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| rdfs:comment | - Escape has its origins in the explosion of small press or minicomics that occurred in the UK in the early 1980s. Paul Gravett was running a stall at the Westminster Comic Mart in London called Fast Fiction where he would sell other people's self-published comics for a small cut. These would generally be short-run publications, usually photocopied and assembled by hand, by creators who couldn't find a professional outlet for their work with many coming from an art school background with unique approaches to comic art.
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| Creators | - Paul Gravett and Peter Stanbury
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| Caption | - The cover to Escape magazine #3. Art by Chris Long
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| abstract | - Escape has its origins in the explosion of small press or minicomics that occurred in the UK in the early 1980s. Paul Gravett was running a stall at the Westminster Comic Mart in London called Fast Fiction where he would sell other people's self-published comics for a small cut. These would generally be short-run publications, usually photocopied and assembled by hand, by creators who couldn't find a professional outlet for their work with many coming from an art school background with unique approaches to comic art. At the same time awareness was growing of international developments in the medium. Art Spiegelman and Françoise Mouly's RAW magazine had started pushing the boundaries in the USA while European anthologies such as Métal Hurlant, Charie Mensuel and PLG showed not only radically different styles of comic art to the usual UK/US variety but a more mature and analytical approach to the medium. Gravett brought his knowledge and enthusiasm while his partner Peter Stanbury, employed at the time at Harpers & Queen, brought experience in print design and production and together they decided to publish, from their flat, a magazine featuring this home-grown talent along with showcasing examples of new and interesting comics from around the world.
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