PropertyValue
rdf:type
rdfs:label
  • The Barber
  • The Barber
rdfs:comment
  • "The Barber" is the 72nd episode of the NBC sitcom Seinfeld. It is the eighth episode of the fifth season, and first aired on November 11, 1993.
  • Cette même année, le film reçut le prix de la mise en scène au festival de Cannes, ex æquo avec Mulholland Drive de David Lynch.
  • Back in some small towns in the old west, the barber was the only person who had experience handling a very sharp knife (and the association between barbers and surgeons goes back centuries.) The town might not be big enough to have a physician, so in addition to cutting your hair and shaving you, he might also do some "minor" surgeries, or any major ones where you either didn't have enough time to get to a real doctor, or would probably die from the rigors of the trip. Sometimes was also the mortician since he had to shave the corpses, too. This type of Barber might show up in a "realist fantasy" that has done the research.
  • The Barber is the efficient owner of a tonsorial parlor, as featured in the Sesame Street song "Long Time, No See." The professional clipper tackles the ambitious job of treating an incredibly shaggy-haired gent.
  • He first started off as a protagonist, but when Duck crashed alongside The Troublesome Trucks (although they didn't care because they were very pleased with themselves), The Barber acts like a villain and got furious at Duck. When Sir Topham Hatt arrived, The Barber told him that he doesn't like engines puffing through his walls. He later reforms and becomes an anti-hero and a protagonist again. He wasn't furious at Duck anymore, and later became happy and friendly. In the episode, Bertie's Chase, The Barber had a cameo. It is unknown if The Barber has a real name.
  • The Barber is a Legendary Ceremonial Knife (dagger prior to patch 2.5.0) in Diablo III. It requires character level 14 to drop. This dagger used to increase Critical Hit Damage prior to 2.5.0, which is normally not allowed on a weapon. Prior to patch 2.4.3, it also rolled five Primary affixes. For Manitou and Phantasm runes, the "stop casting" moment is the time when they expire, detonating all enemies they attacked over the duration.
owl:sameAs
Season
  • 5
dcterms:subject
ep num
  • 72
Scénario
Durée
  • 6360.0
Titre Original
  • The Man Who Wasn't There
année de sortie
  • 2001
Réalisation
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Pattern
Date
  • 1993-11-11
Genre
Border
  • 9223372036854775807
dbkwik:seinfeld/property/wikiPageUsesTemplate
Production
BGCOLOR
  • B0ADE7
Performer
PREV
Debut
  • 1981
Titre
  • (L'Homme qui n'était pas là)
  • The Barber
NEXT
Writer
Director
Titre québécois
  • L'Homme qui n'était pas là
abstract
  • The Barber is a Legendary Ceremonial Knife (dagger prior to patch 2.5.0) in Diablo III. It requires character level 14 to drop. This dagger used to increase Critical Hit Damage prior to 2.5.0, which is normally not allowed on a weapon. Prior to patch 2.4.3, it also rolled five Primary affixes. As of 2.4.3, it gained a unique affix: Spirit Barrage no longer deals damage on impact, but instead accumulates it until the casting is stopped for any reason. Once it happens, all affected enemies each explode for up to 350% of full accumulated damage to all nearby foes (and themselves), with possible interlapping. For Manitou and Phantasm runes, the "stop casting" moment is the time when they expire, detonating all enemies they attacked over the duration.
  • He first started off as a protagonist, but when Duck crashed alongside The Troublesome Trucks (although they didn't care because they were very pleased with themselves), The Barber acts like a villain and got furious at Duck. When Sir Topham Hatt arrived, The Barber told him that he doesn't like engines puffing through his walls. He later reforms and becomes an anti-hero and a protagonist again. He wasn't furious at Duck anymore, and later became happy and friendly. In the episode, Bertie's Chase, The Barber had a cameo. It's possible that The Barber serves as the primary antagonist in A Close Shave (although it's unknown). After Duck crashed into C&B Barber, he was The Barber's enemy until the end. It is unknown if The Barber has a real name.
  • "The Barber" is the 72nd episode of the NBC sitcom Seinfeld. It is the eighth episode of the fifth season, and first aired on November 11, 1993.
  • Cette même année, le film reçut le prix de la mise en scène au festival de Cannes, ex æquo avec Mulholland Drive de David Lynch.
  • Back in some small towns in the old west, the barber was the only person who had experience handling a very sharp knife (and the association between barbers and surgeons goes back centuries.) The town might not be big enough to have a physician, so in addition to cutting your hair and shaving you, he might also do some "minor" surgeries, or any major ones where you either didn't have enough time to get to a real doctor, or would probably die from the rigors of the trip. Sometimes was also the mortician since he had to shave the corpses, too. This type of Barber might show up in a "realist fantasy" that has done the research. In fictional Westerns however Barbers are used primarily as sources of gossip, and a local gathering place outside of the Saloon. Expect the villain to show up and demand a shave before he confronts The Hero, thus allowing the Barber to send a warning to The Sheriff. Occasionally can be reversed. By ancient tradition, The Barber tends to be extremely talkative, often taking advantage of having a captive audience who can't reply because they've either got a hot towel on their face or a cutthroat razor at their throat. See also Chatty Hairdresser. Examples of The Barber include:
  • The Barber is the efficient owner of a tonsorial parlor, as featured in the Sesame Street song "Long Time, No See." The professional clipper tackles the ambitious job of treating an incredibly shaggy-haired gent. The barber is initially startled by the client's friends chanting "Hmmm" behind him. Undaunted, however, he keeps on cutting, with a cheerful, continuing cry of "Snippety snip," pleased with the gradual revelation of the customer's bodily extremities. The job proves exhausting but satisfying. Even the discovery that the massive pile of hair has buried the three friends leaves him unphased; the barber merely suggests that the customer "take a seat, it should take a little while."
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