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For Star Trek: The Original Series, matte paintings were usually on glass and were backlit. (Trek: The Unauthorized Story of the Movies, p. 42) Even they were too costly for frequent use in the series, though they always increased visual scope to an episode. ("The Menagerie, Part I" text commentary, TOS Season 1 DVD) All the matte paintings for TOS were done by Albert Whitlock. [1] He noted, "I only had about a week to do each one, mostly futuristic architecture." (Cinefantastique, Vol. 27, No. 11/12, p. 72) The scenes that the paintings represented include: * Rigel VII ("The Cage" ) ) )

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  • Matte painting
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  • For Star Trek: The Original Series, matte paintings were usually on glass and were backlit. (Trek: The Unauthorized Story of the Movies, p. 42) Even they were too costly for frequent use in the series, though they always increased visual scope to an episode. ("The Menagerie, Part I" text commentary, TOS Season 1 DVD) All the matte paintings for TOS were done by Albert Whitlock. [1] He noted, "I only had about a week to do each one, mostly futuristic architecture." (Cinefantastique, Vol. 27, No. 11/12, p. 72) The scenes that the paintings represented include: * Rigel VII ("The Cage" ) ) )
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  • For Star Trek: The Original Series, matte paintings were usually on glass and were backlit. (Trek: The Unauthorized Story of the Movies, p. 42) Even they were too costly for frequent use in the series, though they always increased visual scope to an episode. ("The Menagerie, Part I" text commentary, TOS Season 1 DVD) All the matte paintings for TOS were done by Albert Whitlock. [1] He noted, "I only had about a week to do each one, mostly futuristic architecture." (Cinefantastique, Vol. 27, No. 11/12, p. 72) The scenes that the paintings represented include: * Rigel VII ("The Cage" and "The Menagerie, Part II" ) * Delta-Vega Station on Delta Vega ("Where No Man Has Gone Before" ) * Eminiar VII ("A Taste of Armageddon" ) * Underground colony on Janus VI ("The Devil in the Dark" ) Clouds surrounding the city of Stratos in "The Cloud Minders" were also represented with a matte painting. (Star Trek: The Original Series 365, p. 329) Also, various matte paintings were created for Starbase 11 (for both "Court Martial" and "The Menagerie, Part I" ). The matte paintings of Rigel VII, the Delta-Vega Station, Eminiar VII and the underground colony on Janus VI were all reused to depict other locations (namely, Holberg 917G, the Tantalus Colony on Tantalus V, Scalos and caves housing the Providers on Triskelion in the original versions of "Requiem for Methuselah" , "Dagger of the Mind" , "Wink of an Eye" and "The Gamesters of Triskelion" , respectively). Similarly, the painting of the Delta-Vega Station inspired the cover of the magazine Galaxy from DS9: "Far Beyond the Stars".
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