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  • Julius Evola
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  • Barone Giulio Cesare Andrea Evola (May 19, 1898 – June 11, 1974) also known as Julius Evola, was an Italian philosopher, esotericist, author, artist, poet, political activist, soldier and Perennial Traditionalist. Although a polymath who participated in numerous fields over the course of his lifetime, it is for his literary career which Evola is best known and has solidified his legacy as an influential intellectual. Evola's stances and spiritual values, which he regarded as aristocratic, masculine, traditionalist, heroic and defiantly reactionary, were often at odds with amongst others, liberal democratic popular consensus and moreover surpassed the radicalness of historic doctrines.
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Birthplace
notableworks
  • (Revolt Against the Modern World, Men Among the Ruins and Ride the Tiger.)
Deathplace
  • Rome, Italy
Name
  • Evola, Julius
  • Julius Evola
Genre
ImageSize
  • 180
Caption
  • Passport photograph, circa 1940.
Birthdate
  • 1898-05-19
Alternative Names
  • Evola, Giulio Cesare Andrea
Date of Death
  • 1974-06-11
Influences
Deathdate
  • 1974-06-11
Place of Birth
Place of death
Occupation
  • philosopher, writer
Birthname
  • Giulio Cesare Andrea Evola
Date of Birth
  • 1898-05-19
Short Description
  • author, metaphysician, political philosopher
Nationality
  • Italian
influenced
abstract
  • Barone Giulio Cesare Andrea Evola (May 19, 1898 – June 11, 1974) also known as Julius Evola, was an Italian philosopher, esotericist, author, artist, poet, political activist, soldier and Perennial Traditionalist. Although a polymath who participated in numerous fields over the course of his lifetime, it is for his literary career which Evola is best known and has solidified his legacy as an influential intellectual. Evola's stances and spiritual values, which he regarded as aristocratic, masculine, traditionalist, heroic and defiantly reactionary, were often at odds with amongst others, liberal democratic popular consensus and moreover surpassed the radicalness of historic doctrines. Evola believed that mankind is living in the Kali Yuga, a Dark Age of unleashed materialistic appetites, spiritual oblivion and organised deviancy. To counter this and call in a primordial rebirth, Evola presented his world of Tradition. The core trilogy of Evola's works are generally regarded as Revolt Against the Modern World, Men Among the Ruins and Ride the Tiger. According to one scholar, "Evola’s thought can be considered one of the most radically and consistently antiegalitarian, antiliberal, antidemocratic, and antipopular systems in the twentieth century." Much of Evola's theories and writings are centred on spiritualism and mysticism; the inner life. He authored books covering themes such as Hermeticism, the metaphysics of sex, Tantra, Buddhism, Taoism, mountaineering, the Holy Grail, the essence and history of civilisations, decadence and various philosophic and religious Traditions dealing with both the Classics and the Orient. Though never a member of the National Fascist Party itself, or advocate of the term to describe his stances — Evola regarded his position as that of a sympathetic right-wing intellectual, who saw potential in the movement and wished to guide or reform its errors through criticism, to a position inline with his own views. One of his successes was in regards to the racial laws; his advocation of a spiritual consideration of race won out in the debate in Italy, rather than a solely materialist reductionism concept popular in Germany. Since World War II many Radical Traditionalist, New Right, Conservative Revolutionary, Fascist and Third Positionist groups have taken inspiration from him. This restriction must be kept in mind. What I am about to say does not concern the ordinary man of our day. On the contrary, I have in mind the man who finds himself involved in today's world, even at its most problematic and paroxysmal points; yet he does not belong inwardly to such a world, nor will he give in to it. He feels himself, in essence, as belonging to a different race from that of the overwhelming majority of his contemporaries. -Evola, Ride the Tiger, 1961
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