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- Savior is the sixth and final episode of Zero: Black Blood. It features the final appearances of Yuna, Cain, Ring and Iyu.
- A available to all characters (no gender restriction) in level 80 guilds. Eligible characters can purchase it from Qeynos/Kelethin city merchants for 3p 60g 3,430,450 status.
- Energy Shield Super Explosive Wave Heavenly Spirit Ball Energy's Last
- Virus.Win32.Savior or Savior is a trojan on Microsoft Windows. It has some extremely serious and dangerous payloads that the user may have to reinstall the Operating System to fix the effects of the trojan.
- A term used several times in The Hold Steady lyrics. Traditionally used to refer to Jesus, but in other contexts could represent another "savior" figure, such as a drug dealer/supplier or a lover.
- Clark has been training with Jor-El for weeks and tells him he's tired of simple mental trials and wants to completely immerse himself in his Kryptonian training, but Jor-El sends him back to Metropolis to cut ties with Lois before he can begin. Chloe is shocked when Lois suddenly reappears after having been missing for weeks, but Lois has no recollection of vanishing into thin air with the Legion ring. While investigating a monorail crash, Lois meets John Corben, a new reporter at the Daily Planet with a negative attitude toward the Red-Blue Blur. Chloe begs Clark to use the Legion ring to go back in time to save Jimmy, but he refuses, driving a wedge into their friendship. Meanwhile, Oliver continues down a dark road, and Zod arrives at the Luthor Mansion.
- Savior is the eleventh chapter of Resistance 3.
- Intro Riff 1 Verse 1 Pre-Chorus 1 Chorus 1 Riff 2 Verse 2 Pre-Chorus 2 Chorus 2 Bridge A Bridge B Bridge C Breakdown A Breakdown B Chorus 3 Ending
- Savior is a song By Rise Against {| class="collapsible collapsed" style="width: 100%; text-align: center;"
- The term has the eponymous theme titled "Savior of Souls". Composed by Naoshi Mizuta, it is modeled after "Blinded By Light", and made with classical and electronic elements. It serves as one of the many battle themes in the game, appearing most frequently in the Wildlands. "Savior of Souls" act as the Event Music Sequence for Lightning Returns: Final Fantasy XIII in Theatrhythm Final Fantasy Curtain Call. "The Savior's Words" is another song associated with the Savior. It was composed by Mitsuto Suzuki and performed by Wollny Andreas.
- The Savior (救世主 Kyuuseishu?) is the main character in Tales of Link, whose name is chosen by the player. An amnesiac who is suddenly drawn into conflict, he joins up with Sara and Lippy to try and regain his memories while purifying the seeds of ruin. He has the power of stonecanting, which allows him to draw the power from Hero Stones and incarnate heroes to fight for him. In a previous life, he took the name Allen (アレン Aren?) while traveling the world.
- Savior might refer to:
* Savior (L&O), the Law & Order season 6 episode.
* Savior (SVU), the Law & Order: Special Victims Unit season 11 episode.
- File:SaviorAC5862.gif Write the text of your article here!
- "Savior" refers to the unnamed stalker who saves the Marked One from the wrecked death truck at the beginning of S.T.A.L.K.E.R.: Shadow of Chernobyl. Not much is known about him.
- Reload Speed: Magazine Capacity: 18 – 55 Radius: Fuse time: Game[[]]Borderlands Special Part(s): body3_Tediore_Savior The Savior is a Legendary Submachine Gun manufactured by Tediore. Examples are on the talk page.
- The Savior is a normal shield in Diablo III. It requires character level 52 to be used.
- Savior (救済者 Kyūsai sha) is a Skill from Fire Emblem Path of Radiance and Fire Emblem: Radiant Dawn. This skill allows its user to Rescue other units without receiving penalties to his/her Skill and Speed stats.
