| rdfs:comment | - Progressive rock supergroup formed out of Keith Emerson of The Nice, Greg Lake of King Crimson, and Carl Palmer of The Crazy World of Arthur Brown. They are noted for their Karn Evil 9, which is divided into three movements called "impressions". The most popular is part two of the first impression, although the line "Welcome back my friends to the show that never ends" can cause confusion as to what started it. This part is common on the radio due to its shorter length.
- Emerson, Lake & Palmer (ELP) - brytyjska supergrupa z gatunku prog rocka, opierająca swoją działalność na przeróbkach dzieł muzyki poważnej i rockowej. Odnieśli sukces, ale tak naprawdę dlatego, że wszyscy byli znani masom już wcześniej.
- Emerson, Lake, And Palmer were a British progressive rock band from England.
- Emerson, Lake & Palmer, also known as ELP, are a sporadically active English progressive rock supergroup. They found success in the 1970s and have sold over forty million albums and headlined large stadium concerts. The band consists of Keith Emerson (keyboards), Greg Lake (bass guitar, vocals, guitar) and Carl Palmer (drums, percussion). They are one of the most popular and commercially successful progressive rock bands.
- Emerson Lake & Palmer (ELP) are an English trio of show-offs, consisting of Keith Emerson (keyboard virtuoso, frontman), Greg Lake (bassist, singer, guitarist when Emerson would let him), and Carl Palmer (drummer, percussionist, mental instability). They formed in 1970 when Emerson was kicked out of The Nice, for not being nice enough to his bandmates. He recruited Palmer, and they were soon joined by Lake, who ran away from King Crimson after an album and a half. The three originally invited Jimi Hendrix into the band, but as soon as Jimi received the invitation, he killed himself with a sleeping-pill overdose to avoid the three maniacs.
- Emerson, Lake & Palmer (ELP) were an English progressive rock supergroup. In the 1970s, the band was extremely popular, selling over 31 million albums and headlining huge concerts. The trio consisted of:
* Keith Emerson (originally from The Nice) keyboards
* Greg Lake (originally from King Crimson) guitars, bass guitar, vocals
* Carl Palmer (originally from Atomic Rooster) drums, percussion Greg Lake made this comment on ELP's discussions with Hendrix:
- In the light of the above comments it is no surprise that Emerson, Lake & Palmer never recorded a session for a John Peel show, or featured in his playlists. Peel's disappointment at their London debut concert in 1970 (he later admitted to having been reduced to tears) was not simply because of his disgust at the uncritical response of most of the audience. He recalled:
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| abstract | - Emerson, Lake & Palmer, also known as ELP, are a sporadically active English progressive rock supergroup. They found success in the 1970s and have sold over forty million albums and headlined large stadium concerts. The band consists of Keith Emerson (keyboards), Greg Lake (bass guitar, vocals, guitar) and Carl Palmer (drums, percussion). They are one of the most popular and commercially successful progressive rock bands. The ELP sound is dominated by the Hammond organ and Moog synthesizer of the flamboyant Emerson. The band's compositions are heavily influenced by classical music in addition tojazz and – at least in their early years – hard rock. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre ofsymphonic rock. However, Lake ensured that their albums contained a regular stream of simple, accessible acoustic ballads, many of which received heavy radio airplay. Lake, besides providing vocals, bass guitar, electric guitar and lyrics, also produced the band's first five albums.
- Emerson Lake & Palmer (ELP) are an English trio of show-offs, consisting of Keith Emerson (keyboard virtuoso, frontman), Greg Lake (bassist, singer, guitarist when Emerson would let him), and Carl Palmer (drummer, percussionist, mental instability). They formed in 1970 when Emerson was kicked out of The Nice, for not being nice enough to his bandmates. He recruited Palmer, and they were soon joined by Lake, who ran away from King Crimson after an album and a half. The three originally invited Jimi Hendrix into the band, but as soon as Jimi received the invitation, he killed himself with a sleeping-pill overdose to avoid the three maniacs. ELP were remembered for having very high opinions of themselves, for using Moog synthesizers, and for bringing progressive rock and sonic wankery to new heights. They split up in 1978 when they realized what they had done Emerson read what the critics had to say about his band. The band has tried to reunite a few times since then, but unsuccessfully, mainly due to Emerson's overinflated ego.
