PropertyValue
rdfs:label
  • Samayus Palace of Opera
rdfs:comment
  • A long-standing tradition at Samayus was the short run times of performances; none in recorded history lasted more than a week, and most were only for a single-night, adding to the pressure of performance. Additionally, no performance at Samayus before 153 ABY was ever recorded in any way; only those with tickets for a given event could see it, which added to the opera house's mystique and elite reputation, although detractors considered it snobbery.
dcterms:subject
dbkwik:swfanon/property/wikiPageUsesTemplate
Affiliation
Name
  • Samayus Palace of Opera
Created
  • Unknown
Location
abstract
  • A long-standing tradition at Samayus was the short run times of performances; none in recorded history lasted more than a week, and most were only for a single-night, adding to the pressure of performance. Additionally, no performance at Samayus before 153 ABY was ever recorded in any way; only those with tickets for a given event could see it, which added to the opera house's mystique and elite reputation, although detractors considered it snobbery. After Tyras joined the Golden Empire in 114 ABY, its reputation spread and performing at the Samayus Palace of Opera became the goal of an entire Empire's worth of singers, musicians, composers, and conductors. Samayus's director installed a royal box, its use restricted only to the Royal Family. Princess Andromeda Keane became the first member to actually use the privilege in 140 ABY, along with her two Royal Guards, Kelto Nembask and Moira Nascall. The composer whose masterpiece was featured stated publicly later that performing for a member of the Royal Family was the distinguishing triumph of his career. Queen Rin Sakaros herself finally attended a performance, along with most of the rest of the Royal Family, in 153 ABY, when Kasci Centurion and virtuosa Jira Zaffrod performed a concert.
is Interest of