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- Sorry, is a theme song from Galaxy Angel De Shout!.
- Sorry is the fifth single release from GirlSpice, the song was about apologizing to fans about the publicity stunt they pulled. The single was a flop everywhere apart from the UK where it charted in the top 100.
- Sorry may refer to:
* Sorry (Absolute Beginner song)
* Sorry (Madonna song)
- Society, did you do something wrong? Well, here's the place to admit your guilt and atone for your sin. It's time to show you truly care, society, by posting a beautiful Wikiality.com Greeting Card. Say an additional 10 Hail Marys, and you sins shall be completely absolved. Amen.
- Sorry isn't good enough.
- Todd: Okay. Justin Bieber...again. Clip of "What Do You Mean?" Justin: What do you mean Todd (VO): Look, I do try to space these things out, you know? I already reviewed a Justin Bieber song pretty recently; I think I covered his career path pretty well. [Clips of "One Less Lonely Girl"...] Started out obnoxious, [..."Boyfriend"...] hit puberty, became a completely different kind of obnoxious, [...footage from TMZ over his legal issues in 2014...] disgraced himself in a lot of embarrassing ways, [...and "Where Are Ü Now"] recovered, and he's now successful again. Yeah, you remember. There's no reason for me to go back to the well this quickly, and I usually need to recharge my disgust anyway. Todd: Or at least you'd think, but...honestly, I feel like I have to do this. Performance on The Ellen Degeneres Show Justin: Is it too late now to say sorry Todd (VO): One review is not going to cover it. There is entirely too much Bieber in the world today. Bieber is to pop music today what [picture of...] smog is to China. [Clip of live performance of "Love Yourself"] He has three singles in extensive circulation, all three of which have hit #1. This is not just a Bieber comeback,... Todd: ...it is now a Bieber onslaught. Video for "Sorry" Todd (VO): And I really wanted to review this song in particular, "Sorry." Or, as the Canadian Bieber pronounces it... Todd: "Sore-y." Todd (VO): It just holds this fascination for me that's only increased over the past few months. I mean, I've already glanced at it a few times. I even made it an honorable mention on last year's Worst list. Clip from The Top Ten Worst Hit Songs of 2015 Justin: Is it too late now to say sorry Todd (VO): Being honest, I actually don't mind this song at all. In fact I honestly kinda like it. It's just... Todd: Christ, Bieber's such a shit! Todd (VO): My god, Bieber, you're such a terrible human being! Todd: What the hell is wrong with you? Todd: [one little laugh] I take it back. What you just heard there, I take it back. Brief clip of TMZ footage of Bieber Todd (VO): So let me explain. I said in the last review that, in the wake of scandal after scandal, Bieber's newer singles have an unmistakable meta quality to them. This is the most obvious on "Sorry," which, on a literal level, is about a romantic relationship, but has been understood by everyone as Bieber apologizing directly to his fans and the public for the six billion embarrassments he piled up between 2012 and 2014, and the public has lapped this apology right up. They forgave Bieber with wide, welcoming arms. Todd: And that includes, I gotta say, me. Todd (VO): Look, you know me. I am loath to praise anything Justin Bieber does because I find him so profoundly uncharismatic. It took me months to admit that I actually liked "What Do You Mean?" But "Sorry"? I don't know what to tell you. Despite my resistance to Bieber and my distaste for him...look, there's just no way around it. It is just a fantastic-sounding song. Justin: Sorry Todd (VO): I love everything about the production of this. I love that riff, I love the percussion. Todd: It's...I mean, look. Clip of "Pillowtalk" by... Todd (VO): Zayn from One Direction has a new solo single out. It's tearing up the charts right now, and I cannot for the life of me remember how it goes. It goes in one ear and out the other. But the first time I heard "Sorry," I was humming it