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Jim Henson's Creature Shop is a special/visual effects company founded in 1979 by puppeteer Jim Henson, creator of The Muppets.

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  • Jim Henson's Creature Shop
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  • Jim Henson's Creature Shop is a special/visual effects company founded in 1979 by puppeteer Jim Henson, creator of The Muppets.
  • Unlike the Muppet Workshop, which seldom accepted outside commissions, the Creature Shop was soon established as a special effects production house, utilized for both Henson films and series and outside, commissioned projects. The Creature Shop name first appeared in the credits of Dreamchild, for which the company's staff designed, built, and performed Lewis Carroll figures. The StoryTeller was the first television series to utilize the Creatures. Though primarily associated with realistic monsters and animals, the Creature Shop also occasionally built figures for Muppet productions, such as The Ghost of Faffner Hall or the Christmas ghosts in The Muppet Christmas Carol.
  • Jim Henson's Creature Shop is a company founded in 1979 by puppeteer Jim Henson, creator of The Muppets. It was originally created as a result of the observation that the team that had been put together for The Dark Crystal was extremely hard to recreate for Labyrinth, since the majority of the people employed on it had gone on to other projects - since they were only employed on a contract basis. This led Henson to the conclusion that it would be a good idea to create a company that would maintain a large team on a permanent basis so that the experience (and interpersonal relationships) would not be lost between each production.
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  • Jim Henson's Creature Shop is a company founded in 1979 by puppeteer Jim Henson, creator of The Muppets. It was originally created as a result of the observation that the team that had been put together for The Dark Crystal was extremely hard to recreate for Labyrinth, since the majority of the people employed on it had gone on to other projects - since they were only employed on a contract basis. This led Henson to the conclusion that it would be a good idea to create a company that would maintain a large team on a permanent basis so that the experience (and interpersonal relationships) would not be lost between each production. The original workshop location was at Elstree Studios, but this was a fairly typical "production-specific" setup, used for Labyrinth, at the close of production, it was decided to move the workshop away from the studios. The location chosen was on Downshire Hill, Hampstead, London, which was, not coincidentally, the same street that Henson lived on. This was in many ways a problematic location - Downshire Hill is full of very expensive houses, and some of the processes used at the creature shop (most notably the foam latex and mouldmaking) involved foul-smelling chemicals, so the group was under a lot of pressure to change locations. There were also commercial incentives to do so, since the Downshire Hill property was quite valuable. The chosen location had previously been used for the construction of large puppets for the film Dragonslayer (although Henson did not actually end up making the film). This was Oval Road, Camden Town - which was at the time a fairly run-down area. The Los Angeles Creature Shop was created as an offshoot from the workshop created for the Dinosaurs TV series. It is a large workshop that creates several special puppet and animatronic creatures and characters for a large number of other films and series. The company is well-known for its more fantastic creations, like the aliens in Farscape, but it also does lifelike replications of real animals, especially when unusual animal performances are required. The company was responsible for the talking animals in Eddie Murphy's Doctor Dolittle, and won two Academy Awards for the lifelike animals in the film Babe. They are also responsible for bringing the Ninja Turtles to life in the 1990 live-action film Teenage Mutant Ninja Turtles, and its sequel Teenage Mutant Ninja Turtles II: The Secret of the Ooze as well as creating the costumes for the hit show Dinosaurs and making the "Milky" character in the Blur music video "Coffee & TV". Despite assumptions to the contrary, Jim Henson's Creature Shop was not responsible for any of the non-human characters in the Star Wars series. The Star Wars creatures were created in-house by Stuart Freeborn in England and at Industrial Light & Magic, George Lucas' special effects shop. Jim Henson and his team, regardless were consultants for the Yoda puppets (and Frank Oz - one of the original Muppeteers - performed it), and he and Lucas did collaborate on the '80s cult classic Labyrinth. The company is based out of Hollywood, California, United States and previously Camden Town in London, United Kingdom where they still maintain some facilities. In 2009, the workshop provided the animatronic suits and creature designs for the film Where the Wild Things Are.
  • Jim Henson's Creature Shop is a special/visual effects company founded in 1979 by puppeteer Jim Henson, creator of The Muppets.
  • Unlike the Muppet Workshop, which seldom accepted outside commissions, the Creature Shop was soon established as a special effects production house, utilized for both Henson films and series and outside, commissioned projects. The Creature Shop name first appeared in the credits of Dreamchild, for which the company's staff designed, built, and performed Lewis Carroll figures. The StoryTeller was the first television series to utilize the Creatures. Though primarily associated with realistic monsters and animals, the Creature Shop also occasionally built figures for Muppet productions, such as The Ghost of Faffner Hall or the Christmas ghosts in The Muppet Christmas Carol. During this time, the controls became increasingly complicated - the earliest creatures were a mixture of cable operated and radio control - the latter originally based on modified Futaba sets, but later replaced by some custom transmitters ("Tranimats") based on JR hardware heavily modified by McGregor Industries, who were JR's UK distributors. These units had a large number of programmable mixes on them, allowing such things as mixing the eye up/down control into the eyelids for a more realistic appearance. Around this time, the decision was made to investigate the possibility of using computer controls to aid this process - this culminated in the development of a unit called SYNN (a heavily contrived acronym for SYstem with No Name) - first used for controlling the dog in Storyteller. This was the first iteration of the Henson Performance Control System. Full-bodied reptiles dominated the Creature Shop's slate in the early 1990s, creating the title characters in Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles II: The Secret of the Ooze, and an array of prehistoric beings in Dinosaurs. For these projects, enhancements were made to the Henson Performance Control System, an advancement from the earlier radio controls, allowing puppeteers to create complex facial expressions as well as detailed body movements, such as in finger joints. The team, including Faz Fazakas and Brian Henson, received a special Scientific and Engineering Academy Award in 1992 for this advancement. The London base of the Creature Shop closed in spring 2005. It has now become a luxury apartment block simply called The Henson.
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