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  • Norma Desmond
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  • Desmond was once a giant of the silver screen's silent era, but the proliferation of talking pictures marked the end of her career as a big time Hollywood star. She lives a reclusive existence in her lavish Beverly Hills mansion on Sunset Boulevard with her servant, and former film director, Max von Mayerling (portrayed by Erich von Stroheim) and pet monkey. It is the death of her monkey that serves as a source of confusion between the main characters at the onset of the film. A struggling screenwriter named Joe Gillis (portrayed by William Holden) arrives at Desmond's home after his car gets a flat tire and he pulls into her garage. Desmond thinks that Gillis is an undertaker, who has come to make funeral arrangements for her recently deceased pet. When the matter is cleared up, Desmond's
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  • Desmond was once a giant of the silver screen's silent era, but the proliferation of talking pictures marked the end of her career as a big time Hollywood star. She lives a reclusive existence in her lavish Beverly Hills mansion on Sunset Boulevard with her servant, and former film director, Max von Mayerling (portrayed by Erich von Stroheim) and pet monkey. It is the death of her monkey that serves as a source of confusion between the main characters at the onset of the film. A struggling screenwriter named Joe Gillis (portrayed by William Holden) arrives at Desmond's home after his car gets a flat tire and he pulls into her garage. Desmond thinks that Gillis is an undertaker, who has come to make funeral arrangements for her recently deceased pet. When the matter is cleared up, Desmond's interest is piqued by Gillis' profession and she asks him to review a manuscript she has been preparing based on the legendary tale of Salome and the dance of the seven veils. It is her hopes that the script will serve as a starring vehical for her major big screen comeback. Gillis accepts the proposition and quickly becomes the faded star's kept man. Desmond schemes to get the script into the hands of renowned filmmaker Cecil B. DeMille (portrayed by himself) for Paramount Pictures to produce. The once-famous actress is misled into thinking Mr. DeMille is interested in working with her again, but in truth he wants to use her vintage car, a 1929 Isotta Fraschini, in his current period epic.It is Max who lies to Norma Desmond about Mr. DeMille's intentions in order to keep her happy and in denial about her fallen status. His actions, however misguided they may seem, stem from his admiration for her, as it is later revealed he was also her first husband.