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In 2266, a stuffed animal of the character was held by one of the onlies as they confronted James T. Kirk in the classroom. (TOS: "Miri" ) The real Krazy Kat character was created by comic book author George Herriman, and the comic ran in US newspapers between 1913 and 1944.

AttributesValues
rdf:type
rdfs:label
  • Krazy Kat
rdfs:comment
  • In 2266, a stuffed animal of the character was held by one of the onlies as they confronted James T. Kirk in the classroom. (TOS: "Miri" ) The real Krazy Kat character was created by comic book author George Herriman, and the comic ran in US newspapers between 1913 and 1944.
  • In an animated insert created for season 5 of Sesame Street, Krazy proves his love for friend and tormentor Ignatz Mouse by making a sculpture of the word "LOVE".
  • Krazy Kat is a comic strip created by George Herriman that appeared in U.S. newspapers between 1913 and 1944. It was first published in William Randolph Hearst's New York Evening Journal, and Hearst was a major booster for the strip throughout its run. Set in a dreamlike portrayal of Herriman's vacation home of Coconino County, Arizona, Krazy Kat's mixture of surrealism, innocent playfulness, and poetic language have made it a favorite of comics aficionados and art critics for more than eighty years.
  • One of the klassic newspaper komics of the '20s areas, it was published between the years of 1913 and 1944 in the New York Evening Journal. It was drawn by George Herriman and exhibited surreal, American Southwest-themed artwork and often focused on aesthetics over humor. This kaused it to alienate much of its audience; it only remained in the newspaper as long as it did because it was a favorite of Evening Journal publisher William Randolph Hearst.
  • The strip focuses on the curious love triangle between its title character, a guileless, carefree, simple-minded cat of indeterminate gender (referred to as both "he" and "she"); the obsessive antagonist Ignatz Mouse; and the protective police dog, Offissa Bull Pupp. Krazy nurses an unrequited love for the mouse. However, Ignatz despises Krazy and constantly schemes to throw bricks at Krazy's head, which Krazy interprets as a sign of affection, uttering grateful replies such as "Li'l dollink, allus f'etful". Offissa Pupp, as Coconino County's administrator of law and order, makes it his unwavering mission to interfere with Ignatz's brick-tossing plans and lock the mouse in the county jail.
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Last
  • 1944-06-25(xsd:date)
comictype
  • print
Caption
  • Ignatz hurls a brick at Krazy Kat, who misinterprets it as an expression of love.
First
  • 1913-10-28(xsd:date)
Title
  • Krazy Kat
syndicate
Creator
abstract
  • In 2266, a stuffed animal of the character was held by one of the onlies as they confronted James T. Kirk in the classroom. (TOS: "Miri" ) The real Krazy Kat character was created by comic book author George Herriman, and the comic ran in US newspapers between 1913 and 1944.
  • In an animated insert created for season 5 of Sesame Street, Krazy proves his love for friend and tormentor Ignatz Mouse by making a sculpture of the word "LOVE".
  • One of the klassic newspaper komics of the '20s areas, it was published between the years of 1913 and 1944 in the New York Evening Journal. It was drawn by George Herriman and exhibited surreal, American Southwest-themed artwork and often focused on aesthetics over humor. This kaused it to alienate much of its audience; it only remained in the newspaper as long as it did because it was a favorite of Evening Journal publisher William Randolph Hearst. The story revolves around the title kharacter and his/her (gender is never set, and strips often switch between the two, sometimes in the middle of one komic) obsessive love with the downright evil Ignatz Mouse, who hates Krazy and loves nothing more than to throw bricks at his/her head. Krazy being, well, krazy, takes this as a sign of love. In the meanwhile, Krazy Kat is actually loved by, of all things, a dog - Officer Bull Pupp, a police officer who is ever vigilant of Krazy and makes it his life purpose to prevent Ignatz from throwing bricks at all, hauling him off to jail when he's caught in the act. While the komic never kaught on with a mainstream audience, it remains an influence to kartoonists to this day; Bill Watterson of Kalvin and Hobbes fame cites it as a major influence and featured Kalvin's parents admiring a Krazy Kat strip in a museum in one Sunday strip. Even before then, Ignatz himself went on to be a Mauve Shirt in the Mort Walker/Jeff Dumas vehikle, Sams Strip in the 1960s. Kollections of Krazy Kat komics are notoriously difficult to find, although the advent of the Internet has made this easier. Also, Fantagraphics has released four kollection books which bring together all of the original strips: "Krazy and Ignatz: 1916-1918", "Krazy and Ignatz: 1925-1934", and "Krazy and Ignatz: 1935-1944", and the fourth book is due this November called "Krazy and Ignatz 1919-1920". There have been several animated adaptations of Krazy Kat made; none of them were very klose to the source material, however--aside from maybe this one.
  • The strip focuses on the curious love triangle between its title character, a guileless, carefree, simple-minded cat of indeterminate gender (referred to as both "he" and "she"); the obsessive antagonist Ignatz Mouse; and the protective police dog, Offissa Bull Pupp. Krazy nurses an unrequited love for the mouse. However, Ignatz despises Krazy and constantly schemes to throw bricks at Krazy's head, which Krazy interprets as a sign of affection, uttering grateful replies such as "Li'l dollink, allus f'etful". Offissa Pupp, as Coconino County's administrator of law and order, makes it his unwavering mission to interfere with Ignatz's brick-tossing plans and lock the mouse in the county jail. Despite the slapstick simplicity of the general premise, the detailed characterization, combined with Herriman's visual and verbal creativity, made Krazy Kat one of the first comics to be widely praised by intellectuals and treated as "serious" art. Art critic Gilbert Seldes wrote a lengthy panegyric to the strip in 1924, calling it "the most amusing and fantastic and satisfactory work of art produced in America today." Poet E. E. Cummings, another Herriman admirer, wrote the introduction to the first collection of the strip in book form. Though Krazy Kat was only a modest success during its initial run, in more recent years, many modern cartoonists have cited the strip as a major influence.
  • Krazy Kat is a comic strip created by George Herriman that appeared in U.S. newspapers between 1913 and 1944. It was first published in William Randolph Hearst's New York Evening Journal, and Hearst was a major booster for the strip throughout its run. Set in a dreamlike portrayal of Herriman's vacation home of Coconino County, Arizona, Krazy Kat's mixture of surrealism, innocent playfulness, and poetic language have made it a favorite of comics aficionados and art critics for more than eighty years. The strip focuses on the curious "love" triangle between its title character, a carefree and innocent cat of indeterminate gender (referred to as both male and female); the cat's antagonist, Ignatz Mouse; and the protective police dog, Officer Bull Pupp. Krazy nurses an unrequited love for the mouse; however, Ignatz despises Krazy and constantly schemes to throw a brick at Krazy's head, which Krazy takes as a sign of affection. Officer Pupp, as Coconino County's administrator of law and order, makes it his unwavering mission to interfere with Ignatz's brick-tossing plans and lock the mouse in the county jail. Despite the slapstick simplicity of the general premise, it was the detailed characterization, combined with Herriman's visual and verbal creativity, that made Krazy Kat one of the first comics to be widely praised by intellectuals and treated as serious art. Gilbert Seldes, a noted art critic of the time, wrote a lengthy article in high praise to the strip in 1924, calling it "the most amusing and fantastic and satisfactory work of art produced in America today." Famed poet E. E. Cummings, as another Herriman admirer, wrote the introduction to the first collection of the strip in book form. Though only a modest success during its initial run, in more recent years, many modern cartoonists have cited Krazy Kat as a major influence.
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