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| rdfs:comment | - Zecora has a more masculine appearance than other female characters: her muzzle is squared off and she has no eyelashes, which corresponds to the general male pony character design in the show. Like other zebras, such as the group in the book The Journal of the Two Sisters, Zecora (notably the only zebra to appear in the show) has a cutie mark—hers is a gray stylized spiral sun. She wears dzilla neck rings, traditionally worn by the Ndebele people of Southern Africa. The traditional masks in her hut are a feature of the art and culture of Subsaharan and Western Africa. Zecora chants and speaks in an approximation of the Eastern African Swahili language; the crew did not have time or resources to hire a Swahili translator, so they asked Brenda Crichlow to improvise. There is also a North Am
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| cutie mark | |
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| Human | - Zecora Equestria Girls Ponymania doll.png
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| temp | - Zecora Chrysalis timeline ID S5E26.png
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| Costume | - Zecora Nightmare Night costume ID S2E04.png
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| mane | - Light gray and dark persian bluish gray
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| Occupation | |
| coat | - Light heliotropeish gray and dark bluish gray stripes
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| Main | |
| tempcaption | - Zecora in an alternate timeline in The Cutie Re-Mark - Part 2
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| temptitle | |
| costumecaption | - Zecora in a witch costume in Luna Eclipsed
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| abstract | - Zecora has a more masculine appearance than other female characters: her muzzle is squared off and she has no eyelashes, which corresponds to the general male pony character design in the show. Like other zebras, such as the group in the book The Journal of the Two Sisters, Zecora (notably the only zebra to appear in the show) has a cutie mark—hers is a gray stylized spiral sun. She wears dzilla neck rings, traditionally worn by the Ndebele people of Southern Africa. The traditional masks in her hut are a feature of the art and culture of Subsaharan and Western Africa. Zecora chants and speaks in an approximation of the Eastern African Swahili language; the crew did not have time or resources to hire a Swahili translator, so they asked Brenda Crichlow to improvise. There is also a North American influence: on the door of her hut hangs a dreamcatcher, an object found in the cultures of Native Americans.
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