Property | Value |
rdf:type | |
rdfs:label | - Love & Monsters (TV story)
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rdfs:comment | - From a production standpoint, it included a monster created by a child, nine-year-old William Grantham, for a Blue Peter competition. It was the first story in the programme's history written specifically to be recorded at the same time as another story — a process called "double banking". By minimising the appearances of the Doctor and his companion, the production team recorded fourteen episodes in the same time that it took to make thirteen. Russell T Davies was sufficiently pleased with the results that the concept — dubbed a "Doctor-lite episode" — would be a regular feature of each subsequent season.
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StandbyCarpenter | |
ConstructionChargehand | |
PracticalElectrician | |
ProductionRunner | |
CostumeSupervisor | |
CostumeAsst | - Charlotte Mitchell
- Fiona McCann
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Electrician | - Tony Hughes
- Gavin Walters
- Wayne Mansell
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StoryboardArtist | |
PostProdCoOrdinator | |
WithThanksTo | - BBC National Orchestra of Wales
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PropsMaker | |
StandbyRigger | |
ASupervisingArtDirector | |
ProstheticsDesigner | |
ProstheticsSupervisor | |
PropsStoreman | |
StandbyScenicArtist | |
SFXTechnician | - Danny Hargreaves
- Richard Magrin
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ArtDepartmentDriver | |
ProstheticsTechnician | |
SpecialistPropMaker | |
dcterms:subject | |
AsstEditor | |
made next | |
LocationManager | - Gareth Skelding
- Lowri Thomas
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Make-upDesigner | |
ExecutiveProd | - Julie Gardner
- Russell T Davies
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OnlineEditor | |
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BestBoy | |
OriginalTheme | |
FinanceManager | |
confidential | |
SoundEffectsEditor | |
story number | |
UnitManager | |
FocusPuller | |
ProductionCoOrdinator | |
DubbingMixer | |
AssistantProductionAccountant | - Debi Griffiths
- Kath Blackman
- Bonnie Clissold
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CastingDirector | |
3rdAD | |
CastingAssociate | |
3DArtist | |
PostProdSupervisor | - Chris Blatchford
- Samantha Hall
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BTS | - Peter Kay & Marc Warren - Dr Who Confidential - BBC sci-fi
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ProductionAccountant | |
StuntCoOrdinator | |
ConstructionManager | |
BoomOperator | - Bryn Thomas
- James Drummond
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Make-upArtist | - Claire Pritchard
- Gill Rees
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broadcast date | |
ProductionDesigner | |
made prev | |
VisualFXProducer | |
VisualFXSupervisor | |
2DArtist | - Russell Horth
- Sandra Roach
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ScriptEditor | |
SupervisingArtDirector | |
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1stAD | |
StandbyArtDirector | |
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2ndAD | |
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VisualEffects | |
dbkwik:tardis/property/wikiPageUsesTemplate | |
Featuring | |
Editor | |
Doctor | |
Enemy | |
Gaffer | |
Series | |
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ProductionManager | |
Name | |
Prosthetics | |
CharCreatedBy1a | |
SoundEditor | - Paul McFadden
- Doug Sinclair
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Colourist | |
Clip | - The Doctor Defeats Abzorbaloff - Doctor Who - Love and Monsters - BBC
- Victor joins LINDA - Doctor Who - Love and Monsters - BBC
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Note | - *William Grantham, the creator of the Abzorbaloff, was not a professional. Instead, he was the 9-year-old winner of the 2006 Blue Peter design-a-monster competition. On the commentary which accompanied the episode, producer Phil Collinson said Grantham was disappointed with the small stature of the finished monster. He claimed Grantham said, "It was meant to be as big as a double-decker bus." Some doubt has since been cast on this story by Grantham himself. In the BBC DVD documentary, Who Peter, an older Grantham expressed no misgivings about the creature's realisation, but rather claimed to have been "stunned" because the monster had been so well-realised by Millennium FX.
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SpecialEffects | |
Format | |
Companions | |
Setting | |
Character | |
ArtDeptProdManager | - Jonathan Marquand Allison
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ProductionScriptSecretary | |
SFXCoOrdinator | |
SFXSupervisor | |
DesignAssistant | - Peter McKinstry
- Al Roberts
- Ian Bunting
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AssistantPropsMaster | |
PREV | |
Continuity | |
NEXT | |
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Director | |
Network | |
PropsChargehand | |
abstract | - From a production standpoint, it included a monster created by a child, nine-year-old William Grantham, for a Blue Peter competition. It was the first story in the programme's history written specifically to be recorded at the same time as another story — a process called "double banking". By minimising the appearances of the Doctor and his companion, the production team recorded fourteen episodes in the same time that it took to make thirteen. Russell T Davies was sufficiently pleased with the results that the concept — dubbed a "Doctor-lite episode" — would be a regular feature of each subsequent season. Because of this episode's Doctor-lite nature, it notably became the first (and currently only) full episode to showcase the Doctor's adventures from the perspective of their bystanders, who are usually overlooked in most stories. Tardisode 10, the prologue to Love & Monsters, shows a secretary falling victim to the main enemy of this episode.
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is Appearances of | |