for days. So, you know, "Sorry"'s gotta be doing something right; I took to it immediately. Todd: What genius of pop music made this hot-ass beat? [Pictures of...] DJ Mustard? Timbaland? Kanye?! Who?! Clip of Skrillex ft. Sirah - "Bangarang" Sirah: Bangarang (Bass) BANG! Todd: [Wiggles a little bit with his mouth slightly open] Didn't see that coming. Clip of performance on Yahoo as "First of the Year (Equinox)" Crazy Lady sample: Call 911 now! Todd (VO): Yes, Skrillex, the wub-guru himself. Not the first Skrillex and Biebs collaboration; [brief clip of "Where Are Ü Now"] Biebs was on a Skrillex song last year. But that was undeniably a Skrillex song, first and foremost. It was lumpy and strange and distinctly non-pop. I can't imagine it would've been a hit without Bieber involved. I mean, that was such a strange moment. It was like if [brief respective clips of "Bull in the Heather" and "Hold Me" by...] Sonic Youth did a collaboration with Menudo. I mean, it did grow on me, but...it's a weird song. Maybe that's just me. I just still find it hard to think of dubstep as pop in any way, so I did not think that Skrillex could really work in a real mainstream context. And "Sorry" proved me absolutely wrong, so I salute you, Skrillex. You made look like [meme captioned "Son, I am disappoint." over picture of...] Danzig's embarrassing teenage son, but I'll give you this. Todd: You actually got me to like a Justin Bieber song. [Beat] For a couple weeks. Another clip from Ellen Justin: You know I try but I don't do too well with apologies Todd (VO): To be clear, the part I needed to take back was the part where I said I liked it. I just cannot stand this song anymore. I am emphatically not taking back the part where I said Bieber was a terrible person. Suffice to say that the pleasures of "Sorry" have proved fleeting, while its flaws are bone-deep, and that's no one's fault but this little shit right here. Todd: Yeah, this was basically the opposite of [brief clip of...] "What Do You Mean?" which grew on me the more I listened to it. Todd (VO): My first impression of this song was that it was douche-tastic, and every subsequent listen revealed even more douchey shit that I missed. No matter how much I appreciate all the work involved, there's just no getting over the fact that Bieber is just this unlikable little turd-baby of a human being. In fact, he's always been that. [Clip of trailer for Justin Bieber: Never Say Never] I watched his stupid little tour documentary. He's says almost nothing. They don't interview him once, and it's still really obvious that he is an odious little brat. Clip from the actual movie Mama Jan Smith: The bigger part is that he's 16 years old and he doesn't know when to shut up. Todd (VO): Which, you know, honestly, of course he was; he was 15. But I think he's run out of time where he can use his age as an excuse, [clip of performance on The Tonight Show Starring Jimmy Fallon] especially now that it's bleeding into his actual music. I mean, that's the tragedy of it. He's an honest-to-God artist now. He's not just a little kid singing whatever his handlers put in front of him; this is a deeply personal song where he owns up to all his flaws and tells you, the loyal listening public, how deeply regretful he is for this and this and that and that and this. This is a look into his soul. Todd: And it's so bullshit! Todd (VO): It is the most comically bullshit apology song I've ever heard, and doing this job, I have heard... Todd: ...tons upon tons of shitty apologies. This one is the worst. Clips of "Sorry" by... Todd (VO): Worse than that time Buckcherry whined their way through a bad Seether impression; [..."Sorry 2004" by...] worse than the one where Ruben Studdard tried to give a blanket apology for an entire year of fuck-ups; [...and "Sorry, Blame It on Me" by...] worse than that time when Akon just said straight up that he wasn't actually sorry at all! Akon: Cause I’ll take that blame Even though the blame’s on you Todd: Worse than all that! Todd (VO): Also, as you may have noticed, unfortunately there is no Justin