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An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : dbkwik.webdatacommons.org associated with source dataset(s)

Title: Atom Heart Mother Artist: Pink Floyd Released: October 10, 1970 Total Length: 52:44 Label: Harvest, EMI (UK) Harvest/Capitol (US)

AttributesValues
rdf:type
rdfs:label
  • Atom Heart Mother
  • Atom Heart Mother
  • Atom Heart Mother
rdfs:comment
  • Title: Atom Heart Mother Artist: Pink Floyd Released: October 10, 1970 Total Length: 52:44 Label: Harvest, EMI (UK) Harvest/Capitol (US)
  • Das Titelstück ist mit 23 Minuten das längste zusammenhängende Lied von Pink Floyd. Zusätzlich zur Band kommen Orchester und zum Teil experimenteller Chor zum Einsatz, sodass es mit diesen Kriterien deutlich zum Genre Progressive Rock gehört.
  • Atom Heart Mother is a 1970 progressive rock album by British band Pink Floyd. It is named after its title track, which was originally titled "The Amazing Pudding". The song's name was changed after the band came across a newspaper article about a pregnant woman with an atomic pacemaker with the headline "ATOM HEART MOTHER." The album was recorded at Abbey Road Studios, London, England. It reached number 1 in the UK and number 55 in the U.S. charts and went Gold in the U.S. in March of 1994. A re-mastered CD was released in 1994 in the UK and 1995 in the U.S.
sameAs
Length
  • 3164.0
dbkwik:resource/wBZt64Y2QrQU6SkxfYyCGA==
  • Muuu!
dcterms:subject
dbkwik:resource/-kV8QycBTQ9USr6dh8xscw==
  • w sam raz
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  • AtomHeartMotherCover.jpeg
Tytuł
  • Atom Heart Mother
dbkwik:resource/FIvgq27c7YC3yQH6fKx0FA==
  • 1970-10-10(xsd:date)
dbkwik:resource/JehRvOlCDFE-SXS6EQl3ig==
  • Żniwa, EMIlka
dbkwik:resource/JvmuHjXQYc_EMmq-yMXeWg==
Gatunek
  • rock progresywny
Produzent
  • * Pink Floyd * Norman Smith * Alan Parsons
dbkwik:resource/X7l0opWu667RHDeQudG4LA==
Jahr
  • 1970-10-10(xsd:date)
producent
  • Heńki i Norman Smith
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Label
  • Harvest, EMI
  • ursprünglich: * Harvest Records * Columbia Records Neuauflagen: * EMI * Capitol Records
Producer
  • Pink Floyd, Norman Smith
Genre
  • Progressive Rock
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Title
  • Atom Heart Mother
Studio
  • März - August 1970, Abbey Road Studios
Formate
  • CD, LP, Quadrophonie-LP
Cover
Released
  • 1970-10-10(xsd:date)
Recorded
  • March - August 1970 (Abbey Road Studios, London)
Laufzeit
  • 3164.0
BILD
  • Atom heart mother.jpg
dbkwik:resource/8knODaRsv9FWto8btxUy6w==
  • marzec-sierpień 1970
Nächstes
Vorheriges
abstract
  • Title: Atom Heart Mother Artist: Pink Floyd Released: October 10, 1970 Total Length: 52:44 Label: Harvest, EMI (UK) Harvest/Capitol (US)
  • Das Titelstück ist mit 23 Minuten das längste zusammenhängende Lied von Pink Floyd. Zusätzlich zur Band kommen Orchester und zum Teil experimenteller Chor zum Einsatz, sodass es mit diesen Kriterien deutlich zum Genre Progressive Rock gehört. Das Stück basiert auf dem langen Konstrukt "The Amazing Pudding", dass aus 5 Einzelteilen bestand, und live aufgeführt wurde. Es wurde zuerst aufgenommen, und danach die einzelnen Teile zusammengefügt, wodurch es Probleme mit dem einheitlichem Tempo gab. Dennoch begab Geesin sich damit, eine Partitur um das Flickwerk zu schreiben. Bei den Aufnahmen gab es mehrere Probleme, zum einen gestaltete sich die Orchesterleitung als schwierig, da man anstatt das Metronom eben das Band laufen ließ, und dies wurde teilweise auf die Orchestermikrofone übertragen. Dennoch wurde mit atonalen Blechbläsern und Soundcollagen bis zur Ekstase herumexperimentiert. Trotz des Erfolges distanziert sich die Band heute von dem Werk, es verlief nicht ganz sauber, wie man es erwartet hätte, aber man kann es als eines der größten Rocksongs überhaupt bezeichnen.
  • Atom Heart Mother is a 1970 progressive rock album by British band Pink Floyd. It is named after its title track, which was originally titled "The Amazing Pudding". The song's name was changed after the band came across a newspaper article about a pregnant woman with an atomic pacemaker with the headline "ATOM HEART MOTHER." The album was recorded at Abbey Road Studios, London, England. It reached number 1 in the UK and number 55 in the U.S. charts and went Gold in the U.S. in March of 1994. A re-mastered CD was released in 1994 in the UK and 1995 in the U.S. The original album cover shows a very ordinary cow standing in a very ordinary pasture, with no text nor any other clue as to what might be on the record. This is, in fact, due to the "space rock" imagery associated with Pink Floyd at the time of the album's release; the band wanted to explore all sorts of music without being limited to a particular image or style of performance. They thus requested that their new album have "something plain" on the cover, which ended up being the image of the cow. Storm Thorgerson has said that he simply drove out into a rural area and photographed the first thing he saw. The cow's name is Lulubelle III. The longest two tracks are a progression from Pink Floyd's earlier instrumental pieces such as "A Saucerful of Secrets"; the Atom Heart Mother Suite is split into six parts and features a full orchestra while there are three distinct segments of Alan's Psychedelic Breakfast which are joined by dialogue and sound effects of then-roadie Alan Stiles preparing, discussing and eating breakfast as the acid starts to take over. The musical gestures and "mental sound track" that Alan narrates, co-mingled with sounds of preparing the meal in the latter song give an almost visual, humorous representation of the feeling of the first glint of the halluciongen, to which the song's title refers, as he goes through his normal routine. The reason the songs are split is because in the early 1970s, bands only received royalties based on how many tracks were on an album. The original LP ends with the constant sound of a dripping tap in the inner groove. Also included are three five-minute songs: one by each of the band's three resident songwriters. Roger Waters contributes a folk ballad called "If'" which he would play frequently at live shows in support of his Radio KAOS album. This is followed by Rick Wright's brass-heavy "Summer '68", a critique of the "rock 'n roll" lifestyle that would soon become characteristic of Pink Floyd. Finally, there is David Gilmour's "Fat Old Sun", which spent two years as a key part of the band's live set and is a staple of Gilmour's various solo tours.
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