Property | Value |
rdf:type | |
rdfs:label | - The Eleventh Hour (TV story)
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rdfs:comment | - Though not the first episode of the 2010 series filmed, it was the public's first full exposure to a new production ethos, as shaped by new executive producers Steven Moffat, Piers Wenger and Beth Willis. It was also the public's first exposure to director Adam Smith's work on a Doctor Who universe programme. A new title sequence by Framestore debuted with this episode, along with yet another Murray Gold theme arrangement. The theme change, however, garnered significant public backlash in the United Kingdom, forcing the Doctor Who production team to respond to criticism in a long segment on the public comment programme, Points of View.
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OnlineConform | - Matthew Clarke
- Mark Bright
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TitleSequence | |
SupervisingSoundEditor | |
VFXEditor | |
StandbyCarpenter | |
AssociateDesigner | |
ConstructionChargehand | |
PracticalElectrician | |
ProductionRunner | |
ScenicArtist | - John Pinkerton
- John Whalley
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CostumeSupervisor | |
CostumeAsst | |
Electrician | - Alan Tippets
- Ben Griffiths
- Bob Milton
- Steve Slocombe
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DressingProps | - Martin Broadbent
- Rhys Jones
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PropsBuyer | |
StoryboardArtist | |
PostProdCoOrdinator | |
SoundMaintenanceEngineer | |
FoleyEditor | |
ProductionExec | |
PropsMaster | |
StandbyPainter | |
WithThanksTo | - BBC National Orchestra of Wales
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PropsMaker | - Nicholas Robatto
- Penny Howarth
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StandbyRigger | |
dcterms:subject | |
AsstEditor | |
made next | |
LocationManager | - Gareth Skelding
- Paul Davies
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Make-upDesigner | |
ExecutiveProd | - Beth Willis
- Piers Wenger
- Steven Moffat
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CameraAsst | |
BestBoy | |
OriginalTheme | |
confidential | |
SoundEffectsEditor | |
story number | |
UnitManager | |
SetDecorator | |
FocusPuller | - Matthew Poynter
- Steve Rees
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ProductionCoOrdinator | |
DubbingMixer | |
AssistantProductionAccountant | |
CastingDirector | |
3rdAD | |
CastingAssociate | - Alice Purser
- Andy Brierley
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PostProdSupervisor | - Chris Blatchford
- Samantha Hall
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ProductionAccountant | |
Make-upSupervisor | |
StuntCoOrdinator | |
GraphicArtist | |
ConstructionManager | |
BoomOperator | |
Make-upArtist | - Abi Brotherton
- Morag Smith
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broadcast date | |
ProductionDesigner | |
made prev | |
ScriptEditor | |
SupervisingArtDirector | |
StandbyProps | |
1stAD | |
ConceptArtist | - Peter McKinstry
- Richard Shaun Williams
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StandbyArtDirector | |
SoundRecordist | |
CameraOperator | |
2ndAD | |
ProductionBuyer | |
VisualEffects | |
dbkwik:tardis/property/wikiPageUsesTemplate | |
Featuring | |
Editor | |
Doctor | |
Enemy | |
Gaffer | |
SetDesigner | |
Series | |
Graphics | |
Producer | |
CostumeDesigner | |
ProductionManager | |
Name | |
Runner | - Laura Jenkins
- Nicola Eynon Price
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LineProducer | |
ProductionManagerAsst | |
Thanks | - Alastair Siddoons
- Temple Clark
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Clip | - Hang on Doctor! - Doctor Who - BBC
- Fish fingers... and custard? - Doctor Who - BBC
- DOCTOR WHO CLIP 10 2
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DoP | |
Production code | |
Grip | |
Season Number | |
Music | |
Note | - Anthony Dickenson was credited as the "Stop Frame Director" during his interview on CON: "Call Me the Doctor", but he was not credited in the episode proper. He was responsible for the "Doctor's eye view" sequence on the Leadworth village green, which leads to the Doctor noticing that Rory was taking pictures of Prizoner Zero.
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SpecialEffects | |
Format | |
Companions | |
Setting | - Leadworth, 1996, 2008 and 2010
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PREV | |
Continuity | |
NEXT | |
Writer | |
Director | |
Network | |
novelisation | |
SpecialThanks | |
PropsChargehand | |
abstract | - Though not the first episode of the 2010 series filmed, it was the public's first full exposure to a new production ethos, as shaped by new executive producers Steven Moffat, Piers Wenger and Beth Willis. It was also the public's first exposure to director Adam Smith's work on a Doctor Who universe programme. A new title sequence by Framestore debuted with this episode, along with yet another Murray Gold theme arrangement. The theme change, however, garnered significant public backlash in the United Kingdom, forcing the Doctor Who production team to respond to criticism in a long segment on the public comment programme, Points of View. The episode was extensively previewed before broadcast, with theatrical screenings in several British cities as part of a promotional tour at the end of March 2010, and on the east and west coasts of the United States. The first minute of the episode was released as a special preview on the digital Red Button service a week before its first BBC One broadcast.
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is Appearances of | |