| Property | Value |
|---|
| rdf:type | |
| rdfs:label | - Victory of the Daleks (TV story)
|
| rdfs:comment | - The episode was notable for its redesign of the Daleks into multi-coloured units, each with its own specific function. Writer Mark Gatiss acknowledged the controversial nature of this redesign in his in-vision commentary on the DVD box set. In conversation with principal Dalek voice artist Nicholas Briggs, and Dalek operator Barnaby Edwards, he said that the new shape of the Daleks, especially in the dorsal region, was not particularly to his liking. Briggs agreed but, with Edwards, swiftly noted that in their experience of taking the new Daleks on live exhibition to the public, British kids invariably loved the new design. The decision was revisited in DWM 431 with critics voicing their opinions on the design. A comparison was made with the RTD-era Daleks but no conclusion as to which was
|
| OnlineConform | - Matthew Clarke
- Mark Bright
|
| TitleSequence | |
| SupervisingSoundEditor | |
| VFXEditor | |
| StandbyCarpenter | |
| AssociateDesigner | |
| ConstructionChargehand | |
| PracticalElectrician | |
| ProductionRunner | |
| ScenicArtist | - John Pinkerton
- John Whalley
|
| CostumeSupervisor | |
| CostumeAsst | |
| Electrician | - Alan Tippets
- Ben Griffiths
- Bob Milton
- Steve Slocombe
|
| DressingProps | - Martin Broadbent
- Rhys Jones
|
| PropsBuyer | |
| StoryboardArtist | |
| PostProdCoOrdinator | |
| SoundMaintenanceEngineer | |
| FoleyEditor | |
| ProductionExec | |
| PropsMaster | |
| StandbyPainter | |
| WithThanksTo | - BBC National Orchestra of Wales
|
| PropsMaker | - Nicholas Robatto
- Penny Howarth
|
| StandbyRigger | |
| dcterms:subject | |
| AsstEditor | |
| made next | |
| LocationManager | - Gareth Skelding
- Paul Davies
|
| Make-upDesigner | |
| ExecutiveProd | - Beth Willis
- Piers Wenger
- Steven Moffat
|
| CameraAsst | |
| BestBoy | |
| OriginalTheme | |
| confidential | |
| SoundEffectsEditor | |
| story number | |
| UnitManager | |
| SetDecorator | |
| FocusPuller | - Steve Rees
- Shirley Schumacher
|
| ProductionCoOrdinator | |
| DubbingMixer | |
| AssistantProductionAccountant | |
| CastingDirector | |
| 3rdAD | |
| ArtDeptCoOrdinator | |
| CastingAssociate | - Alice Purser
- Andy Brierley
|
| PostProdSupervisor | - Chris Blatchford
- Samantha Hall
|
| ProductionAccountant | |
| Make-upSupervisor | |
| StuntCoOrdinator | |
| GraphicArtist | |
| ConstructionManager | |
| BoomOperator | |
| Make-upArtist | - Abi Brotherton
- Morag Smith
|
| broadcast date | |
| ProductionDesigner | |
| made prev | |
| ScriptEditor | |
| SupervisingArtDirector | |
| StandbyProps | |
| 1stAD | |
| ConceptArtist | - Peter McKinstry
- Richard Shaun Williams
|
| StandbyArtDirector | |
| SoundRecordist | |
| CameraOperator | |
| 2ndAD | |
| ProductionBuyer | |
| VisualEffects | |
| dbkwik:tardis/property/wikiPageUsesTemplate | |
| Editor | |
| Doctor | |
| Enemy | |
| Gaffer | |
| SetDesigner | |
| Series | |
| Graphics | |
| Producer | |
| CostumeDesigner | |
| Name | |
| Runner | - Laura Jenkins
- Nicola Eynon Price
|
| LineProducer | |
| AssistantUnitManager | |
| ProductionManagerAsst | |
| Trailer | - Doctor Who - Victory of the Daleks trailer - BBC One
|
| Prosthetics | |
| CharCreatedBy1a | |
| Colourist | |
| Clip | - A Churchill moment - Doctor Who - BBC
- De-fusing Bracewell - Doctor Who - BBC
|
| DoP | |
| Production code | |
| Grip | |
| Season Number | |
| Music | |
| SpecialEffects | |
| Format | |
| Companions | |
| Setting | - London and the Dalek Saucer, 1941
|
| Character | |
| PREV | |
| Continuity | |
| NEXT | |
| Writer | |
| Director | |
| Stunt | |
| Network | |
| novelisation | |
| PropsChargehand | |
| abstract | - The episode was notable for its redesign of the Daleks into multi-coloured units, each with its own specific function. Writer Mark Gatiss acknowledged the controversial nature of this redesign in his in-vision commentary on the DVD box set. In conversation with principal Dalek voice artist Nicholas Briggs, and Dalek operator Barnaby Edwards, he said that the new shape of the Daleks, especially in the dorsal region, was not particularly to his liking. Briggs agreed but, with Edwards, swiftly noted that in their experience of taking the new Daleks on live exhibition to the public, British kids invariably loved the new design. The decision was revisited in DWM 431 with critics voicing their opinions on the design. A comparison was made with the RTD-era Daleks but no conclusion as to which was the better-made.
|