- The Dominion was never able to reprogram 100% of their criminals with resocialization techniques, so they made a deal. If these volunteers provided five years worth of service to the Reaper Corps, then they would be pardoned (free chemical alterations included). These individuals were equiped with experimental jet packs to assist in mobility and highly volitile explosives for hit-and-run demolition. To date, the longest record of living Reapers is roughly six months. Nonetheless, the potential for destruction these units possess is impossible to ignore. To combat these highly aggresive Terrans, some Trojans were modified into a mirror version of the Reaper Corps. Designated as Saviors, these clones have more sophisticated neural implants to supress most violent impulses allowing for more l
- A 1998 film about the Bosnian war, starring Dennis Quaid as Joshua "Guy" Rose, a U.S. Marine turned mercenary and Nataša Ninković as Vera, the woman he is escorting to a U.N. safe zone. Stationed in Paris on embassy guard duty, Josh witnesses the death of his wife and son by Muslim suicide bombers. Immediately after the funeral of his wife and son, Joshua storms into the nearest mosque and guns down the worshipers inside. His buddy Peter (Stellan Skarsgård) catches up to him just in time to shoot a survivor who was going to shoot Joshua. To avoid being prosecuted for murder, Joshua and Peter run off to join the French Foreign Legion. After getting bored with the Foreign Legion, Josh Guy and Pete become mercenaries and end up working for the Serbs in the Bosnian War. During a prisoner excha
- "Harder! Work harder! Move faster! Harder! HARDER!!!" The guards shouted at the top of their lungs, urging the slaves to work faster with harsh words and a cruel whip. The slaves pushed heavy carts of ore through the tunnel. They were starved and exhausted. Three days earlier, they'd been enjoying whatever lives they'd had. The guards had kidnapped them, whipped them raw and set them to work. "How dare yo-" the guard began, rising to his knees. Through deep breathes, the injured guard panted "Whah, you don't, not like, why?" "Anyone come closer, he dies" "What's your name?" Henry asked the girl.
- Enterprise rescues a Druzian named Lucius, only to learn he is a time traveller from thousands of years in the future. On his home planet Druzilum in their time period, the prophet Joran is about to be put to death, an incident that will see the birth of a new religion and wars between those who believe Joran was their saviour who rose from the dead after three days and those who believe he was a fraud. Lucius, a member of the latter group, has travelled back to change things and steals a shuttle to travel to Druzilum.
- For her work against the evils of Kaze'aze and Dark Anmon, Elesis is being honored with the title of Savior. The title of Savior is reserved only for the greatest Knights whose skills have transcended those of mere mortals. Not simply a defender against evil, they defend the entire world from evil.
- Doctrine of The Church of Jesus Christ of Latter-day Saints, or Mormon Church, proclaims that the Savior is “[o]ne who saves. Jesus Christ, through his atonement, offered redemption and salvation to all mankind. 'Savior' is a name and title of Jesus Christ."[1] The mission and the atonement of the Savior, Jesus Christ, is the central act in human history and, according to Mormon teachings, provides the only way for mankind to be forgiven of their sins and saved in God's Kingdom. The Doctrine and Covenants, one of the four books which Mormons regard as scripture, contains these words as spoken by Jesus to his prophet, Joseph Smith: "Hearken ye to these words. Behold, I am Jesus Christ, the Savior of the world. Treasure these things up in your hearts, and let the solemnities of eternity rest
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- Doctrine of The Church of Jesus Christ of Latter-day Saints, or Mormon Church, proclaims that the Savior is “[o]ne who saves. Jesus Christ, through his atonement, offered redemption and salvation to all mankind. 'Savior' is a name and title of Jesus Christ."[1] The mission and the atonement of the Savior, Jesus Christ, is the central act in human history and, according to Mormon teachings, provides the only way for mankind to be forgiven of their sins and saved in God's Kingdom. The Doctrine and Covenants, one of the four books which Mormons regard as scripture, contains these words as spoken by Jesus to his prophet, Joseph Smith: "Hearken ye to these words. Behold, I am Jesus Christ, the Savior of the world. Treasure these things up in your hearts, and let the solemnities of eternity rest upon your minds" (Doctrine and Covenants 43:34). The Savior is central to Mormon doctrine and The Church of Jesus Christ of Latter-day Saints. Elder Jeffrey R. Holland bore this testimony about the Savior's role in the Church: In a world of unrest and fear, political turmoil and moral drift, I testify that Jesus is the Christ-that He is the living Bread and living Water-still, yet, and always the great Shield of safety in our lives, the mighty Stone of Israel, the Anchor of this His living Church. I testify of His prophets, seers, and revelators, who constitute the ongoing