. . . "\u0423\u0440\u043E\u0432\u0435\u043D\u044C \u0441\u043E\u0437\u0434\u0430\u043D \u0432 \u0441\u0438\u0441\u0442\u0435\u043C\u0435 \u043A\u043E\u043B\u043B\u0430\u0431\u0430, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u043F\u0440\u0438\u043D\u0438\u043C\u0430\u043B\u0438 \u0443\u0447\u0430\u0441\u0442\u0438\u0435 SrGuillester \u0438 Etzer. \u0411\u043E\u043B\u044C\u0448\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u0443\u0440\u043E\u0432\u043D\u044F \u0441\u043E\u0437\u0434\u0430\u043D\u0430 \u0432 \u043C\u0438\u043D\u0438\u043C\u0430\u043B\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0441\u0442\u0438\u043B\u0435, \u0430 \u043F\u043E\u0434 \u043A\u043E\u043D\u0435\u0446 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u0435\u0442\u0441\u044F \u0438 \u0430\u0434\u0441\u043A\u0438\u0439 \u0441\u0442\u0438\u043B\u044C. \u0412\u0441\u0435 \u044D\u0442\u0430\u043F\u044B \u0443\u0440\u043E\u0432\u043D\u044F \u0440\u0430\u0437\u0434\u0440\u0430\u0436\u0430\u044E\u0449\u0435 \u0441\u043B\u043E\u0436\u043D\u044B, \u043D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u0435\u0433\u043E \u0431\u043E\u043B\u044C\u0448\u0443\u044E \u0434\u043B\u0438\u043D\u0443 \u2014 2:15. \u041F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0443\u0440\u043E\u0432\u0435\u043D\u044C \u0434\u043E\u043B\u0436\u0435\u043D \u0431\u044B\u043B \u043F\u0440\u043E\u0432\u0435\u0440\u044F\u0442\u044C SrGuillester, \u043D\u043E \u043F\u043E\u0442\u043E\u043C \u043E\u043D \u0443\u0434\u0430\u043B\u0438\u043B \u0443\u0440\u043E\u0432\u0435\u043D\u044C, \u0442\u0430\u043A \u0438 \u043D\u0435 \u0434\u043E\u0434\u0435\u043B\u0430\u0432 \u0435\u0433\u043E. \u0421\u0435\u0439\u0447\u0430\u0441 \u0434\u043E\u0434\u0435\u043B\u044B\u0432\u0430\u0442\u044C \u0443\u0440\u043E\u0432\u0435\u043D\u044C \u0438 \u043F\u0440\u043E\u0432\u0435\u0440\u044F\u0442\u044C \u0435\u0433\u043E \u043D\u0430\u043C\u0435\u0440\u0435\u0432\u0430\u0435\u0442\u0441\u044F Andromeda. Etzer \u0441\u043E\u0433\u043B\u0430\u0441\u0438\u043B\u0441\u044F \u0441 \u044D\u0442\u0438\u043C \u0440\u0435\u0448\u0435\u043D\u0438\u0435\u043C."@ru . . "211"@de . . "1967-04-14"^^ . . . "\u0420, \u041A\u0411, \u041A\u0420, \u0412, \u041D, \u041A\u0420, \u0420, \u0412, \u0428, \u041A\u0411, \u041D, \u041A\u0420, \u041D, \u0412, \u041A\u0411, \u0420, \u041A\u0411, \u041A\u0420, \u0428, \u041A\u0420, \u0428, \u041A\u0420, \u041D, \u041A\u0420, \u041D, \u041A\u0420, \u041D, \u041A\u0420, \u0412, \u041A\u0411, \u0420, \u0412, \u0428, \u041D, \u041A\u0420, \u0428, \u041A\u0420, \u041A\u0411, \u041D, \u041A\u0411, \u0428, \u041A\u0411, \u041D, \u041A\u0420, \u041D, \u041A\u0420, \u041D, \u041A\u0420, \u041D, \u0412, \u041A\u0411"@ru . "208"^^ . . "211"^^ . . . . . . "El dos cientos onze (211) es el n\u00FAmero natural que sigue al 210 y precede al 212. Categor\u00EDa:N\u00FAmeros"@es . "[[Plik:DSC08072.jpg|right|thumb|250px|Autobus Solaris Urbino 8,6 na linii 211 na p\u0119tli Tarchomin (2012)]] 211 \u2013 linia autobusowa zwyk\u0142a (rozk\u0142ad jazdy), kt\u00F3ra kursuje na trasie z Bukowa na \u017Bera\u0144 FSO. Lini\u0119 obs\u0142uguje ajent Mobilis."@pl . . . . . . . "1967-04-18"^^ . . . . "211"@en . . . "580950"^^ . . . . . "\u041D\u0435\u0442"@ru . . . . "1967"^^ . . "Annette sucht in ihrem Schmerz nach Solidarit\u00E4t und versucht, Lena gegen Ingo aufzubringen. Nun muss Lena Farbe bekennen und Annette beichten, dass sie um Ingos Gef\u00FChle f\u00FCr sie wusste. Verletzt zieht Annette Konsequenzen aus dem Verrat ihrer Schwester. Jenny kehrt aus dem Urlaub zur\u00FCck und erf\u00E4hrt von Julian, dass Simone in U-Haft sitzt. W\u00E4hrend Richard und Axel versuchen, Jenny f\u00FCr ihre Pl\u00E4ne einzuspannen, ahnt Julian, dass Jennys R\u00FCckkehr nichts Gutes verhei\u00DFt. Vanessa ger\u00E4t in einen Streit zwischen Richard und Friederike. In ihrer Not bittet sie Opa Lutz um Hilfe. Er soll sich statt ihrer um Friederike k\u00FCmmern, damit Vanessa mit Ben reden kann. Doch zu unterschiedlich sind die Welten der beiden alten Herrschaften..."