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| rdfs:comment | - Bryan Grill has over 20 years experience in the visual effects business. In the early nineties Grill joined Digital Domain to work on director Ron Howard's Apollo 13. Work soon followed on Luc Besson's The Fifth Element and James Cameron's Titanic. Grill moved up the ranks at Digital Domain from compositing to digital effects supervising Ron Howard's How The Grinch Stole Christmas, Roland Emmerich's The Day After Tomorrow, Rob Cohen's Stealth and Clint Eastwood's Letters From Iwo Jima and Flags Of Our Fathers for which he won a Visual Effects Society Award for Outstanding Supporting Visual Effects in a Motion Picture. He was promoted to Visual Effects Supervisor. His Supervisor credits include Gore Verbinski's Pirates Of The Caribbean: at World's End, The Golden Compass and G. I. Joe: The
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| Caption | - Grill at the 87th Academy Awards Nominee Luncheon
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| abstract | - Bryan Grill has over 20 years experience in the visual effects business. In the early nineties Grill joined Digital Domain to work on director Ron Howard's Apollo 13. Work soon followed on Luc Besson's The Fifth Element and James Cameron's Titanic. Grill moved up the ranks at Digital Domain from compositing to digital effects supervising Ron Howard's How The Grinch Stole Christmas, Roland Emmerich's The Day After Tomorrow, Rob Cohen's Stealth and Clint Eastwood's Letters From Iwo Jima and Flags Of Our Fathers for which he won a Visual Effects Society Award for Outstanding Supporting Visual Effects in a Motion Picture. He was promoted to Visual Effects Supervisor. His Supervisor credits include Gore Verbinski's Pirates Of The Caribbean: at World's End, The Golden Compass and G. I. Joe: The Rise Of Cobra. After a 14 year run with Digital Domain, Grill was invited to join the international visual effects company Scanline VFX. His credits at Scanline include Roland Emmerich's 2012, Gulliver's Travels, Clint Eastwood's Hereafter.
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