foundation of that Church and bear witness that such offices and such oracles are at work now, under the guidance of the Savior of us all, in and for our very needful day Every person born into this world is cut off spiritually and physically from the presence of God because of the Fall of Adam and Eve. Jesus is our rescuer or Savior, because he saved the body of every person from physical death through resurrection, and has provided the means by which people can be saved from their sins and enjoy eternal life with Him and His Father. Resurrection, or immortal life with a body of incorruptible flesh and bones, is a gift given to all as a result of Jesus' resurrection. Spiritual death, which means being cut off from the presence of God, remains. Jesus has also saved us from this fate, through the atonement. First, He atoned for Adam's Fall, meaning that man is born into this world pure and untouched by sin. Mormons reject the doctrine of original sin. As Jesus declared to His disciples: "And said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven" (Matthew 18:3). Mormon doctrine proclaims that all children are saved by Jesus' atonement, but that adults are accountable for their sins. The second Article of Faith proclaims that "men will be punished for their own sins, and not for Adam's transgression." Jesus suffered for our sins that we may repent and be able to return to live with God. Jesus is the only person through whom we may be saved from both physical and spiritual death. He was the "Lamb slain from the foundation of the world" (Revelation 13:8) chosen to be the Savior of the World. The First Presidency of the Mormon Church gave this testimony of the Savior’s mission: We offer our testimony of the reality of His matchless life and the infinite virtue of His great atoning sacrifice. None other has had so profound an influence upon all who have lived and will yet live upon the earth. He was the Great Jehovah of the Old Testament, the Messiah of the New. Under the direction of His Father, He was the creator of the earth. “All things were made by him; and without him was not any thing made that was made” (John 1:3). Though sinless, He was baptized to fulfill all righteousness. He “went about doing good” (Acts 10:38), yet was despised for it. His gospel was a message of peace and goodwill. He entreated all to follow His example. He walked the roads of Palestine, healing the sick, causing the blind to see, and raising the dead. He taught the truths of eternity, the reality of our premortal existence, the purpose of our life on earth, and the potential for the sons and daughters of God in the life to come. He instituted the sacrament as a reminder of His great atoning sacrifice. He was arrested and condemned on spurious charges, convicted to satisfy a mob, and sentenced to die on Calvary’s cross. He gave His life to atone for the sins of all mankind. His was a great vicarious gift in behalf of all who would ever live upon the earth. We solemnly testify that His life, which is central to all human history, neither began in Bethlehem nor concluded on Calvary. He was the Firstborn of the Father, the Only Begotten Son in the flesh, the Redeemer of the world. He rose from the grave to “become the firstfruits of them that slept” (1 Corinthians 15:20). As Risen Lord, He visited among those He had loved in life. He also ministered among His “other sheep” (John 10:16) in ancient America. In the modern world, He and His Father appeared to the boy Joseph Smith, ushering in the long-promised “dispensation of the fulness of times” (Ephesians 1:10)" (see The Living Christ).
* The Church's official website on the Savior
- Savior is the sixth and final episode of Zero: Black Blood. It features the final appearances of Yuna, Cain, Ring and Iyu.
- A available to all characters (no gender restriction) in level 80 guilds. Eligible characters can purchase it from Qeynos/Kelethin city merchants for 3p 60g 3,430,450 status.
- Energy Shield Super Explosive Wave Heavenly Spirit Ball Energy's Last
- Virus.Win32.Savior or Savior is a trojan on Microsoft Windows. It has some extremely serious and dangerous payloads that the user may have to reinstall the Operating System to fix the effects of the trojan.
- A term used several times in The Hold Steady lyrics. Traditionally used to refer to Jesus, but in other contexts could represent another "savior" figure, such as a drug dealer/supplier or a lover.
- Clark has been training with Jor-El for weeks and tells him he's tired of simple mental trials and wants to completely immerse himself in his Kryptonian training, but Jor-El sends him back to Metropolis to cut ties with Lois before he can begin. Chloe is shocked when Lois suddenly reappears after having been missing for weeks, but Lois has no recollection of vanishing into thin air with the Legion ring. While investigating a monorail crash, Lois meets John Corben, a new reporter at the Daily Planet with a negative attitude toward the Red-Blue Blur. Chloe begs Clark to use the Legion ring to go back in time to save Jimmy, but he refuses, driving a wedge into their friendship. Meanwhile, Oliver continues down a dark road, and Zod arrives at the Luthor Mansion.
- Savior is the eleventh chapter of Resistance 3.