@de . . . . "\u0420\u0430\u0437\u043C\u0435\u0440, \u0433\u0440\u0430\u0432\u0438\u0442\u0430\u0446\u0438\u044F, \u0441\u043A\u043E\u0440\u043E\u0441\u0442\u044C, \u0442\u0435\u043B\u0435\u043F\u043E\u0440\u0442\u0430\u0446\u0438\u044F, \u0440\u0430\u0437\u0434\u0432\u043E\u0435\u043D\u0438\u0435"@ru . "211"@ru . . "Realistik \u2014 211"@ru . "211"^^ . . . . "211"@ko . . "211"^^ . . "Annette sucht in ihrem Schmerz nach Solidarit\u00E4t und versucht, Lena gegen Ingo aufzubringen. Nun muss Lena Farbe bekennen und Annette beichten, dass sie um Ingos Gef\u00FChle f\u00FCr sie wusste. Verletzt zieht Annette Konsequenzen aus dem Verrat ihrer Schwester. Jenny kehrt aus dem Urlaub zur\u00FCck und erf\u00E4hrt von Julian, dass Simone in U-Haft sitzt. W\u00E4hrend Richard und Axel versuchen, Jenny f\u00FCr ihre Pl\u00E4ne einzuspannen, ahnt Julian, dass Jennys R\u00FCckkehr nichts Gutes verhei\u00DFt. Vanessa ger\u00E4t in einen Streit zwischen Richard und Friederike. In ihrer Not bittet sie Opa Lutz um Hilfe. Er soll sich statt ihrer um Friederike k\u00FCmmern, damit Vanessa mit Ben reden kann. Doch zu unterschiedlich sind die Welten der beiden alten Herrschaften..."@de . "211"@es . "Ah, the great terrible structure. You are and the universe is. Through communication, you create your affect on each other. These factors together cause an effect between you, two pure beings communicating and affecting each other cause changes in both until all that is not needed is disposed of and all that is desired by the two is nourished."@en . . "Willie has entered a secret chamber in the Collins Family Mausoleum and found a solitary coffin, wrapped in thick, sturdy chains. Convinced that this is the resting place of the coveted family jewels, he gets to work on prying the chains loose. Willie opens the coffin. A look of terror passes across his face as a hand reaches out of the coffin and grabs him by the throat!"@en . . "Ah, the great terrible structure. You are and the universe is. Through communication, you create your affect on each other. These factors together cause an effect between you, two pure beings communicating and affecting each other cause changes in both until all that is not needed is disposed of and all that is desired by the two is nourished."@en . "Willie has entered a secret chamber in the Collins Family Mausoleum and found a solitary coffin, wrapped in thick, sturdy chains. Convinced that this is the resting place of the coveted family jewels, he gets to work on prying the chains loose. Willie opens the coffin. A look of terror passes across his face as a hand reaches out of the coffin and grabs him by the throat! Jason is arguing with Elizabeth in the drawing room at Collinwood. They are both concerned about the recent disappearance of Willie. Elizabeth's concern stems mostly from the fact that she wants to be sure whether or not Willie is gone for good. Jason, convinced that Willie is embarking upon some scheme without him, is not willing to let Willie flee town without answering to him first. Shortly thereafter, Elizabeth goes upstairs to retire. Mrs. Johnson enters the foyer and has a conversation with Jason. She tells Jason that she saw Willie taking supplies from the tool shed before he left Collinwood last evening. Mrs. Johnson further reveals that Willie had grown uncharacteristically infatuated with the portrait of Barnabas Collins hanging in the foyer. Mrs. Johnson elaborates that she in fact told Willie about a legend concerning a treasure trove of family jewels that had been buried with the 18th century family matriarch, Naomi Collins. Jason now has a sneaking suspicion about where Willie may have gone. Meantime, at the Collins Family Mausoleum the Caretaker enters and senses an evil presence in the air. A short while later, Jason arrives at Eagle Hill Cemetery. He gets into an uncomfortable discussion with the Caretaker concerning the