About: EXEC SOL FAGE   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : dbkwik.webdatacommons.org associated with source dataset(s)

This Song was developed in 3049 AD by Jaza as a way to communicate with Frelia, and to allow other Reyvateils to use her powers whenever her D-Cellophane is Installed into the singer. In more simpler words, the effect of this Song is to activate Frelia's D-Cellophane in the body of the singer, changing her Hymn Code band to be identical to Frelia's own and giving her access to Frelia's consciousness and power, which is what allowed the advancement of the civilization of Metafalss. Frelia herself has no recollection of this, and she herself has described that this was like talking in her sleep to the people that lived below Sol Marta.

AttributesValues
rdfs:label
  • EXEC SOL FAGE
rdfs:comment
  • This Song was developed in 3049 AD by Jaza as a way to communicate with Frelia, and to allow other Reyvateils to use her powers whenever her D-Cellophane is Installed into the singer. In more simpler words, the effect of this Song is to activate Frelia's D-Cellophane in the body of the singer, changing her Hymn Code band to be identical to Frelia's own and giving her access to Frelia's consciousness and power, which is what allowed the advancement of the civilization of Metafalss. Frelia herself has no recollection of this, and she herself has described that this was like talking in her sleep to the people that lived below Sol Marta.
dcterms:subject
dbkwik:artonelico/...iPageUsesTemplate
Singer
  • Haruka Shimotsuki
Album
Name
  • EXEC_SOL=FAGE/.
ImgSize
  • 300(xsd:integer)
Arranger
  • Takashige Inagaki
Lyrics
  • Reiko Takahashi
Translator
Character
Composer
  • Takashige Inagaki
abstract
  • This Song was developed in 3049 AD by Jaza as a way to communicate with Frelia, and to allow other Reyvateils to use her powers whenever her D-Cellophane is Installed into the singer. In more simpler words, the effect of this Song is to activate Frelia's D-Cellophane in the body of the singer, changing her Hymn Code band to be identical to Frelia's own and giving her access to Frelia's consciousness and power, which is what allowed the advancement of the civilization of Metafalss. Frelia herself has no recollection of this, and she herself has described that this was like talking in her sleep to the people that lived below Sol Marta. The Reyvateils that have undergone this process are called β-ER, and receive the title of Maiden of Homura. It also has the secondary function of serving as a plug-in Hymmnos inserted at the start of other Hymmnos Extracts, allowing the singer to sing them as if she was Frelia herself, and it's essential for executing Songs that either manipulate or require power from Sol Marta. Due to its nature as a Preinstalled Hymn, this Song will be always Downloaded into the Reyvateil that Installs Frelia's D-Cellophane, but its effects won't be activated until she reads a specific Hymmnos line that was engraved in the murals of the Enna Palace. Normally, this song is sung at the Heavenly Descent Festival that the Grand Bell used to hold whenever a new Maiden assumed her position, but Alfman abolished it due to their current Maiden, Cloche, being unable to make Frelia descend into her because she was a IPD and the sealed Maiden called the Maiden of Mio. During the events of Ar tonelico II: Melody of Metafalica, Luca sang this song after Amarie brought her to the Enna Palace Ruins, which finally awakened her abilities and powers as the Maiden of Homura, and ultimately allowed her to sing Hymmnos Extract songs like EXEC_METAFALICA/. and EXEC_VIENA/.. She afterwards also sang this Song during the interruption the Sacred Army caused during Cloche's Birthday Festival following Chester's instructions, in order to reveal herself as the true Maiden and show how Cloche wasn't the true Goddess Maiden. Also known as Solfege.
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