n2:
Subject Item
n39:
n5:
n2:
Subject Item
n16:
n5:
n2:
Subject Item
n37:
n5:
n2:
Subject Item
n13:
n5:
n2:
Subject Item
n12:
n5:
n2:
Subject Item
n41:
n5:
n2: