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  • Giuseppe Arcimboldo
  • Giuseppe Arcimboldo
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  • Giuseppe Arcimboldo (5 April 1526 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish, and books.
  • Arcimboldo's obsession with fruit began at an early age; it was with the early piece Crabapple in the form of a Star Fruit (1957) that he garnered attention from the squabbling teflon-clad hordes of the Italian art scene, swiftly following with Archpeach (1958) and Melba dystopia as a pyramid of oranges IV (1959). The fad for fruit-based artworks thereafter swiftly and expediently declined proving Arcimboldo's claim that '[my] work will live forever in the hearts and minds of all peoples of [...] the world' rather premature. Nevertheless, his profile as an international artist simply refused to die for a few months, and his works were featured in magazines (Reader's Digest, Now!Magazine) and exhibitioned widely, if only in the background.
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Name
  • Giuseppe Arcimboldo
Religion
Occupation
  • Artist
Death
  • 1593
Birth
  • 1526
Nationality
  • Milan
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  • Giuseppe Arcimboldo (5 April 1526 – 11 July 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish, and books.
  • Arcimboldo's obsession with fruit began at an early age; it was with the early piece Crabapple in the form of a Star Fruit (1957) that he garnered attention from the squabbling teflon-clad hordes of the Italian art scene, swiftly following with Archpeach (1958) and Melba dystopia as a pyramid of oranges IV (1959). The fad for fruit-based artworks thereafter swiftly and expediently declined proving Arcimboldo's claim that '[my] work will live forever in the hearts and minds of all peoples of [...] the world' rather premature. Nevertheless, his profile as an international artist simply refused to die for a few months, and his works were featured in magazines (Reader's Digest, Now!Magazine) and exhibitioned widely, if only in the background. Archie's subsidiary, desperate career has been in architecture. The recipient of several horribly misjudged commissions, his buildings can be seen in the more dejected parts of Aberystwyth, Tblisi, Papua New Guinea etc. but have not attracted much critical acclaim, despite being direct copies of Daniel Libeskind, Norman Foster, and others. What remains to be seen, however, is whether Crimbo will win his court-case to design and build a new hospital wing for Nottingham City Hospital made entirely of avocados, in the form of an avocado which uncannily resembles the face of Jean Reno. With this project secure, Arcimboldo's career would without doubt be relaunched with a vengence. It is our humanitarian duty to prevent this.
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