- Progressive rock supergroup formed out of Keith Emerson of The Nice, Greg Lake of King Crimson, and Carl Palmer of The Crazy World of Arthur Brown. They are noted for their Karn Evil 9, which is divided into three movements called "impressions". The most popular is part two of the first impression, although the line "Welcome back my friends to the show that never ends" can cause confusion as to what started it. This part is common on the radio due to its shorter length.
- Emerson, Lake & Palmer (ELP) were an English progressive rock supergroup. In the 1970s, the band was extremely popular, selling over 31 million albums and headlining huge concerts. The trio consisted of:
* Keith Emerson (originally from The Nice) keyboards
* Greg Lake (originally from King Crimson) guitars, bass guitar, vocals
* Carl Palmer (originally from Atomic Rooster) drums, percussion The band formed in 1970. On two occasions in 1969, The Nice and King Crimson shared the same venue, first on August 10, 1969 at the 9th Jazz and Blues Pop Festival in Plumpton, England and on October 17, 1969 at Fairfield Halls in Croydon, England. After playing at a few of the same concerts, Emerson and Lake tried working together and found their styles to be not only compatible, but complementary. They wanted to be a keyboard/bass/drum band, and so searched out a drummer. Before settling on Carl Palmer, they approached Mitch Mitchell of the Jimi Hendrix Experience; Mitchell was uninterested but passed the idea to Jimi Hendrix. Hendrix, tired of his band and wanting to try something different, expressed an interest in playing with the group. The British press, after hearing about this, speculated that such a supergroup would have been called HELP, or "Hendrix, Emerson, Lake & Palmer".[1]. Due to scheduling conflicts such plans were not immediately realized, but the initial three planned on a jam session with Hendrix after their second concert at the Isle of Wight Festival (their debut being in Plymouth Guildhall a day or two earlier), with the possibility of him joining. Hendrix died shortly thereafter, so the three pressed on as Emerson, Lake and Palmer. Greg Lake made this comment on ELP's discussions with Hendrix: "Yeah, that story is indeed true, to some degree...Mitch Mitchell had told Jimi about us and he said he wanted to explore the idea. Even after Mitch was long out of the picture and we had already settled on Carl, talk about working with Jimi continued. We were supposed to get together and jam with him around August or September of 1970, but he died before we could put it together." Their first four years were a creatively fertile period. Lake produced their first six albums, starting with Emerson, Lake and Palmer (1970), which contained the hit "Lucky Man". Their best known early performance had been a relatively modest show at the August 1970 Isle of Wight Festival, one of the last of the great Woodstock-era festivals. At the end of their set, Emerson and Lake lit two cannons either side of the stage. Tarkus (1971) was their first successful concept album, described as a story about "reverse evolution". The March 1971 live recording (Newcastle, UK) of the band's interpretation of Modest Mussorgsky's Pictures at an Exhibition was issued as a low-priced record, the success of which contributed to the band's overall popularity. The 1972 album Trilogy contained ELP's best-selling single, the understated "From the Beginning". In 1973, the band had garnered enough recognition to form their own record label, Manticore Records, and purchased an abandoned cinema as their own rehearsal hall. In late 1973 Brain Salad Surgery, with an eye-catching sleeve designed by H.R. Giger, was released and became the band's best-known studio album. The lyrics were partly written by Peter Sinfield, who was the lyricist for King Crimson's first four albums. The subsequent world tours were documented with a massive three-LP live recording, Welcome Back my Friends to the Show that Never Ends. By April 1974, ELP were top of the bill during the California Jam Festival, pushing co-stars Deep Purple to second billing. ELP's California Jam performance was broadcast nationwide in the US and is often seen as the summit of the band's career. The ELP sound was dominated by the Hammond organ and Moog synthesizer of the flamboyant Emerson. The band's compositions were heavily influenced by classical music in addition to jazz and – at least in their early years – hard rock. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre of symphonic rock. Onstage the band exhibited an unorthodox mix of virtuoso musicianship and over-the-top theatrical bombast. Their extravagant and often aggressive live shows received much criticism in this regard – although in retrospect it was all rather small change compared to later rock spectacles: the theatrics were limited to a Persian carpet, a grand piano spinning end-over-end, a rotating percussion platform, and a Hammond organ being thrown around on stage to create feedback (it was the same organ every time, called the L100, that was repaired overnight for the next show). Emerson often used a knife given to him by Lemmy (who had roadied for Emerson's previous band, The Nice) to force the keys on the organ to stay down.[citation needed] Another unusual factor was that Emerson took a full Moog modular synthesizer (an enormous, complex, and unpredictable instrument under the best of conditions) on the road with him, which added greatly to a tour's complexity. ELP then took a three-year break to reinvent its music but lost contact with the changing musical scene. The band toured the US and Canada in 1977 and 1978 on a killing schedule of night after night performances – some with a full orchestra, which was a heavy burden on the tour revenues. These late-1970s tours found ELP working harder than ever to stay in touch with their audience. But as disco, punk rock, corporate rock and New Wave styles began to alter the musical landscape, ELP could no longer generate the excitement of being forerunners in musical innovation. Eventually they drifted apart due to personality conflicts and irreconcilable differences concerning musical direction. Their last studio album of the 1970s, Love Beach, (1978), was dismissed even by the trio itself, who admitted it was delivered to fulfill a contractual obligation.[citation needed] The Love Beach album has been ill-received not only by the music press but also by the fans, who easily understood that the group was tired, something Greg Lake admitted in various interviews. Side One features Lake and consists of several shorter songs in a late 70's attempt to put something in the pop charts although one of them, "Taste of My Love", is an R-rated ode to one of the perks of rock stardom. Side Two's composition, "Memoirs of an Officer and a Gentleman", is a four-part narration of the tale of a soldier in the Second World War, and his ordeal of love and death as well as tragedy and triumph. The album's cover engendered no small amount of ridicule, with Palmer complaining the group looked like the Bee Gees. In 1985, Emerson and Lake formed another "ELP" band with heavy metal drummer Cozy Powell. Palmer declined to participate in a reunion, preferring to stay with Asia. Rumours also linked Bill Bruford to their new lineup, but the former Yes drummer remained committed to King Crimson and his own group, Earthworks. The album Emerson Lake & Powell charted reasonably well, with a major single, "Touch and Go" generating some radio and MTV exposure for the trio. However, the old interpersonal tensions between Lake and Emerson resurfaced during the 1986 tour. Emerson and Palmer subsequently joined with Robert Berry to form the unsuccessful band 3. The original ELP lineup reformed and issued a 1992 comeback album, Black Moon, on Victory Records. Their 1992/1993 world tours were successful, culminating in a performance at the Wiltern Theatre in Los Angeles in early 1993 that has been heavily bootlegged. But, reportedly, Palmer suffered from carpal tunnel syndrome[citation needed] and Emerson has been treated for a repetitive stress disorder in one hand. Although some have attributed the disappointment of the follow-up album In the hot seat (1994) to these problems, it is self-evident that physical limitations do not cause a lack of musical inspiration. Emerson and Palmer recovered to tour again. The last ELP tours were in 1996, 1997, and 1998. Their tour schedules brought them to Japan, South America, Europe, the USA and Canada and ELP played fresh new versions of older work. However enjoyable these tours were, ELP played in significantly smaller venues for significantly smaller audiences (sometimes fewer than 500 people, as in Belo Horizonte, Brazil). Their last show was in San Diego, California, in 1998. Conflicts about a new album inspired a new and final break up. Greg Lake insisted on producing the next album, having produced all successful ELP albums in the early 1970s. Keith Emerson complained in public (on the internet) that although he and Carl Palmer worked out on a daily basis to maintain their musical skills, Greg Lake did not make the effort to do the same. Lake admitted that he did not train his voice: a few live shows were generally enough to get it in shape, he claimed. In 2003 UK independent label Invisible Hands Music released a 3CD box set under the title Reworks: Brain Salad Perjury. This was a new work created by Keith Emerson in collaboration with British dance maverick Mike Bennett, using sampling technology and with an eye on club and ambient music styles. Emerson and Bennett sampled musical elements from the entire ELP oeuvre, creating entirely new music in an exotic, electronica style, opening with a dramatic reinterpretation of Fanfare For The Common Man. The musical complexity of the source material provided rich pickings for sampling and while not universally loved by ELP fans,[citation needed] the album found favour with critics and, impressively, the dance music community. Cuts from the album were widely played in clubs and, fleetingly at least, the band's music found a gigantic new audience who had never heard (or even heard of) Emerson Lake & Palmer. Keith Emerson toured Britain with his old bandmates from The Nice during 2003, and played another tour with The Keith Emerson Band across North America and Europe. Drummer Carl Palmer tours on an irregular basis with his Carl Palmer Band, playing electric guitar adaptations of ELP's keyboard work on the club circuit. Greg Lake has toured the USA with Ringo Starr in 2001, and most recently has recorded with The Who. Lake has recently formed his own band featuring David Arch, Florian Opahle, Brett Morgan, Trevor Barry and Josh Grafton and toured the UK in Autumn 2005. The band was due to do a tour of the USA in September 2006 but was cancelled because of management problems. In 2006, Carl Palmer rejoined the other three members of Asia for a 25th reunion world tour.
- Emerson, Lake & Palmer (ELP) - brytyjska supergrupa z gatunku prog rocka, opierająca swoją działalność na przeróbkach dzieł muzyki poważnej i rockowej. Odnieśli sukces, ale tak naprawdę dlatego, że wszyscy byli znani masom już wcześniej.
- Emerson, Lake, And Palmer were a British progressive rock band from England.
- In the light of the above comments it is no surprise that Emerson, Lake & Palmer never recorded a session for a John Peel show, or featured in his playlists. Peel's disappointment at their London debut concert in 1970 (he later admitted to having been reduced to tears) was not simply because of his disgust at the uncritical response of most of the audience. He recalled: It's a shame about ELP because actually Keith Emerson is a nice bloke, a genuinely pleasant human being. I remember when they first played the Festival Hall, I was surrounded by a lot of dickheads in leather trousers who thought it was wonderful. I remember one berk in front of me talking to some smart Hampstead friends, saying "Oh, man, my mind's completely blown, it's really blown....(quoted in Paul Stump, The Music's All That Matters, 1997, p.97) All three group members had already made their names with groups who he liked and had recorded sessions for Top Gear. Keith Emerson had become famous as the flamboyant keyboardist of The Nice, Greg Lake had sung and played bass with King Crimson, and Carl Palmer had been drummer with both the Crazy World of Arthur Brown and Atomic Rooster. Together, they had the potential for what was then called a "supergroup", but for Peel at least their music seemed slick and empty. However, this did not prevent ELP from becoming one of the most successful progressive rock bands of the 1970s and beyond, selling over forty million albums and pioneering the vast stadium concerts which are now common for successful live acts. Despite frequent criticism for self-indulgence and pretentiousness - the US critic Robert Christgau called them "the world's most overweening 'progressive' group" - they gained a loyal fan base. They broke up in 1978 but have re-grouped sporadically in subsequent years, although their commercial heyday remains the 1970s. In retrospect, they represent the point, around 1970-71, when Peel began to be disillusioned with some of the progressive rock he had championed in the late 1960s. Like other groups such as Deep Purple and Ten Years After, they seemed to him to view the onstage demonstration of instrumental virtuosity as an end in itself. At the time Peel regularly won DJ popularity polls held by the weekly music papers, but he sometimes expressed puzzlement because the winners in the "favourite groups" section of the polls, chosen by the same readers who had voted for him, were bands he neither liked nor played. But while Peel's playlists began to include more rootsy or experimental material, and were later dominated by punk and reggae, ELP and other progressive rock groups were featured regularly throughout the 1970s on other Radio 1 shows, notably those of Tommy Vance and Alan Freeman.
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