three primary occupants of the mausoleum. The Caretaker, being intensely superstitious, drones on about how the place is cursed and that there is evil afoot. Jason inspects the inner chamber and finds the remains of one of Willie's cigarette butts on the lip of Joshua Collins' coffin (though the Caretaker mistakenly identifies it as \"the chid Sarah\" 's). Saying nothing more to the Caretaker, Jason races back to Collinwood. Upon arriving, he argues some more with Elizabeth. Elizabeth complains that Jason has been ineffectual at finding Willie. He doesn't tell her about his sojourn to Eagle Hill Cemetery. A short while later, there is a knock at the front door. Mrs. Johnson answers, and is greeted by a well-dressed gentleman who introduces himself as being a cousin to Elizabeth Collins Stoddard, visiting from England and wishing to pay his respects. Although clearly stunned, by the man's resemblance to the portrait, but as yet we don't know this, Mrs. Johnson lets him in and goes to fetch Mrs. Stoddard. The gentleman removes his hat and cloak and stands next to the portrait hanging in the foyer. Coincidentally enough, the man in the portrait and the man standing next to it appear to be the spitting image of one another. This is Barnabas Collins."@en . . . "211"@ko . "\u0423\u0440\u043E\u0432\u0435\u043D\u044C \u0441\u043E\u0437\u0434\u0430\u043D \u0432 \u0441\u0438\u0441\u0442\u0435\u043C\u0435 \u043A\u043E\u043B\u043B\u0430\u0431\u0430, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u043F\u0440\u0438\u043D\u0438\u043C\u0430\u043B\u0438 \u0443\u0447\u0430\u0441\u0442\u0438\u0435 SrGuillester \u0438 Etzer. \u0411\u043E\u043B\u044C\u0448\u0430\u044F \u0447\u0430\u0441\u0442\u044C \u0443\u0440\u043E\u0432\u043D\u044F \u0441\u043E\u0437\u0434\u0430\u043D\u0430 \u0432 \u043C\u0438\u043D\u0438\u043C\u0430\u043B\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u043C \u0441\u0442\u0438\u043B\u0435, \u0430 \u043F\u043E\u0434 \u043A\u043E\u043D\u0435\u0446 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u0435\u0442\u0441\u044F \u0438 \u0430\u0434\u0441\u043A\u0438\u0439 \u0441\u0442\u0438\u043B\u044C. \u0412\u0441\u0435 \u044D\u0442\u0430\u043F\u044B \u0443\u0440\u043E\u0432\u043D\u044F \u0440\u0430\u0437\u0434\u0440\u0430\u0436\u0430\u044E\u0449\u0435 \u0441\u043B\u043E\u0436\u043D\u044B, \u043D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u0435\u0433\u043E \u0431\u043E\u043B\u044C\u0448\u0443\u044E \u0434\u043B\u0438\u043D\u0443 \u2014 2:15. \u041F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0443\u0440\u043E\u0432\u0435\u043D\u044C \u0434\u043E\u043B\u0436\u0435\u043D \u0431\u044B\u043B \u043F\u0440\u043E\u0432\u0435\u0440\u044F\u0442\u044C SrGuillester, \u043D\u043E \u043F\u043E\u0442\u043E\u043C \u043E\u043D \u0443\u0434\u0430\u043B\u0438\u043B \u0443\u0440\u043E\u0432\u0435\u043D\u044C, \u0442\u0430\u043A \u0438 \u043D\u0435 \u0434\u043E\u0434\u0435\u043B\u0430\u0432 \u0435\u0433\u043E. \u0421\u0435\u0439\u0447\u0430\u0441 \u0434\u043E\u0434\u0435\u043B\u044B\u0432\u0430\u0442\u044C \u0443\u0440\u043E\u0432\u0435\u043D\u044C \u0438 \u043F\u0440\u043E\u0432\u0435\u0440\u044F\u0442\u044C \u0435\u0433\u043E \u043D\u0430\u043C\u0435\u0440\u0435\u0432\u0430\u0435\u0442\u0441\u044F Andromeda. Etzer \u0441\u043E\u0433\u043B\u0430\u0441\u0438\u043B\u0441\u044F \u0441 \u044D\u0442\u0438\u043C \u0440\u0435\u0448\u0435\u043D\u0438\u0435\u043C."@ru . . . "El dos cientos onze (211) es el n\u00FAmero natural que sigue al 210 y precede al 212. Categor\u00EDa:N\u00FAmeros"@es . . "211"@pl . . . ""@en . . . ""@en . "\u041D\u0435\u0442 \u043D\u0430 \u0441\u0435\u0440\u0432\u0435\u0440\u0435"@ru . . "\u041D\u0435\u0442"@ru . . "[[Plik:DSC08072.jpg|right|thumb|250px|Autobus Solaris Urbino 8,6 na linii 211 na p\u0119tli Tarchomin (2012)]] 211 \u2013 linia autobusowa zwyk\u0142a (rozk\u0142ad jazdy), kt\u00F3ra kursuje na trasie z Bukowa na \u017Bera\u0144 FSO. Lini\u0119 obs\u0142uguje ajent Mobilis."@pl . "211"@ko . . . . .