Bieber in the music video. That's how insincere it is. He couldn't even be bothered to deliver the apology himself. Which is unfortunate, cause to get the full effect, you really need to see the lyrics coming out of his slimy, weasely little mouth! Todd: So to make up for that, I am going to put up a "Douche-o-Meter" [...which appears on the screen as he speaks, complete with a picture of Bieber's face] and go through each lyric line-by-line so you can probably get a gauge on how insufferable each part of this is. [The Douche-o-Meter disappears] Heh. Okay, let's start it off. Take it away, Justin! Justin: You gotta go and get angry at all of my honesty *BUZZER* The Douche-o-Meter immediately registers at 100% DOUCHE, eventually shorting out and powering off. Todd: The...the douche-o-meter's busted. Already. He...he broke the scale with the first line! Christ! Justin: ...all of my honesty Todd (VO): Look, I really hope I don't have to explain why this is a bad way to begin an apology. Todd: "When I called you a fat, disgusting bitch, I was just being honest! You get mad at everything, I can't even talk to you!" Hey Bieber, remember how you [Brief clip of Fox News report of when Bieber...] egged your neighbor's house? "You gotta go and get angry at my enthusiasm for redecorating!" Justin: You know I try but I don't do too well with apologies Todd (VO): Boy, you ain't kidding, Biebs. And, there's only like a handful of reasons that anyone is bad at apologies. Either it's because you're a dick, or... Todd: ...I dunno, you have a horrible speech impediment or something. And unfortunately, Bieber, your words are coming in loud and clear! [Gives thumbs up] Eh... Todd (VO): Then there's the chorus. Justin: Is it too late now to say sorry 'Cause I'm missing more than just your body Todd (VO): God, that's such a clunky, badly written line. It...it took me a little bit to figure out why, but I think I have it now. I mean, listen. Justin: ...missing more than just your body Todd (VO): "Missing more than just your body." See... Todd: ...these are the words of a guy who...knows what the wrong answer is, just not necessarily the right one. Todd (VO): "I want you back 'cause I miss your...not your body." Todd: Hey, Bieber, where were you the night of the murder? "Why, I remember I was definitely at...not at the victim's house between 12:45 and 1:30, then driving to the river to dispose of the murder weapon!" Justin: Is it too late to say sorry now Todd (VO): And for what it's worth, yes, Bieber, it is too late to say sorry. Todd: It was not too late 38 seconds ago, but then this happened. Justin: You gotta go and get angry at all of my honesty Todd: So eat shit. Todd (VO): Also, I really can't stand the way he's singing this. Justin: I hope I don't run out of time. Could someone call a referee? Todd (VO): For the first time since his voice changed, I've gone from being meh to his singing to actively disliking it. This low breathing thing he's doing, I have no idea what he thinks he's going for there. Mostly, it just sounds like him mumbling his way through an apology he's being forced to give by his parents or something. Justin: Can we both say the words and forget this Todd: "Look, I'm really sorry that we did all these things. Can we just move on?" Todd (VO): Even the melody for the chorus makes him sound sarcastic. Justin: Sorry Todd: Sorry! Excuse me! Todd (VO): I mean, he sounds like the most repulsive little pukestain in the history of humanity! Oh, my God, I hate you, Bieber! I hate you so goddamn much! Go drown in a burning oil spill! Todd: That was a little much, I'm sorry. [Beat] Genuinely sorry, unlike some little piece of... Okay, this is starting to get away from me a little. Todd (VO): Like, this song started so far into the negative that it was never going to recover, but...I guess the rest of it is... Todd: ...not so awful. Justin: I know you know that I made those mistakes maybe once or twice And by once or twice I mean maybe a couple of hundred times Todd: Eh, self-deprecating humor, that's always a good look. Justin: 'Cause I just