About: Errata Anex   Sponge Permalink

An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Errata Anex (stylized as ERRATA ANEX) is the second extended play (EP) by American electronic music band Neon Indian, released digitally on April 9, 2013 by Mom + Pop Music. The EP consists of remixes of tracks from the band's second studio album, Era Extraña (2011). The EP's title is an anagram of Era Extraña. The band's frontman Alan Palomo said of the EP:

AttributesValues
rdf:type
rdfs:label
  • Errata Anex
rdfs:comment
  • Errata Anex (stylized as ERRATA ANEX) is the second extended play (EP) by American electronic music band Neon Indian, released digitally on April 9, 2013 by Mom + Pop Music. The EP consists of remixes of tracks from the band's second studio album, Era Extraña (2011). The EP's title is an anagram of Era Extraña. The band's frontman Alan Palomo said of the EP:
sameAs
Length
  • 275.0
  • 367.0
  • 381.0
  • 193.0
  • 471.0
  • 1687.0
dcterms:subject
dbkwik:music/prope...iPageUsesTemplate
Label
  • Static Tongues, Mom + Pop
Producer
  • Alan Palomo
Name
  • Errata Anex
Genre
Type
  • ep
Title
  • Halogen
  • Blindside Kiss
  • Heart Release
  • Hex Girlfriend
  • Polish Girl
Last album
  • Era Extraña
This Album
  • Errata Anex
Note
Cover
  • Errata_Anex.jpg
Released
  • 2013-04-09(xsd:date)
Artist
Recorded
  • 2010(xsd:integer)
abstract
  • Errata Anex (stylized as ERRATA ANEX) is the second extended play (EP) by American electronic music band Neon Indian, released digitally on April 9, 2013 by Mom + Pop Music. The EP consists of remixes of tracks from the band's second studio album, Era Extraña (2011). The EP's title is an anagram of Era Extraña. The band's frontman Alan Palomo said of the EP: These remixes are a small collection found along the way of my year on the road while we were touring Era Extraña. The artists were chosen by whatever most consistently blared out of my headphones that fall and what I was most giddy to hear an amalgamation of from the songs I was playing live, and the artists I'd listen to later that night. If imitation is the highest form of flattery, then total re-imagination from song scraps must be something far more warm, mutant, and mutual. I hope you enjoy them.
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