- Enterprise rescues a Druzian named Lucius, only to learn he is a time traveller from thousands of years in the future. On his home planet Druzilum in their time period, the prophet Joran is about to be put to death, an incident that will see the birth of a new religion and wars between those who believe Joran was their saviour who rose from the dead after three days and those who believe he was a fraud. Lucius, a member of the latter group, has travelled back to change things and steals a shuttle to travel to Druzilum. Archer follows him and, as the people are asked the question whether or not to free Joran, sees Lucius use his advanced weaponary to gain the people's attention and try to tell them of the future. Archer stuns Lucius and tells the people to follow their own beliefs. Lucius recovers and attacks him, being killed by a shot from his own weapon. Archer then accidentally beams Joran back to Enterprise with him before returning to the surface. Archer re-reads the religious text Lucius brought with him, which now refers to Joran being taken back to the creator and then returned in front of everyone, converting the crowd into believers and allowing his teachings to spread, so that by the 25th century they were a peaceful society. T'Pol advises him to conceal the truth of Enterprise's involvement to avoid destroying Druzilum's new future.
- Intro Riff 1 Verse 1 Pre-Chorus 1 Chorus 1 Riff 2 Verse 2 Pre-Chorus 2 Chorus 2 Bridge A Bridge B Bridge C Breakdown A Breakdown B Chorus 3 Ending
- Savior is a song By Rise Against {| class="collapsible collapsed" style="width: 100%; text-align: center;"
- The term has the eponymous theme titled "Savior of Souls". Composed by Naoshi Mizuta, it is modeled after "Blinded By Light", and made with classical and electronic elements. It serves as one of the many battle themes in the game, appearing most frequently in the Wildlands. "Savior of Souls" act as the Event Music Sequence for Lightning Returns: Final Fantasy XIII in Theatrhythm Final Fantasy Curtain Call. "The Savior's Words" is another song associated with the Savior. It was composed by Mitsuto Suzuki and performed by Wollny Andreas.
- The Savior (救世主 Kyuuseishu?) is the main character in Tales of Link, whose name is chosen by the player. An amnesiac who is suddenly drawn into conflict, he joins up with Sara and Lippy to try and regain his memories while purifying the seeds of ruin. He has the power of stonecanting, which allows him to draw the power from Hero Stones and incarnate heroes to fight for him. In a previous life, he took the name Allen (アレン Aren?) while traveling the world.
- The Dominion was never able to reprogram 100% of their criminals with resocialization techniques, so they made a deal. If these volunteers provided five years worth of service to the Reaper Corps, then they would be pardoned (free chemical alterations included). These individuals were equiped with experimental jet packs to assist in mobility and highly volitile explosives for hit-and-run demolition. To date, the longest record of living Reapers is roughly six months. Nonetheless, the potential for destruction these units possess is impossible to ignore. To combat these highly aggresive Terrans, some Trojans were modified into a mirror version of the Reaper Corps. Designated as Saviors, these clones have more sophisticated neural implants to supress most violent impulses allowing for more logical thinking. Each unit is equiped with an advanced jet pack that can sustain higher and faster movements than any known Reaper. These packs utilize twin ion thrusters for propulsion and a pair of metal wings for increased control and stability. During scouting operations, Saviors dual wield "Xiphos" Laser Pistols to unleash carnage on any lightly armored enemy forces they come across. Though not very effective against Plasma Shields and heavy armor, constant salvos can wear down even the most resilient of heavy infantry. Saviors devastate enemy structures with N-6 charges instead of the D-8 ones used by their counterparts due mainly for its greater explosive potential. Saviors are also equiped with experimental personal shield generators based off salvaged Protoss plasma shield technology. Appearing as small crystals attached to the chests, these devices project a miniature defense matrix around users in combat (Stargate - Atlantis: Personal shield emitter). Not as powerful as the ones used by Science Vessels, the Matrix is still strong enough to endure a couple hits from a 120 mm Shock Cannon before crashing. Because of the limits of Terran power supplies, these Defense Matrixes can only be sustained for a short amount of time, so users tend to leave them off until needed. In any case, Saviors are "programmed" to give up their lives whenever necessary without fear. Special abilities:
* Jet Pack (passive) - unit can jump up and down cliffs
* Defense Matrix - casts a 100 HP shield unit that last for 30 seconds or until HPs run out
- Savior might refer to:
* Savior (L&O), the Law & Order season 6 episode.
* Savior (SVU), the Law & Order: Special Victims Unit season 11 episode.
- File:SaviorAC5862.gif Write the text of your article here!