need one more shot, second chances Todd (VO): Okay, well, by your own statement, this would be your couple hundredth chance, but... Todd: [exasperated sigh] ...you know what? Fine. Second chances, everyone deserves a second chance. Justin: I'll take every single piece of the blame if you want me to But you know that there is no innocent one in this game for two *BUZZER* Douche-o-meter shoots up to 10000% DOUCHE, then explodes Todd: What? I...I thought it was...the douche-o-meter wasn't even on! Todd (VO): So yeah, the point is that Bieber is insufferable. It must have taken epic restraint for him to [image of...] not name this song "Sorry Not Sorry." The bigger question is, why are people buying it? 'Cause they usually don't. Todd: The public usually rejects public apologies like this. Like...have you been following what happened to Robin Thicke? Clip of Robin Thicke - "Get Her Back" Todd (VO): Shortly after "Blurred Lines" came out, he got caught cheating on his wife, and then tried to make a public apology with a whole album about how sorry he was, named after his ex-wife. And I gotta be honest, I listened to the album, and... Todd: ...it's not that bad. Todd (VO): It was just his bad luck that he was stupid enough to frame a decent record as a creepy act of emotional blackmail, so it set historically low album sales. Nobody wants that. Todd: And that's who this reminds me of. But you know who it reminds me more of? Chris Brown. Clip of Chris Brown ft. Lil Wayne and Busta Rhymes - "Look at Me Now" Chris Brown: Let's go Todd (VO): Nowhere near as bad as actual violent felon Chris Brown; but as artists, they're very similar people. Todd: I never hated Chris Brown more than... Clip of interview on Larry King Live Todd (VO): ...when he was trying to apologize because he just so obviously didn't mean it. Todd: Immediately after "the incident," Clips of "Crawl"...] Todd (VO): Chris Brown released his whole album of dickish, disingenuous apologies, and guess who bought it. Nobody. The whole rejected it en masse, and Chris Brown's career looked done until he reinvented himself as [...and "Loyal"] a completely unrepentant asshole, which...I get why that worked. I certainly wish it hadn't, but I do get it. Society likes people who go through life without apologizing. Todd: I mean, look at R. Kelly. That's... Clips of "I'm a Flirt Remix" ft. TI and T-Pain and "Ignition (Remix)" Todd (VO): ...one of the worst people in music; one of the worst people alive possibly. He peed on a 14-year-old girl. He peed on her! That happened! And did he ever apologize? No! Not once! He just kept balling harder than ever, and his career only got bigger! Todd: Holy shit! I can't believe that actually happened, but it did! We just like unrepentant assholes. Todd (VO): And yet Bieber actually deigned to apologize. He openly asked for forgiveness, and he did it in the laziest, most punchable way possible, and it went to #1. I...I guess 'cause the production is good. Todd: Like I said, I liked it too. Is this my fault? Todd (VO): I don't even like Bieber; how did I get sucked in by this?! I wanna spray this song with Lysol! Christ, now I am sorry. Todd: Well, let me make up for it right now. Todd (VO): Bieber, apology not accepted. It's never gonna be accepted. If you want real forgiveness, tie yourself to a post and invite people to come up and hock loogies in your face. Todd: And until then, you can take this phony, blame-shifting BS and shove it up your ass! [Sarcastic] Sorry. Justin: Is it too late to say I'm sorry now?
- Name: Sorry Run Time: 3:06 Written By: Rick Wakeman, Tim Rice Year: 1981
* Julia's Song (Single)
- Sorry is the twenty-seventh episode of the series Weebl & Bob. Posted: 13rd January, 2003 Summary: Lasers, dinosaurs and bees. Just some of the reasons Skoo shouldn't be allowed to animate too often. Please make it stop. Tune: Cheeky Girls??!! wtf Credits: Skoo
- "Sorry" is a song recorded by Caribbean singer Jane Mik featuring uncredited vocals from American recording artists Felicia, Wilde, Haven and Rapsta Chik, for her third studio album Mary Jane.
