PropertyValue
rdf:type
rdfs:label
  • Take the Money and Run
rdfs:comment
  • "Take the Money and Run" is a song from Teacher's Pet: The Movie where after successfully becoming human and earning money, Spot Helperman, now Scott Leadready II and Leonard Helperman, begins to buy himself new things. It is not to be confused with the Steve Miller Band song of the same title. It was performed by Jack Sheldon, who sang "Conjunction Junction" and "I'm Just a Bill" in Schoolhouse Rock!
  • Take the Money and Run is the second episode of the fourteenth season of CSI: Crime Scene Investigation.
  • Take the Money and Run is a song by Steve Miller Band which was the first song Miller let a rap group sample. He let Run-DMC use it in 2001 with Everlast also on vocals. Miller agreed only after hearing the song and liking what they did with it. In 2006, the band released a 30th Anniversary Edition of the Fly Like An Eagle album. Included as a bonus track was "Take The Joker And Run," which is an acoustic version of "Take the Money and Run" sung over an early version of "The Joker." (thanks, Bertrand - Paris, France) {| class="collapsible collapsed" style="width: 100%; text-align: center;"
  • "Take the Money and Run" is a song by Steve Miller Band which was the first song Miller let a rap group sample. He let Run-DMC use it in 2001 with Everlast also on vocals. Miller agreed only after hearing the song and liking what they did with it. In 2006, the band released a 30th Anniversary Edition of the Fly Like An Eagle album. Included as a bonus track was "Take The Joker And Run," which is an acoustic version of "Take the Money and Run" sung over an early version of "The Joker." (thanks, Bertrand - Paris, France) The title is also the name of an unrelated 1969 Woody Allen film. (thanks, Brett - Edmonton, Canada) The song was also done in a Country style by Canadian Julian Austin in 2000. It's on his Back in Your Life CD. The song always had a Country feel to it, so it works well with
  • Take the Money and Run (1969) is a Mockumentary co-written by Woody Allen and Mickey Rose, and marked Allen's full-fledged directorial debut. It chronicles the life of Ineffectual Sympathetic Villain Protagonist Virgil Starkwell and his wife Louise. Through exclusive interviews with his family, friends and teachers, we learn more about Virgil’s past, upbringing, and his love of crime and the cello. The film received critical acclaim, cementing Woody Allen’s Auteur License that he has enjoyed for the rest of his career.
owl:sameAs
Season
  • 14
dcterms:subject
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dbkwik:all-the-tropes/property/wikiPageUsesTemplate
dbkwik:allthetropes/property/wikiPageUsesTemplate
dbkwik:csi/property/wikiPageUsesTemplate
dbkwik:disney/property/wikiPageUsesTemplate
dbkwik:rock-band/property/wikiPageUsesTemplate
dbkwik:rockband/property/wikiPageUsesTemplate
Number
  • 2
Previous
Date
  • 2013-10-02
Album
  • Fly Like an Eagle
Series
  • Las Vegas
Genre
  • Classic Rock
force RBM
  • yes
solo drums
  • yes
Language
  • English
Title
  • Take the Money and Run
Cover
  • Fly Like an Eagle.jpg
Released
  • 1976
Gender
  • Male
Artist
  • Steve Miller Band
Source
  • RBTPCR
NEXT
Rating
  • SR
Writer
Director
force iOS
  • yes
abstract
  • "Take the Money and Run" is a song by Steve Miller Band which was the first song Miller let a rap group sample. He let Run-DMC use it in 2001 with Everlast also on vocals. Miller agreed only after hearing the song and liking what they did with it. In 2006, the band released a 30th Anniversary Edition of the Fly Like An Eagle album. Included as a bonus track was "Take The Joker And Run," which is an acoustic version of "Take the Money and Run" sung over an early version of "The Joker." (thanks, Bertrand - Paris, France) The title is also the name of an unrelated 1969 Woody Allen film. (thanks, Brett - Edmonton, Canada) The song was also done in a Country style by Canadian Julian Austin in 2000. It's on his Back in Your Life CD. The song always had a Country feel to it, so it works well with fiddles. Austin was born in St. John, New Brunswick.
  • "Take the Money and Run" is a song from Teacher's Pet: The Movie where after successfully becoming human and earning money, Spot Helperman, now Scott Leadready II and Leonard Helperman, begins to buy himself new things. It is not to be confused with the Steve Miller Band song of the same title. It was performed by Jack Sheldon, who sang "Conjunction Junction" and "I'm Just a Bill" in Schoolhouse Rock!
  • Take the Money and Run is a song by Steve Miller Band which was the first song Miller let a rap group sample. He let Run-DMC use it in 2001 with Everlast also on vocals. Miller agreed only after hearing the song and liking what they did with it. In 2006, the band released a 30th Anniversary Edition of the Fly Like An Eagle album. Included as a bonus track was "Take The Joker And Run," which is an acoustic version of "Take the Money and Run" sung over an early version of "The Joker." (thanks, Bertrand - Paris, France) The title is also the name of an unrelated 1969 Woody Allen film. (thanks, Brett - Edmonton, Canada) The song was also done in a Country style by Canadian Julian Austin in 2000. It's on his Back in Your Life CD. The song always had a Country feel to it, so it works well with fiddles. Austin was born in St. John, New Brunswick. {| class="collapsible collapsed" style="width: 100%; text-align: center;"
  • Take the Money and Run is the second episode of the fourteenth season of CSI: Crime Scene Investigation.
  • Take the Money and Run (1969) is a Mockumentary co-written by Woody Allen and Mickey Rose, and marked Allen's full-fledged directorial debut. It chronicles the life of Ineffectual Sympathetic Villain Protagonist Virgil Starkwell and his wife Louise. Through exclusive interviews with his family, friends and teachers, we learn more about Virgil’s past, upbringing, and his love of crime and the cello. Take the Money and Run was a monumental turning point in the shaping of the mockumentary; while earlier mocumentaries attempted to film a fictional story and pretend it was true, Money went out of its way to emulate the style of documentaries at the time, even hiring veteran narrator Jackson Beck to serve as The Comically Serious narrator. Scenes play out with individual gags strung together by a thin story, with plenty of Visual Gags and Inherently Funny Words being used to deliberately rid the movie of any dramatic tension. The film received critical acclaim, cementing Woody Allen’s Auteur License that he has enjoyed for the rest of his career.
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