- "Savior" refers to the unnamed stalker who saves the Marked One from the wrecked death truck at the beginning of S.T.A.L.K.E.R.: Shadow of Chernobyl. Not much is known about him.
- "Harder! Work harder! Move faster! Harder! HARDER!!!" The guards shouted at the top of their lungs, urging the slaves to work faster with harsh words and a cruel whip. The slaves pushed heavy carts of ore through the tunnel. They were starved and exhausted. Three days earlier, they'd been enjoying whatever lives they'd had. The guards had kidnapped them, whipped them raw and set them to work. Some mined the ore, some piled it into the carts, some pushed the carts down the tunnel towards the daylight, others unloaded it into the carriages. This was part of one of many operations. Some heartless bastard was doing this all over Gielinor. It was a real cheap way to mine and transport ore. He was making millions. At one end, with shackled legs and arms, were the men wielding pickaxes. They wared away at the tunnel. The ore they managed to extract was piled into carts by other slaves. There were fourteen cartlines through the tunnels, with four slaves shoving it along the half-mile. Some wooden rafters had been constructed, slaves atop them attacked the walls with pickaxes, getting at usually impossible ores. Near the cave ceiling, chains had been anchored. Slaves were strapped to them, and put to work mining the ceiling. One particularly sadistic guard was repeatedly lashing the back of a small man. Each lash made him stumble, each stumble invited another slash. The man was bleeding furiously. And he still had a heavy cart to fill. "Faster! Harder!" the guard roared. He pulled back his whip and aimed for the thigh, so that the whip wrapped around and caught him between the legs. The man fell. "Get! Up!" said the guard, pulling back the whip for a furiously brutal blow. As he pulled it back, the tip fell some meters behind him. A blade was pushed down upon it, pinning it to the ground. The guard pulled his arm for the blow with all his might. The whip grew taught, but the blade didn't give an inch. The guard's arm snapped back, the full momentum backlashed against him, tossing him off his feet. The owner off the blade stepped towards the fallen guard. The man in question turned onto his stomach to face his attacker. Clad in a silver armer from the neck downwards, a blade in his hand, shield on his back, he was quite an imposing figure. "How dare yo-" the guard began, rising to his knees. He was interrupted when the armored man booted him in the jaw. His neck snapped back; he arced backward through the air and into a cart. He pulled his blade back, and thrusted it through the guard's stomach, and through the wood. Through deep breathes, the injured guard panted "Whah, you don't, not like, why?" The armored man took the hilt of his sword, notching it upward inside the man's chest. He cried out in pain. "I'm Henry. And what you've been doing here, it's sick and it's wrong. And I'm here to stop it" he shook his head. "You know, that sounded so much cooler in my head" Henry drew the blade from his victim, who fell to the floor, bleeding profusely. A guard ran at him, sword high over his head. Henry swung his blade, batting it aside and pinning it to the floor. Henry slammed his armored fist into the guard's face, again and again. The guard fell back, and Henry sliced off his foot. The guard fell to the floor, screaming. Every guard in the tunnel had their weapons drawn, their eyes glued to him. The slaves watched, still and bewitched by their savior. Their was a tense moment, where all of the combatants sized each other up. Then, one from behind Henry, who thought he had an advantage attacking from a blind spot. He moved in with a powerful blow to the back of the neck Henry parried violently, almost knocking the blade from his attackers hand. Using the opening, he stabbed his attacker through the chest. They all came at him at once, whilst his blade was busy. He slipped the shield from his back and swung it around: most guards ducked, some got hit. Henry gripped his hilt hard, and drew his blade from the corpse, swinging it in a wide arc. Henry lashed out, striking one of them in the stomach with his blade. As the guard buckled over, he caught him over the head with his shield. Henry swung it at another guard, who ducked, but he managed to slash his back. Henry readied his blade and just shoved it through a guard. The attack lifted him off the ground. Some guards moved at him, but Henry blocked, then moved in quickly, placing the edge of his blade against a throat. "Anyone come closer, he dies" People came closer, he died. A guard ran at him, thrusting at him. Henry tried to block, but the blade slid past him and bit into his arm. Henry swung his left arm into his jaw, the guard sprawled to the floor. Henry deflected a slash and shouldered the attacker down. A man from behind kicked out the his ankle, and hands grabbed his arms, forcing him to his knees. Henry tried to break free, but the men were