- zwollemiddelburg Categorie:Beantwoorde vragen
- Brambleclaw sat down thoughtfully in the warriors' den, Lionblaze getting up beside him. He was thinking about Squirrelflight. Sometimes, he wondered if it was right to leave her. He shook his head. Yes, it was right! She lied to him! The tabby deputy gulped back regret and guilt. I miss you! he wanted to yowl. I want you back! Things aren't the same! He turned his head to the end of the warriors' den, where Squirrelflight sobbed uncomfortably in her nest. I just want to die! he thought bitterly. I wanted to aplogize. I wanted to. Badly. But Squirrelflight would never forgive me. I sighed. I knew how she nuzzled, I loved her fiery temper. She made me just want to jump over the gorge. I sighed. Squirrelflight wasn't blamed, she was guilty. I just knew from the miserable light that glowed in her eyes, mixed with pleading. No. Tears rolled harder down her cheeks. No sudicide, I told myself. No... I can't take it back. No. I can't, Brambleclaw thought. I just want to say I'm sorry. But that will cost me a lot, I thought with pity, staring at Squirrelflight, her eyes filled with misery. I remembered the nights me and Squirrelflight were out, the tears of joy she fought so hard to pull back but just spilled with love for me. Squirrelflight, aplogize! I demmanded quietly. I'll be able to reveal my feelings...please, with all of my heart, spirit, and StarClan. I sighed. It would never happen. She thinks I hate her now. But I don't. Do I? Or do I not? I'm sorry Squirrelflight. But we'll never be able to admit it. I'm sorry, Squirrelflight! I wanted to yowl. No. It couldn't happen. Never.
- Sorry is a song by Guns N' Roses {| class="collapsible collapsed" style="width: 100%; text-align: center;"
- Shark had been avoiding this building for a long time now. There's still that sense of dread poking his head in here, but he knows he has to for one reason... he wants to maintain a friendship with the medic within.. that is if it’s not too late to save it. He knocks at the door, to see if she's at home. Lifeline says, "Come in." She's keeping busy as always, though currently she's taking a serious inventory of her armor plating supplies. And she's realizing that her stores are every bit as pathetically small as that weird mercury puddle-mech said they were. "I said, come in!" Shark began to open the door, but the yelling makes him pause with the door half way open. He has to take a moment to gather himself, then he opens the door the rest of the way. "Good cycle, Lifeline." he offers, voice soft. Lifeline turns quickly at the sound of Shark's voice, seeming not at all angry. "Greetings, Shark." Shark stands in the doorway, not quite meeting the medic's gaze. "Uhm.. you busy?" he asks, just as softly. Lifeline sets aside the inventory data pad in her hand and gestures toward the workbench. "No, not really. Please, come in." Shark nods and takes slow, cautious steps. He'd been working on what he was going to say to her. Really he had been. But now standing here, he's lost to words. He leans his skid plate on the workbench, raising a hand to rub at the back of his helmet. "Primus.. where do I begin.." he sighs, actually asking for some sort of divine intervention. Lifeline leans against the med table, crossing her arms. She can't help it, she has to repeat something she heard once a long time ago. "Begin at the beginning. And when you get to the end, stop." Lifeline realizes after a moment that maybe her attempt at humor wasn't such a good idea. Shark glances sidelong at her as she leans against the med table opposite him, he nods to that bit of wisdom. He takes a moment to gather himself, get his wits about him, find those words. Slowly he shifts his body, to get down on a knee, then shifting further so he's on the other, he bows his head and begins, "When I came here that cycle and got in your personal space... nibbled on your neck.. I didn't know you would react like that. I..." he frowns a bit, sighing, looking up at her with slightly dim optics that show how much this has bothered him.. tortured him since then, "I am so sorry I did that... had I known you wouldn't like it.. had I known you would have reacted so violently.. I wouldn't have done it.." he pauses, clasping hands in front of him, a gesture of pleading , "I am so very very sorry. I let my feelings get the better of me... I pushed my luck.. I deserved exactly what you did to me. I deserved worse..." Lifeline has already kind of suspected that that was what he wanted to talk about. But this... It's too much. She steps over and kneels in front of Shark, matching his