PropertyValue
rdf:type
rdfs:label
  • Soundtracks of the Lord of the Rings film trilogy
rdfs:comment
  • Soundtracks of the Lord of the Rings film trilogy music was composed and conducted by Howard Shore. The scores use a technique called leitmotif, which is a musical phrase associated with a character, a feeling, an event, etc. The Fellowship of the Ring and The Return of the King's scores won Academy Awards in 2002 and 2004. The Return of the King also won an Academy Award for the Best Song. Howard Shore composed a huge number of leitmotifs for the trilogy, some pinning the number as high as 80.
Length
  • 4629.0
  • 4325.0
  • 10835.0
  • 4284.0
  • 4366.0
dcterms:subject
dbkwik:lotr/property/wikiPageUsesTemplate
Label
Producer
Name
  • The Lord of the Rings: The Fellowship of the Ring
  • The Lord of the Rings: The Return of the King
  • The Lord of the Rings: The Two Towers
  • The Lord of the Rings: The Fellowship of the Ring: Complete Recordings
Genre
  • Soundtrack
Type
  • Album
Last album
  • The Lord of the Rings: The Fellowship of the Ring
  • The Lord of the Rings: The Two Towers
This Album
  • The Lord of the Rings: The Fellowship of the Ring
  • The Lord of the Rings: The Return of the King
  • The Lord of the Rings: The Two Towers
  • The Lord of the Rings: The Fellowship of the Ring: Complete Recordings
Cover
  • fotrcd-cover.jpg
  • fotrcdcr-cover.jpg
Background
  • Gainsboro
Next album
  • The Lord of the Rings: The Return of the King
  • The Lord of the Rings: The Two Towers
Released
  • 2001-11-20
  • 2002-12-10
  • 2003-11-25
  • 2005-12-13
Artist
  • Howard Shore
  • Howard Shore, Enya
abstract
  • Soundtracks of the Lord of the Rings film trilogy music was composed and conducted by Howard Shore. The scores use a technique called leitmotif, which is a musical phrase associated with a character, a feeling, an event, etc. The Fellowship of the Ring and The Return of the King's scores won Academy Awards in 2002 and 2004. The Return of the King also won an Academy Award for the Best Song. Howard Shore composed a huge number of leitmotifs for the trilogy, some pinning the number as high as 80.