strong, when they outnumbered him ten to one. One guard drew his blade, and pulled it over his shoulder. "This is what happens when you fight the system. Execution" The guard slipped to the ground. There was an arrow through the back of his skull. The room gasped in shock, and Henry took the advantage. He pulled his arm free from the men, grabbing one with two hands and crashing him into another. Henry took up his sword and thrusted downward, destroying the chain mail and splitting bones. Another arrow flew, bouncing off a slavers helm. Momentarily distracted, Henry decapitated him, taking the headless man's blade and flinging it through another's skull. He caught one in the stomach with the hilt of his blade, and when he hunched over, stabbed down through the back. He kicked the ankle out of the guard, who fell, sliding out of the blade. More armed guards came running at Henry from down the tunnel. From the rafters, a small girl dropped; she landed on a guard's back, stabbed him between helm and platebody with a small knife. They both went down, only the girl came back up. A guard set upon her with his war hammer, she tried to defend but her knife was no match. It was knocked from her hands. The guard relaxed, cocky in the knowledge this girl was defenseless. She was pretty; twenty, twenty-one, brunette, small build. This little girl was so weak. He could do anything he wanted to her, and she could do nothing about it. He raised his hammer, just to scare her. She was unimpressed. She clicked her fingers, a white spark came from them. The guard froze, but when nothing happened, he advanced on her. His hammer was yanked from his hands, before he had time to turn his head the hilt was thrusted through his skull. He fell, dead. The giant Minotaur she summoned bent to one knee, and held out a hand for her. She took it, and it swung her gently through the air in an elegant arc, laying her to rest on it's shoulder. "Elikha, knife, come" she commanded. The knife flickered from existence where it lay, then flickered into the girl's hand. The Minotaur rose to it's feet, grabbing a guard and tossing him into the wall as it did so. The guard screamed in agony as his skull snapped, and every bone he had fractured The girl summoned her bow as she did with her knife, strung an arrow and released it into a guards's leg. He fell, and tried to crawl away, but the Minotaur crushed it with a footstep. All the guards left Henry to tackle the Minotaur. Twenty jumped on it at once, and try as it might, it could only bat one away at a time. As they scaled the beast's gigantic frame, the girl was constantly moving, kicking and shoving and slashing and firing arrows at the climbers. Henry picked up a fallen guard's blade and tossed through the stomach and head of two side-by-side climbers. Henry was shocked. He was used to being the hero of the show, he felt a little upstaged. This girl was good. And, he supposed, beautiful. Lushous brown hair that fell by her shoulders, some denim jeans, red top. Nice. The girl leaped from her perch as she became overwhelmed, rolling when she hit the ground. Henry ran to her, but she waved him off, speaking rapidly in a foreign tongue. "Elikha ejahai mornook ceilastif meagnoire somnabulast carumpdon!" A dark ball of shadow erupted from her hand, and it flew to the Minotaur. It grew, took a solid form. It was soon a giant war hammer. The Minotaur took it, and set to work. With dexterity that should have been beyond his clumsy fingers, he whirled the hammer around. When it struck someone, they was broken entirely, blood rained down in congealed splatters of gore and death. The slaves, terrified, fled. It let them past. The guards tried to flee, but the creature had no mercy. It smashed and crushed them at will. Corpses flew around the room, horribly disfigured from the raining blows. One weak man tried to escape, but the Minotaur held his weapon high, bringing it down upon the poor fool. As it fell, it snapped a rafter. A network of cracks spread, and their was a wicked snap and the whole thing collapsed on one side. The ceiling began to shake. "RUN!!!" the girl shrieked, fleeing to the Minotaur. Before it could bend down she scaled up it's back to the shoulder. "Come on!" she yelled to Henry, who scaled to the right shoulder. "Minotaur!" commanded the girl."Flee!" she turned to Henry. "Grab the horn, be careful not to let it poke your eye out!" The Minotaur sprinted to the only exit, the tunnel that was just high enough to house it. Along the tunnel were support beams, keeping the whole thing upright. The Minotaur slimmed his hammer alongside the wall, cracking each and every one. "What's your name?" Henry asked the girl. "Evaire. There'll be more outside. You ready?" The Minotaur broke from the confines of the tunnel into the open air. Evaire let loose an arrow, which slipped through the visor of a helm. The guards outside were trying to gather them up. There were only six or so. There were twenty horse-drawn carriages, each with a cart at the back, filled with