pose despite the protests of her knee joints. "Shark, I knew the moment you just accepted what I did that you were sorry. And I forgave you the bad judgment call in that same moment. I'm ... well, I'm sorry too, that I overreacted as badly as I did. I won't say I'm sorry for backing up a warning duly given, but I took it way too far. I just ... well, I've never been a touchy-feely kind of person. Maybe it has something to do with the medical protocols -- don't get emotionally involved with the patients and all of that. I guess ... " she sighs. "Just don't do it again, okay?" Shark wasn't quite expecting her to get down on the floor with him, which is apparently by the moment of surprise that crosses his facial features. He listens quietly to what is being said, nodding in understanding, secretly glad she figured out he had accepted his punishment willingly, without complain or a whimper. He just took it, he deserved it. A little frown though forms at the last section, "Lifeline, I'm touchy feely. I cannot help that. It's just in my programming. I want my friends to know that I'm there for them... I'd like to think of you as a friend.. someone I could come to talk about things that.. well.. the veterans would razz the living spark out of me for..." he pauses, hands shaking, "Can you give me just a little leeway? I don't think I could stop myself, it's just something I do. A hand on the shoulder, a pat on the back, just things we do to show each other support is something I am used to.. " he sighs, dropping his skid plate against his lower legs, "And I'm sorry.. but you cannot ask me to not be emotional.. not with you.. not with anyone." Lifeline smiles a bit. "I meant don't /bite/ me again. The other things don't bother me so much." Shark's lips quirk into just a shadow of a smile, "Right.. that." he murmurs softly, "I'll do my best not too, as tempting as it might be at times." he admits softly, not quite meeting her gaze again, "I guess I got a weak spot for medics and their necks..." Lifeline snorts amusedly at that, getting back to her feet with a creak from her right knee. "Well, go chew on Ratchet, then, I'm usually too busy." Shark watches you get up, a coughed chuckle made, "He's not a femme." then gets to his feet as well. You may have noticed his chin has been repaired, since you knelt down right in front of him. Looks like a good job too, and rather recent. Lifeline of course noticed. And a better repair than she could have done, especially considering the state of her supplies. Lifeline says, "He's also probably not likely to yank out your teeth." Shark smiles just enough that you can see said teeth are replaced as well. "I dunno, he might right after Prime brigged me." he notes with a shrug. Lifeline shakes her head. "Nope. He'd bean you with a spanner before you got within three meters of him." Shark looks quizzical, "Spanner?" Lifeline steps over and pulls a tool from her collection on the wall over the workbench. "One of these." Shark looks down at that and nods, a little grimace crossing his features. "I'm ugly enough, thanks." he mutters. Lifeline returns the tool to its place. "So maybe it's better if you learn to not bite first?" Shark murmurs, "Was a nibble, not a bite." he pauses, "Saw you at the Sleazo a few times, guess Foz-E's dispensers are having fits." Lifeline snorts softly again. "When /aren't/ they having fits? The things were ancient before the war started." Shark nods a bit, "Yeah, I bet. You'd think with all the business he has he could afford some new equipment or something." Lifeline hmphs. "It's not about affording new ones, it's about wanting to shell out the credits to PAY for the new ones." Shark smirks, "Maybe I should bite him." he notes with a hint of tease. Lifeline scoffs, and tosses Shark's own words back at him. "He's not a femme." Shark crosses his arms over his chest, "I can make exceptions for the right reason." Shark adds, "And it was a nibble.. not a bite." Lifeline waggles her finger at Shark mock-accusingly. "You used your teeth on another person. That's a bite." Shark shakes her head, "A bite is supposed to hurt. You saying what I did hurt?" he asks. As he recalls it was a gentle scraping of his teeth to your neck, which should have been pleasant. Lifeline raises an eye ridge. "Do you really want to be discussing something that made me exceedingly angry?" Shark considers then sighs, "Yeah, okay. Just trying to make a point is all." he states, looking down at his crossed arms. Lifeline says, "Okay, okay. Point taken." She walks back over to the storage cabinet and picks up the data pad to resume inventorying