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No More Color was the third well-received album from Coroner, which had quite a few characteristics. First, it was well-produced, as Coroner’s debut had a bit of a thin sound (i. e. the high-pitched tom-toms in particular on Markus Edelmann’s drums), and their second album of Punishment For Decadence had a thicker sound all around, but it still wasn’t clear. By this album though, there was a razor-sharp guitar sound and pretty much the only thing lacking was Roland Broder’s bass not being heard as much as on their previous two releases.

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  • No More Color
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  • No More Color was the third well-received album from Coroner, which had quite a few characteristics. First, it was well-produced, as Coroner’s debut had a bit of a thin sound (i. e. the high-pitched tom-toms in particular on Markus Edelmann’s drums), and their second album of Punishment For Decadence had a thicker sound all around, but it still wasn’t clear. By this album though, there was a razor-sharp guitar sound and pretty much the only thing lacking was Roland Broder’s bass not being heard as much as on their previous two releases.
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  • No More Color was the third well-received album from Coroner, which had quite a few characteristics. First, it was well-produced, as Coroner’s debut had a bit of a thin sound (i. e. the high-pitched tom-toms in particular on Markus Edelmann’s drums), and their second album of Punishment For Decadence had a thicker sound all around, but it still wasn’t clear. By this album though, there was a razor-sharp guitar sound and pretty much the only thing lacking was Roland Broder’s bass not being heard as much as on their previous two releases. Even though the majority of the material is thrash/death metal – the opener of "Die By My Hand", "Read My Scars", "D. O. A.", "Tunnel of Pain" (although it has a tempo/guitar riff change after a while), and "Why it Hurts" (although for some reason Roland Broder’s vocals are totally buried on it) – a few songs take a bit of a different path, as "No Need to be Human’s" main riff sounds like a cross between death metal and country, for instance. “Mistress of Deception” has some fast clean guitar in it during the middle and end of the song, and the album ends with "Last Entertainment (TV Bizarre)", with Twilight Zone-sounding keyboards throughout, and, like he did briefly on the title track of their R. I. P. debut, Edelmann performs spoken vocals on the song. The album was released in 1989 through Noise International Inc.
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