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| rdfs:comment | - As in this film's immediate predecessor, Little Giant, Abbott and Costello do not play friends or any kind of partners, but are simply individual members of the cast. Also as in the previous movie, Costello's character is largely the hero, while Abbott plays a somewhat unsympathetic dual role. The two comics' trademark vaudeville routines are absent, and in fact they speak directly to each other only during one scene at the beginning of the film. (This loosening of the comics' onscreen partnership was reportedly due to personal tensions that briefly broke up the act in 1945.)
- As in the previous Abbott and Costello film, Little Giant, the duo plays separate characters instead of partners, due to tensions between them that led to their splitting up for a while in 1945. The film also avoids their famous routines. In this film, the two only speak directly to each other during one scene at the beginning of the film.
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| abstract | - As in this film's immediate predecessor, Little Giant, Abbott and Costello do not play friends or any kind of partners, but are simply individual members of the cast. Also as in the previous movie, Costello's character is largely the hero, while Abbott plays a somewhat unsympathetic dual role. The two comics' trademark vaudeville routines are absent, and in fact they speak directly to each other only during one scene at the beginning of the film. (This loosening of the comics' onscreen partnership was reportedly due to personal tensions that briefly broke up the act in 1945.)
- As in the previous Abbott and Costello film, Little Giant, the duo plays separate characters instead of partners, due to tensions between them that led to their splitting up for a while in 1945. The film also avoids their famous routines. In this film, the two only speak directly to each other during one scene at the beginning of the film.
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