her armor plating supplies. "So, is there anything else I can help you with, Shark?" Shark considers a few moments, looking thoughtful. "Er.. well.. there is something that's come up that I would like to talk to someone about... I'm having a bit of a conflicting state of 'what the slag should I do'." Lifeline says, "Oh?" She keeps checking the plating. "Care to explain?" Shark observes what you are doing, talking carefully. "Well.. uhm.. remember how I told you I spark merged with a femme.." he drifts off a bit, "I am not sure if it took hold... because I have feelings for you.. and uhm.. well there's another femme I like too. Is that bad?" he sounds unsure of himself. Lifeline says, "Well, I don't know about bad. But definitely confused." She notes one section of the storage is completely empty and notes it on the data pad, frowning faintly to herself. She's going to have a difficult time replacing that grade of plating. Very expensive. "Have you stopped to think about why you like so many different femmes?" Shark considers then says, "I haven't, no. There are different degrees of like." Shark asks, "Uhm do you need supplies there Lifeline?" Lifeline hms. "True. There are..." She glances at Shark. "No. It's fine." Did she just get all defensive again? Shark nods a bit, looking like he should think about it. Then a hmm to the tone she just took, "Right. Well, if you need stuff, you know you got an in with me. Wouldn't take much to get Prime to send some supplies over." Lifeline shakes her head no. "I can barter for the parts. Don't worry about it." Shark sighs softly, frowning, uncrossing his arms as he uses his hands to push off the workbench. "Can't stop me." he states matter of factly, "Facts are we owe you something. You pulled us from the brink how many times now, and you say you will barter? C'mon, is it that bad to get stuff from us?" Lifeline stops and looks at Shark. "Only if it's charity." Shark now is full on scowling, "Slag." he growls. Lifeline says, "Fair exchange for repair rendered is perfectly acceptable." She turns back to the cabinet. "But not charity." Shark states, "Is helping Ratchet find a cure for whatever the slag is going around not enough of a fair exchange for you?" Lifeline says, "Sharing the cure with all of Cubicron was enough of a fair exchange." Shark considers that point and nods. "Okay." he shrugs, letting the point drop. Not like it would stop him of course, he has his ways of arranging things after all. He's all about sneaky, underhanded and downright dirty when he put his mind to it. And he would do so, that was his way. "So, how have been things?" Lifeline says, "Other than that weird illness and the usual crap at Foz-E's?" She marks off some more notes on her data pad. "The same, really. Well... except for that one really strange mech. He's made of mercury of something." Shark perks a bit to that particular information. "As in Mercury River type mercury?" he asks. Lifeline says, "Kind of. He ... melts and then reforms into mech shape and back again. Creepy." Shark hmms, "Interesting." he murmurs, "And actually may be handy too." he remarks. Lifeline says, "I don't know. He has zero concept of personal space." Shark smirks a bit, "Well doubt you'd be pulling what you did on me if he gets all melty. Better thing of something else to counter it." Lifeline says, "Personally, I hope he's learned to stay out of my personal space." Shark hmms, "I wouldn't count on it. I'm fighting to keep out of it myself." he remarks. Lifeline says, "Really." She gives Shark and appraising look. "Please don't be offended then if I give you a shove any time you invade my personal space." Shark of course hasn't moved to do so. He's a once a lesson is learned, its learned for keeps type of mech. "Shoving a melty mech won't work. Try again." Lifeline says, "I'm considering building a hand-held EMP device. Something to give him a nasty shock if he gets too close." Shark shakes his head a bit at that, "I don't think you'll do it, what about your medical code huh? No harm to others. Oh wait, you already broke it with me. Never mind." Lifeline says, "That's more of a guideline anyway. I mean, consider the fact that most of the parts I use on a daily basis are scavenged. My medical code has already been heavily modified." Shark takes that into heavy consideration, then nods. "Point taken." a pause, then he says, "Thanks for hearing me out Lifeline." Lifeline says, "Of course. That's what friends do, isn't it?" Shark smiles big now, showing off all those new, shiny, sharp, pointy teeth. "Yeah."
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