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| rdfs:comment | - An immediate success, it remains, as of August 2015, the most-watched first episode for any new incarnation of the Doctor. Its 10.81 million BBC One rating bested the previous record-holder, Robot, and was not outdone by The Christmas Invasion, The Eleventh Hour, or Deep Breath. It is also the second-highest rated series-opener of all time, second only to Destiny of the Daleks. Due to the fact that ITV were on strike at the top of season 17, however, Destiny's numbers are often discounted. Rose is certainly the top-rating series opener when Doctor Who actually had competition from another broadcaster. The first Doctor Who story to be produced in widescreen, it was also the first single-episode, 45-minute story. It was the Doctor Who debut for almost everyone who worked on it — except for m
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| ExecutiveProd | - Julie Gardner
- Mal Young
- Russell T Davies
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| confidential | - Doctor Who: A New Dimension
- Bringing Back the Doctor
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| AssistantProductionAccountant | - Debi Griffiths
- Kath Blackman
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| 3DArtist | - Chris Petts
- Chris Tucker
- Andy Howell
- Jean-Claude Deguara
- Mark Wallman
- Paul Burton
- Porl Perrott
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| 2DArtist | - Alberto Montanes
- David Bowman
- Jennifer Herbert
- Sara Bennett
- Simon C. Holden
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| StandbyProps | - Adrian Anscombe
- Phill Shellard
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| CameraOperator | - Martin Stephens
- Mike Costelloe
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| Enemy | - Nestene Consciousness, Autons
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| Clip | - "Is it always this dangerous?" - Doctor Who - BBC
- Christopher Eccleston's first Doctor Who scene - I'm The Doctor by the way extended - BBC
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| abstract | - An immediate success, it remains, as of August 2015, the most-watched first episode for any new incarnation of the Doctor. Its 10.81 million BBC One rating bested the previous record-holder, Robot, and was not outdone by The Christmas Invasion, The Eleventh Hour, or Deep Breath. It is also the second-highest rated series-opener of all time, second only to Destiny of the Daleks. Due to the fact that ITV were on strike at the top of season 17, however, Destiny's numbers are often discounted. Rose is certainly the top-rating series opener when Doctor Who actually had competition from another broadcaster. The first Doctor Who story to be produced in widescreen, it was also the first single-episode, 45-minute story. It was the Doctor Who debut for almost everyone who worked on it — except for model unit supervisor Mike Tucker, who worked as a visual effects assistant on the original series from 1985 to 1989. Though it was not the Doctor Who debut for visual effects company, The Mill — that had actually come on The Curse of Fatal Death — it did feature the premiere of their title sequence. (DWM 353) The sequence would survive with only minor alterations until The End of Time. Narratively, it portrayed the Nestene Consciousness and Autons for the first time on television since Terror of the Autons in 1971. It also introduced a new recurring element in the form of the Shadow Proclamation, contained the first reference to the Last Great Time War, and introduced elements about Rose's character that would be directly referenced in later episodes. Unusually, the introduction of the Ninth Doctor in no way explained what had happened to his predecessor, nor did it illuminate the life he led during wartime, and failed to explain much of anything about who the Doctor was. Indeed, Rose started a mild story arc surrounding the mystery — from Rose's perspective — about the Doctor's identity. New audiences would not have known until the series' final episode that the Doctor could regenerate, and wouldn't get their first glimpse of other Doctors until two years later, in Human Nature. As for the Ninth Doctor's origins, they were not fully clarified for eight years, with 2013's The Day of the Doctor eventually revealing how this incarnation came to be.
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