ore. They were headed to the source of the slavery rings. Exactly the place Henry needed to go. "We'll get the slavers" said Evaire. "Make sure the collectors don't get away!" Henry slipped off the Minotaur's high shoulder and ran at the carriages. Evaire let an arrow loose, it struck a guard at the base of the spine. She drew another arrow, and fired it through a guard's leg, he fell and screamed in pain. She clicked her fingers and said some words in Latin. Two eagles flew from nowhere, after the guards. But the Minotaur was now greatly weakened. Evaire recalled it back into it's pouch, dropping to the ground. Several carts had gone, but a few were only starting to flee. Henry managed to grip the ledge of a cart and hoist his legs inside. An armed collector ran to meet him, ax drawn. He came with a chop, but Henry whipped the shield from his back and deflected the blow, then struck the collector over the head and shoved him off the moving cart. He hopped over the link between cart and carriage. Henry tried the door, but it was locked, so Henry snapped the lock with his shield. The door fell, of it's hinges, and Henry strolled into the carriage, head bent down so he would fit. Someone came at him with a blade, and Henry stabbed him through the chest, breaking all the ribs. Henry shifted his weight and pulled, the guy fell to the floor. Henry stepped over him, to the last man left inside. The carriage was finely decorated and comfortable. A well dressed man was backed into the corner. "Where's this headed?" "I won't tell you anything" "Yeah, that's new..." Henry pulled back his blade and and chopped it down on the man's thigh. He screamed. "O.K O.K!! I'll tell you!" The wood of the carriage groaned and swayed, swelling inward. Henry was forced into a crouch as the roof over his head pushed down. Henry tried to push his back against it, but it encompassed him, pushed in his stomach, left him with no air. The man in corner was screaming, some of his limbs were crushed. The wood shook, trembled, and swelled. Henry gasped for breath. Suddenly, everything rippled outwards. Violently. Everything exploded. The wood snapped into jagged missiles, some penetrating the driver, others killing the horses. Henry was tossed through the air, he snapped into the ground. "Henry!" Evaire screamed. She ran to him, slipped her hand behind his back and helped him into a sitting position. He was bloody, winded, but O.K. "We lost them" Evaire shook her head. "We never needed the carts. I know where he is. The ringleader" Henry got up. "Where? What" "I've been doing this a while, destroying these rigs. I've known where he is for a while. But you saw what he did to the carriage. He's an exceptionally powerful mage. I can't take him alone. You've been doing this longer than I have. I need you" Evaire summoned a white stallion. There was just empty air, and then it was there. She climbed up, holding out a hand to Henry. He took it, and climbed up, swinging his leg over the horse and landing behind her. "Where" "Varrock"
- Reload Speed: Magazine Capacity: 18 – 55 Radius: Fuse time: Game[[]]Borderlands Special Part(s): body3_Tediore_Savior The Savior is a Legendary Submachine Gun manufactured by Tediore. Examples are on the talk page.
- For her work against the evils of Kaze'aze and Dark Anmon, Elesis is being honored with the title of Savior. The title of Savior is reserved only for the greatest Knights whose skills have transcended those of mere mortals. Not simply a defender against evil, they defend the entire world from evil. Saviors move very quickly while effortlessly wielding a pair of swords called Ssanggeom. Each sword is an extension of the Savior's arm. Enemies who have confronted Saviors on the battle field know to dread the quick, sweeping strikes of the Savior. Saviors are the ultimate swordsmen who recognize the drawbacks of a single sword and make up for them by carrying two.
- The Savior is a normal shield in Diablo III. It requires character level 52 to be used.
- A 1998 film about the Bosnian war, starring Dennis Quaid as Joshua "Guy" Rose, a U.S. Marine turned mercenary and Nataša Ninković as Vera, the woman he is escorting to a U.N. safe zone. Stationed in Paris on embassy guard duty, Josh witnesses the death of his wife and son by Muslim suicide bombers. Immediately after the funeral of his wife and son, Joshua storms into the nearest mosque and guns down the worshipers inside. His buddy Peter (Stellan Skarsgård) catches up to him just in time to shoot a survivor who was going to shoot Joshua. To avoid being prosecuted for murder, Joshua and Peter run off to join the French Foreign Legion. After getting bored with the Foreign Legion, Josh Guy and Pete become mercenaries and end up working for the Serbs in the Bosnian War. During a prisoner exchange, Guy encounters Vera and saves her and her child soon afterward. He becomes her only hope for survival. She becomes his only hope for redemption. Tropes:
* A Nazi by Any Other Name: the Bosnian, Croat, and Serb soldiers all qualify.
