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| rdfs:label | - Hello, I Must Be Going! (album)
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| rdfs:comment | - Hello, I Must Be Going! is the second solo studio album by English singer-songwriter Phil Collins. The album was released in late 1982 on Virgin in the UK and Ireland, Atlantic in North America, and WEA in the rest of the world. The album was promoted with a tour of the same name. The album brought Collins his first nomination for British Male Artist at the Brit Awards in 1983.
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| Length | - 300.0
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- 2703.0
- 299.0
- 170.0
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| all writing | - Phil Collins, except "You Can't Hurry Love" by Holland–Dozier–Holland
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| Cover | - Phil Collins - Hello, I Must Be Going.jpg
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| Recorded | - May–September 1982 at Old Croft
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| abstract | - Hello, I Must Be Going! is the second solo studio album by English singer-songwriter Phil Collins. The album was released in late 1982 on Virgin in the UK and Ireland, Atlantic in North America, and WEA in the rest of the world. The album was promoted with a tour of the same name. The album brought Collins his first nomination for British Male Artist at the Brit Awards in 1983. The album contains the cover version of The Supremes' hit "You Can't Hurry Love", which is one of Collins' best-known singles. Overall, nine of the album's ten tracks made some sort of chart worldwide, although "You Can't Hurry Love" was easily the album's most significant hit. Other notable tracks include the modern-jazz instrumental "The West Side", and "Thru These Walls", a dark voyeuristic song about a man listening through the wall to his neighbours partaking in unseemly nighttime activities—or at least that's what he's imagining at the time. Other than "You Can't Hurry Love", Phil Collins produced another hit single which managed to enter the US Top 40 at No. 39, called "I Don't Care Anymore", a dark song, which gave him his first Grammy Award nomination for Best Rock Vocal Performance, Male in 1984, with the gated reverb effect and lyrics of his divorce similar to the previous "In the Air Tonight". The album takes much of its inspiration from the problems in Collins' personal life, most notably the divorce he was going through at the time. This accounts for the dark and embittered tone on several of the tracks, including the single "I Don't Care Anymore". Co-produced with Hugh Padgham, the gated reverb sound of the drum kit is employed in full yet again, with a mixture of very dry drum sounds on tracks like "I Cannot Believe It's True" in contrast to the huge acoustics used on "Do You Know, Do You Care?".
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