| rdfs:comment | - The Belgian synth-pop group Telex was formed in 1978 by Marc Moulin, Dan Lacksman, and Michel Moers, with the intention of "Making something really European, different from rock, without guitar — and the idea was electronic music." Mixing the aesthetics of disco, punk and experimental electronic music, they released a stripped-down synthesized cover version of "Twist à St. Tropez" by Les Chats Sauvages. The group's debut album, Looking for Saint Tropez, featured the worldwide hit single "Moskow Diskow," one of the first-ever electronic dance/pop songs.
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| abstract | - The Belgian synth-pop group Telex was formed in 1978 by Marc Moulin, Dan Lacksman, and Michel Moers, with the intention of "Making something really European, different from rock, without guitar — and the idea was electronic music." Mixing the aesthetics of disco, punk and experimental electronic music, they released a stripped-down synthesized cover version of "Twist à St. Tropez" by Les Chats Sauvages. They followed up with an ultra-slow cover of "Rock Around the Clock", a hilariously relaxed and dispassionate version of Plastic Bertrand's punk song "Ça Plane Pour Moi", and a perversely mechanical cover of "Dance to the Music", originally by Sly Stone. Like Kraftwerk, Telex built its music entirely from electronic instruments, and the sounds of the two groups have a certain similarity. However, unlike Kraftwerk's studied Teutonic irony, Telex favor a more joyously irreverent humor. The group's debut album, Looking for Saint Tropez, featured the worldwide hit single "Moskow Diskow," one of the first-ever electronic dance/pop songs. All of this was clearly bad news for the band's British record label, Virgin Records, which was trying to pass them off as part of the New Romantic movement. The self-mockery of tracks like "We Are All Getting Old" didn't help either. For its third album, Sex, Telex enlisted the suddenly trendy US group Sparks to help write the lyrics. However, the band still refused to play live and preferred to remain anonymous—common practice in the techno music artists the group later inspired but, nevertheless, unusual in 1981. The fourth Telex album, Wonderful World, was barely distributed. In 1986, Atlantic Records, perhaps surprisingly, signed Telex and released the album Looney Tunes. By then, the band's earlier sound had influenced many other groups, but they had abandoned it in favor of sampling and a more up-tempo humorous style. "Temporary Chicken," for example, was a strange joke track about a man so desperate for work that he accepted a part-time job in a chicken costume. It was social commentary but so bizarre as to be almost incomprehensible to most listeners: the album found little commercial success. In 1989, Telex revisited all of its old tracks and remixed them to resemble house music and other genres that had followed in the wake of Telex and others' early pioneering work in electronic pop. The result was Les Rhythmes Automatiques, which apparently inspired Kraftwerk to do the same for its album The Mix in 1991. After almost two decades of silence, Telex made a comeback in March 2006 with How Do You Dance on EMI Records. It contained five original compositions as well as five covers. The group's last release, as of 2006, is a cover of "On the Road Again", originally by Canned Heat. They also began producing remixes for other artists' single releases, including "A Pain That I'm Used To" by Depeche Mode and "Minimal" by the Pet Shop Boys.
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