* Anyone Can Die
* Armies Are Evil: Played straight with the Balkan factions.
* Ate His Gun: Vera tries to do this with Goran's gun right after giving birth, but is stopped by Guy.
* Blood on These Hands
* Child by Rape: The baby girl
* Child Soldiers: The little girl who walks up to the guard-post, smiling. Pete offers her some gum. He radios over to Guy, telling him how he don't give a damn about the Captain's stories and how "we're not gonna become baby-killers". Death by Irony ensues.
* Church Militant: The Muslims are particularly depicted as such.
* Not really. That's how only Goran described them. While Mujahideen from the Arab world did come to assist the Bosnian Muslims, the term was used as a slur in this context as Goran, like many others of his contemporaries, were blinded by nationalist propaganda.
* Crapsack World: The Balkan countryside, where war is a constant, gas is no-where to be found, and none of the tits work.
* Cruel and Unusual Death: The sledgehammer executions
* Cold Sniper: Guy
* Colonel Kilgore: The Croat executioner.
* Dangerous Deserter: Guy is seen as one after gunning down Goran
* Dead Guy on Display: The lynched priest
* Dead Sidekick
* Death by Irony: Pete
* Die Laughing: Goran laughs at Guy's reprimands and weapon aimed at him. He swings his own gun around, but not fast enough.
* Do Not Do This Cool Thing: Not this time. The film does a very good job of portraying just how brutally sickening war is.
* Doomed Hometown: Vera's
* Face Death with Dignity: Vera
* Genre Blindness: Goran advises Guy to not be so naive about the "truce". Peter refuses to believe the stories about Child Soldiers.
* Honor-Related Abuse: Vera's father can't abide that she got raped by a Muslim.
* Infant Immortality: Very narrowly subverted, as the baby almost dies several times.
* Interrupted Suicide: Vera, right after giving birth
* Kick the Dog: All over the place
* Kill'Em All: The various massacre scenes
* Kill the Ones You Love: Almost happens when Guy puts his hand over the baby's mouth to keep her noise from giving away their position.
* Leave No Survivors: The whole point of ethnic cleansing.
* Like You Would Really Do It: The mocking smirk of Goran's face says this - right before being shot by Guy.
* Living MacGuffin: Guy makes it his personal mission to keep the baby safe at all costs.
* Meaningful Funeral: Subverted, as Joshua storms off as soon as the ceremony is done to get revenge.
* Meaningful Name: Joshua = Yeshua = Jesus.
* Peter is his loyal buddy.
* A rose is a flower of great meaning, given to signify love or mourning.
* Josh changes his name to "Guy", becoming an "anonymous everyman".
* Vera is a common name in Slavic nations meaning "faith".
* My God, What Have I Done?
* No One Gets Left Behind: The Foreign Legion stressed this point.
* Later, we see Guy snipe several Bosnian troops who venture out to retrieve their fallen comrades.
* No Woman's Land: Systematic rape of captured women
* Not So Different: Goran brags that he and other Serbs rape captured Bosnian women. Guy points out that the Bosnians do the same to captured Serbian women.
* Goran replies: "Our women are stronger"
* may be some truth to that, considering what Vera and her daughter survived. Apparently a Serbian newborn can stomach fresh-from-the-teat goat's milk.
* Obligatory War Crime Scene: Goran hacking off a Bosnian woman's finger to steal her ring, and leaving her to bleed to death.
* Pet the Dog: Or rather, "save the cat"
* Plunder: Goran chopping a ring off a dying woman's finger
* Post-Rape Taunt: When Goran is boasting to Guy about raping a young Bosnian woman, she curses at him. He purposely mistranslates for Guy, saying, "You know what she said? She said I was the best she ever had!"
* Redemption Equals Death: subverted
* Sociopathic Soldier: Goran
* These Hands Have Killed
* U.N Peacekeepers Are Useless
* Unfriendly Fire: Guy kills Goran
* Urban Warfare
* War Is Hell: Pretty much the entire point of the film.
- Savior (救済者 Kyūsai sha) is a Skill from Fire Emblem Path of Radiance and Fire Emblem: Radiant Dawn. This skill allows its user to Rescue other units without receiving penalties to his/her Skill and Speed stats.
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